Mary (name)
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Mary (name)
Mary is a feminine given name, the English form of the name Maria, which was in turn a Latin form of the Greek name grc, Μαρία, María, label=none or grc, Μαριάμ, Mariam, label=none, found in the Septuagint and New Testament. The latter reflects the original Hebrew pronunciation of the name (Masoretic pronunciation ), as attested by the Septuagint. The vowel "a" in a closed unaccented syllable later became "i", as seen in other names such as "Bil'am" (Balaam) and "Shimshon" (Samson). Etymology The name may have originated from the Egyptian language; it is likely derivative of the root , meaning "love; beloved"A. Maas"The Name of Mary" ''The Catholic Encyclopedia'' (1912), citing Fr. von Hummelauer (''in Exod. et Levit.'', Paris, 1897, p. 161) (compare , "Merit-Amun", i.e. "beloved of Amun"). The name was early etymologized as containing the Hebrew root , meaning "bitter" (cf. myrrh), or , meaning "rebellious". St. Jerome (writing ), following Eusebius of Caesar ...
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Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only sign ...
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