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Malkauns
Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. According to Indian classical vocalist Pandit Jasraj, Malkauns is a raga that is "sung during small hours of the morning, just after midnight." He further adds that the raga has a soothing and intoxicating effect. Etymology The name ''Malkaush'' is derived from the combination of ''Mal'' and ''Kaushik'', which means he who wears serpents like garlands – the god Shiva. However, the ''Malav-Kaushik'' mentioned in classical texts does not appear to be the same as the ''Malkauns'' performed today. The raga is believed to have been created by goddess Parvati to calm lord Shiva, when he was outraged and refused to calm down after Tandav in rage of Sati's sacrifice. In ''Jainism'', it is also stated that the Raga Malkauns is used by the ''Tirth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baiju Bawra (1952 Film)
''Baiju Bawra'' () is a 1952 Hindi musical romantic drama film directed by Vijay Bhatt. Produced by Prakash Pictures, with story by Ramchandra Thakur and dialogues by Zia Sarhadi, Baiju Bawra was a musical "megahit" which had a mighty run of 100 weeks in the theatres. Bhatt's decision to make a film based on classical music was met with scepticism by the Indian film industry due to its "lack of mass appeal", but the film and music turned out be an "overwhelming success". The film's music director was Naushad, who had become popular giving folk-based music in films such as ''Rattan'', ''Anmol Ghadi'', '' Shahjehan'' (1946) and '' Deedar'' (1951). With Bhatt's ''Baiju Bawra'', Naushad introduced a classical component in Hindi film songs. The soundtrack was based on classical ragas such as Puriya Dhanashree, Todi, Malkauns, Darbari and Desi. The lyricist was Shakeel Badayuni, a Naushad discovery. For ''Baiju Bawra'', he had to forgo Urdu, and write lyrics in pure Hindi, with songs s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandit Jasraj
Pandit Jasraj (28 January 1930 – 17 August 2020) was an Indian classical vocalist, belonging to the '' Mewati gharana'' (musical apprenticeship lineage). His musical career spanned 75 years resulting in national and international fame, respect and numerous major awards and accolades. His legacy includes memorable performances of classical and semi-classical vocal music, classical and devotional music, albums and film soundtracks, innovations in various genres including ''Haveli Sangeeth'' and popularizing the ''Mewati Gharana'' - a school of thought in Hindustani classical music. Pandit Jasraj taught music to amateur and professional students in India, Europe, Canada and the United States. Early life Jasraj was born on 28 January 1930 in Pili Mandori, a village in the then Hisar district (now in Fatehabad district) of Haryana, in a middle-class Brahmin family to Pandit Motiram, a classical singer and Krishna Bai. He was the youngest of three sons, in a family of cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is ''Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''audava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (thaat)
Bhairavi is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Bhairavi makes use of all the Komal swaras, Rishabh, Gandhar, Dhaivat, Nishad. When singing compositions in Bhairavi raga, the singers however take liberty to use all the 12 swaras. Bhairavi raga is named after the Shakti or feminine aspect of the cosmic life force, which is personified as a consort of Shiva (Bhairava). Ragas Ragas in Bhairavi thaat include: * Bhairavi (Hindustani), Bhairavi * Bilaskhani Todi * Bhupal Todi * Kaunsi Kanada * Komal Rishabh Asavari * Malkauns References {{reflist Hindustani music theory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandrakauns
Chandrakauns is a raga in Hindustani classical music. It is also used in tail pieces and lighter presentations of Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is .... Film Songs Language:Tamil References Hindustani ragas {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thaat
A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because the primary function of a ''thaat'' is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent ''thaat''; a raga said to 'belong' to a certain ''thaat'' need not allow all the notes of the ''thaat'', and might allow other notes. ''Thaats'' are generally accepted to be heptatonic by definition. The term ''thaat'' is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance. History The modern ''thaat'' system was created by Vishnu Narayan Bhatkhande (1860–1936), an influential musicologist in the field of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love You Hamesha
''Love You Hamesha'' () is an Indian Hindi-language romance film written and directed by Kailash Surendranath. It stars Akshaye Khanna and Sonali Bendre as its main cast, and other supporting actors. The film is a remake of the Tamil film ''May Maadham'' (1994). The soundtrack of the film is composed by A. R. Rahman with songs from the original. The film was stuck in the cans and remained unreleased for over 20 years. Sonali Bendre called her role in this film one of her best roles. The film was finally released on 7 July 2022 on YouTube on NMP Movies Channel. Plot The story revolves around young people in their early 20s coming of age. Trouble follows a young woman (Sonali Bendre) when she breaks her engagement to a mismatched man (Amitabh Nanda)and falls in love with someone else (Akshaye Khanna), whom she meets after running away from home. A search for her is initiated by the woman's father. Things take a turn when her father conspires to ruin the relationship between the du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha Bhosle
Asha Bhosle (; Mangeshkar; born 8 September 1933) is an Indian playback singer, entrepreneur and occasional actress and television personality who predominantly works in Indian Cinema. Known for her versatility, she has been described in the media as one of the most influential and successful singers in Hindi Cinema. In her career spanning over eight decades she has recorded songs for films and albums in various Indian languages and received several accolades including two National Film Awards, four BFJA Awards, eighteen Maharashtra State Film Awards, nine Filmfare Awards including a Lifetime Achievement Award and a record seven Filmfare Awards for Best Female Playback Singer, in addition to two Grammy nominations. In 2000, she was honoured with the Dadasaheb Phalke Award, India's highest award in the field of cinema. In 2008, she was honoured by the Government of India with the Padma Vibhushan, the second-highest civilian honour of the country. Additionally she holds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahendra Kapoor
Mahendra Kapoor (9 January 1934 – 27 September 2008) was an Indian playback singer. In a long career spanning decades, his repertoire included popular songs such as ''Chalo ekbaar phir se Ajnabi ban jayen hum dono'' ( Gumrah) and ''Neele Gagan ke tale'' ( Hamraaz). His name however became most closely associated with patriotic songs including Mere Desh Ki Dharti in Manoj Kumar's film Upkaar. He always considered Mohammad Rafi as his guru and cited many times that he was the best singer to be ever born. In 1972, he was awarded the Padma Shri by the Government of India. He lent his voice to actor Manoj Kumar in most of his films and had a lengthy association with director-producer Baldev Raj Chopra. Biography Mahendra Kapoor was born in Amritsar, but soon moved to Bombay. At an early age, he was inspired by legendary singer Mohammed Rafi and considered him his mentor. He started learning classical music under classical singers like Pt. Hussanlal, Pt. Jagannath Bua, Ustad Niaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Rafi
Mohammed Rafi (24 December 1924 – 31 July 1980) was an Indian playback singer and musician. He is considered to have been one of the greatest and most influential singers of the Indian subcontinent. Rafi was notable for his versatility and range of voice; his songs varied from fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans to classical songs. He was known for his ability to mould his voice to the persona and style of the actor lip-syncing the song on screen in the movie. He received six Filmfare Awards and one National Film Award. In 1967, he was honored with the Padma Shri award by the Government of India. In 2001, Rafi was honoured with the "Best Singer of the Millennium" title by Hero Honda and Stardust magazine. In 2013, Rafi was voted for the Greatest Voice in Hindi Cinema in the CNN-IBN's poll. He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arohana
Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we go up from Shadja (Sa) to the Taar Shadja (Sa), possibly in a crooked (vakra) manner. Scale In Hindustani classical music, the ascending scale's notes are S R G M P D and N. Lower forms of notes are written in lower case, like r g m d n (S and P are fixed notes), while the first scale given above is that of higher form of the notes. The English notes C D E F G A and B correspond to S R G M P D and N, when C is taken as the tonal note (S is sung at C). In Carnatic music, the ascending scale's notes for the variant notes R G M D and N have a subscript number indicating the specific variant (see examples below). Examples In Multani, the aroha is 'N S g M P N S' (lowercase notes are the lower forms, while uppercase notes are the higher f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
