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Margot Fonteyn
Dame Margaret Evelyn de Arias DBE (''née'' Hookham; 18 May 191921 February 1991), known by the stage name Margot Fonteyn, was an English ballerina. She spent her entire career as a dancer with the Royal Ballet (formerly the Sadler's Wells Theatre Company), eventually being appointed '' prima ballerina assoluta'' of the company by Queen Elizabeth II. Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work. Her training in Shanghai was with Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet. Returning to London at the age of 14, she was invited to join the Vic-Wells Ballet School by Ninette de Valois. She succeeded Alicia Markova as prima ballerina of the company in 1935. The Vic-Wells choreographer, Sir Frederick Ashton, wrote numerous parts for Fonteyn and her partner, Robert Helpmann, with whom she danced from the 1930s to the 1940s. In 1946, the comp ...
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Dame
''Dame'' is an honorific title and the feminine form of address for the honour of damehood in many Christian chivalric orders, as well as the Orders, decorations, and medals of the United Kingdom, British honours system and those of several other Commonwealth realms, such as Australia and New Zealand, with the masculine form of address being ''Sir''. It is the female equivalent for knighthood, which is traditionally granted to males. Dame is also style used by baronetesses Suo jure, in their own right. A woman appointed to the grades of the Dame Commander or Dame Grand Cross of the Order of Saint John (Bailiwick of Brandenburg), Order of Saint John, Equestrian Order of the Holy Sepulchre, Most Honourable Order of the Bath, the Most Distinguished Order of Saint Michael and Saint George, the Royal Victorian Order, or the Most Excellent Order of the British Empire becomes a dame. A Central European order in which female members receive the rank of Dame is the Order of St. George (H ...
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Choreographer
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of hum ...
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Second World War
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvat ...
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Sylvia (ballet)
''Sylvia'', originally ''Sylvia, ou La nymphe de Diane'', is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. ''Sylvia'' is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The work is notable for its mythological Arcadian setting, creative choreographies, expansive sets and, above all, its remarkable score. When ''Sylvia, ou La nymphe de Diane'' premiered on 14 June 1876 at the Palais Garnier, it went largely unnoticed by the critics. The first seven productions of ''Sylvia'' were not commercially successful. The 1952 revival, choreographed by Sir Frederick Ashton, popularized the ballet. The 1997, 2004, 2005 and 2009 productions were all based on Ashton's original choreography. History Preparations The origins of the ballet ''Sylvia'' are in the Italian poet Tasso's play '' Aminta'' (1573), which provided the basic plot for the French composer Leo Del ...
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Ondine (ballet)
::''See also Ondine, ou La naïade for the ballet on the same theme by Pugni and Perrot'' ''Ondine'' is a ballet in three acts created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze. Ashton originally produced ''Ondine'' for the Royal Ballet in 1958, with Henze commissioned to produce the original score, published as ''Undine'', which has since been restaged by other choreographers. The ballet was adapted from a novella titled ''Undine'' by Friedrich de la Motte Fouqué and it tells the tale of a water nymph who is the object of desire of a young prince named Palemon. The première of the ballet took place at the Royal Opera House, London, on 27 October 1958, with the composer as guest conductor. The first major revival of this Ashton/Henze production took place in 1988. History The three-act ballet of ''Ondine'' was commissioned and produced for The Royal Ballet in 1958 by the choreographer Sir Frederick Ashton. The resulting ballet was a collabor ...
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Daphnis And Chloe
''Daphnis and Chloe'' ( el, Δάφνις καὶ Χλόη, ''Daphnis kai Chloē'') is an ancient Greek novel written in the Roman Empire, the only known work of the second-century AD Greek novelist and Hellenistic romance, romance writer Longus. Setting and style It is set on the Greek isle of Lesbos, where scholars assume the author to have lived. Its style is rhetorical and pastoral; its shepherds and shepherdesses are wholly conventional, but the author imparts human interest to this idealized world. ''Daphnis and Chloe'' resembles a modern novel more than does its chief rival among Greek erotic romances, the ''Aethiopica'' of Heliodorus of Emesa, Heliodorus, which is remarkable more for its plot than for its characterization. Plot summary ''Daphnis and Chloe'' is the story of a boy (Daphnis) and a girl (Chloe), each of whom is Infanticide#Greece and Rome, abandoned at birth along with some identifying tokens. A goatherd named Lamon discovers Daphnis, and a shepherd called ...
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Cinderella (Ashton)
This version of the ''Cinderella'' ballet, using Sergei Prokofiev's ''Cinderella'' music and re-choreographed by Frederick Ashton, is a comic ballet. Ballet productions Plot outline Ashton's ''Cinderella'' is his own realised dream of a Petipa ballet and the ballet itself enacts the realisation of dreams, notably Cinderella's own. When we first see her she is a demi-caractere dancer dreaming of being a ballerina—that seems to be the balletic point of her solo with the broomstick in the kitchen—and it is as a ballerina that she magically enters the ballroom, stepping ''en pointe'' down the stairs and advancing in ''pas de bourree'' to the front of the stage. Back in the kitchen she recalls the slipper (or rather the pointe shoe) that she carries in her apron; the shoe is the clue to her dream and persuades her it was true. The Prince finds Cinderella, but in his arms she discovers her own identity as a ballerina and her dream of herself has been realised. Cinderella's ...
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Symphonic Variations (ballet)
''Symphonic Variations'' is a one-act ballet by Frederick Ashton set to the eponymous music (M. 46) of César Franck. The premiere, performed by the Sadler's Wells Ballet, took place at the Royal Opera House, Covent Garden, on 24 April 1946 in a triple bill; the other works were Ashton's '' Les Patineurs'' and Robert Helpmann's ''Adam Zero''. The ballet was conducted by Constant Lambert and the set designed by Sophie Fedorovitch. Background During the Second World War, Ashton listened to Franck's '' Symphonic Variations'' a great deal and he decided to develop an elaborate scenario to be set to the music. Constant Lambert, music director for the Sadler's Wells Ballet, at first objected to the use of Franck's music for a ballet; Ashton dropped his original scenario and created an abstract ballet. During the war, the repertory had become increasingly literary, and Ashton's purpose was to counteract this. It was not his intention to display ingenuity of invention but to construct ...
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would c ...
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Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nation ...
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Michael Somes
Michael George Somes CBE (28 September 191718 November 1994), was an English ballet dancer. He was a principal dancer of The Royal Ballet, London, and the frequent partner of Margot Fonteyn. Early years Somes was born in Horsley, Gloucestershire, England, the son of Edwin Joseph Somes (1882-1973), a professional musician, and Ethel M. M. Pridham (1889-1972), a schoolmistress. He had an elder brother, Laurence Joseph Somes (1913-1987). Career In 1934, he was awarded the first scholarship given to a male by the Royal Ballet (then known as the Vic-Wells Ballet). In 1938, he and Fonteyn created the principal rôles in the Frederick Ashton/Constant Lambert ballet '' Horoscope'', after which he was described as "potentially the finest British male dancer of the half century". He originated rôles in 24 ballets choreographed for the company by Ashton, and was the lead male dancer for the company from 1951 until the arrival of Rudolf Nureyev in 1962. From then on, Somes appeared i ...
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Covent Garden
Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist site, and with the Royal Opera House, itself known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal's Yard and Seven Dials, while the south contains the central square with its street performers and most of the historical buildings, theatres and entertainment facilities, including the London Transport Museum and the Theatre Royal, Drury Lane. The area was fields until briefly settled in the 7th century when it became the heart of the Anglo-Saxon trading town of Lundenwic, then abandoned at the end of the 9th century after which it returned to fields. By 1200 part of it had been walled off by the Abbot of Westminster Abbey for use as arabl ...
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