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MPU-401
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/ IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MPU-401
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MPU-401 (Ver
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MPU-IPC-T
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Mpu-ipc-t
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II. * MIF-C64: For the Commodore 64. * MIF-FM7: For the Fujitsu FM7. * MIF-IPC: For the IBM PC/IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM AT, works with PC and XT as well. * Xanadu MUSICOM IFM-PC: For the IBM PC / IBM XT / IBM AT. This was a third p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland SCC-1
The Roland SC-55 ( Sound Canvas) is a GS MIDI sound module released in 1991 by Roland. The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series. The SC-55 used both PCM and a cut-down version of the LA synthesis engine, to support 24-voice polyphony with 16-part multitimbrality. It came preloaded with the Roland MT-32's variation bank, but lacked the MT-32's re-programmability. Aimed at PC music enthusiasts, the SC-55 featured 317 instrument patches, including the GS drum kits and additional controllers. The selection of effects includes reverb and chorus. Alongside the SC-55, Roland released the SB-55 (Sound Brush), an inexpensive MIDI sequencer module the same size as the Sound Canvas. Both the Sound Canvas and Sound Brush could be rackmounted alongside each other. Other models with comparable tone generators include Roland CM-300, Roland CM-500 and Roland SC-155 sound modules. CM-300 and CM-50 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland SC-55
The Roland SC-55 ( Sound Canvas) is a GS MIDI sound module released in 1991 by Roland. The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series. The SC-55 used both PCM and a cut-down version of the LA synthesis engine, to support 24-voice polyphony with 16-part multitimbrality. It came preloaded with the Roland MT-32's variation bank, but lacked the MT-32's re-programmability. Aimed at PC music enthusiasts, the SC-55 featured 317 instrument patches, including the GS drum kits and additional controllers. The selection of effects includes reverb and chorus. Alongside the SC-55, Roland released the SB-55 (Sound Brush), an inexpensive MIDI sequencer module the same size as the Sound Canvas. Both the Sound Canvas and Sound Brush could be rackmounted alongside each other. Other models with comparable tone generators include Roland CM-300, Roland CM-500 and Roland SC-155 sound modules. CM-300 and CM-500 mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland LAPC-I
The Roland LAPC-I is a sound card for IBM PC compatible computers produced by Roland Corporation. It basically consists of a MT-32-compatible Roland CM-32L and a MPU-401 unit, integrated onto a single full-length 8-bit ISA card. In addition to normal Roland dealers aimed at musicians, it was distributed in the United States by Sierra On-Line in 1989 for use with the company's games. The MSRP of the card was around US$425. History Sierra On-Line was instrumental in working with Roland Corporation in introducing high-end sound modules and sound cards in the mainstream computer game market in the late 1980s through early 1990s. The card came with no software or accessories, although no specific software was necessary, since the MT-32 appeared as a MIDI peripheral connected to the MPU-401 on MIDI channels 2 through 10. To connect the LAPC-I to other MIDI devices, an MCB-1 module is required. A model called the LAPC-N was also released for the Japanese NEC PC-98 system. To conn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MPU-PC98II Panel
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and '' Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MPU-401AT
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and '' Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MPU-IMC
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and '' Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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