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Lucky Thompson Plays Happy Days Are Here Again
''Lucky Thompson Plays Happy Days Are Here Again'' is an album led by saxophonist Lucky Thompson recorded in 1965 and released on the Moodsville label. accessed May 20, 2013 Reception awarded the album 3 stars.AllMusic Reviewaccessed May 20, 2013 Track listing # "" ( |
Lucky Thompson
Eli "Lucky" Thompson (June 16, 1924 – July 30, 2005) was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson (along with Steve Lacy) embraced the instrument earlier than Coltrane. Early life Thompson was born in Columbia, South Carolina, and moved to Detroit, Michigan, during his childhood. Thompson had to raise his siblings after his mother died, and he practiced saxophone fingerings on a broom handle before acquiring his first instrument. He joined Erskine Hawkins' band in 1942 upon graduating from high school. Career After playing with the swing orchestras of Lionel Hampton, Don Redman, Billy Eckstine (alongside Dizzy Gillespie and Charlie Parker), Lucky Millinder, and Count Basie, he worked in rhythm and blues and then established a career in bebop and hard bop, working with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Merrill
Henry Robert Merrill Levan (May 17, 1921 – February 17, 1998) was an American songwriter, theatrical composer, lyricist, and screenwriter. He was one of the most successful songwriters of the 1950s on the US and UK single charts. He wrote musicals for the Broadway stage, including ''Carnival!'' (music and lyrics) and '' Funny Girl'' (lyrics). Life and career Merrill played an important role in American popular music; though not able to play a musical instrument, he tapped out many of the hit parade songs of the 1950s on a toy xylophone,Haun, Harry"Bob Merrill: The Music That Made Him"playbill, August 25, 2011 including " (How Much Is) That Doggie in the Window?", " Mambo Italiano" and "If I Knew You Were Comin' I'd've Baked a Cake""Bob Merrill" songhall.org, accessed March 24, 2019 as well as writing music and lyrics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucky Thompson Albums
Lucky may refer to: *An adjective of luck Lucky may also refer to: Film and television * '' Lucky: No Time for Love'', a 2005 Hindi-language romance starring Salman Khan, Sneha Ullal, and Mithun Chakraborty * ''Lucky'', a 2005 short film by Avie Luthra * ''Lucky'', a 2010 American documentary by Jeffrey Blitz * ''Lucky'' (2011 film), an American crime comedy starring Colin Hanks * ''Lucky'' (2012 Kannada film), a romantic comedy * ''Lucky'' (2012 Telugu film), a romantic comedy * ''Lucky'' (2017 American film), an American drama directed by John Carroll Lynch and starring Harry Dean Stanton * ''Lucky'' (2017 Italian film), Italian name ''Fortunata'', an Italian melodrama directed by Sergio Castellitto * ''Lucky'' (2019 film), American animated film * ''Lucky'' (2020 film), an American horror film starring Brea Grant * ''Lucky'', a 2020 Belgian film by Olivier Van Hoofstadt * ''Lucky'' (American TV series), a 2003 American dark-comedy series * ''Lucky'' (Indian TV serie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Perkins (musician)
Walter "Baby Sweets" Perkins (February 10, 1932 in Chicago, Illinois – February 14, 2004 in Queens, New York) was an American jazz drummer. Starting out in Chicago, Perkins began his professional career with Ahmad Jamal in 1956–57. He recorded for Argo Records in 1957 as a leader under the name MJT+3 with on trumpet, Nicky Hill on tenor sax, Muhal Richard Abrams on piano, and Bob Cranshaw on bass. In 1959, he regrouped under the same name with Willie Thomas on trumpet, Frank Strozier on alto sax, Harold Mabern on piano, and Cranshaw on bass; they recorded for Vee-Jay in 1959 and 1960 and played in Chicago until 1962, when he moved to New York City. Perkins played with Sonny Rollins in 1962 and accompanied Carmen McRae in 1962–63. In 1964 he played with Art Farmer and Teddy Wilson. Following this he recorded with many musicians, including Rahsaan Roland Kirk, George Shearing, Gene Ammons, Charles Mingus, Billy Taylor, Booker Ervin, Jaki Byard, Lucky Thompson, Pat Marti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
George Tucker (musician)
George Andrew Tucker (December 10, 1927, in Palatka, Florida – October 10, 1965, in New York City) was an American jazz double-bassist. Career Tucker studied bass at the New York Conservatory of Modern Music in the late 1940s. Early in his career, he played with Earl Bostic, John Coltrane, and Jackie McLean. He worked in the house bands of several lauded New York jazz venues, such as the Continental Lounge, The Playhouse, and Minton's; he played with Eric Dolphy, Clifford Jordan, Horace Parlan, Booker Ervin, Jerome Richardson, and Junior Mance during this time. In 1958, he recorded with Melba Liston on her jazz classic, '' Melba Liston and Her 'Bones''. In 1960–61 he recorded with Stanley Turrentine, Parlan, Ervin, Dexter Gordon, and Shirley Scott, and in 1962–63 he toured with the trio of Dave Lambert, John Hendricks and Yolande Bavan. Near the end of his life Tucker recorded with Coleman Hawkins and Jaki Byard. George Tucker died from a cerebral hemorrhage while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album '' Saxophone Colossus''. Recordings under various leaders, including '' Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
