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Low-key Lighting
Low-key lighting is a style of lighting for photography, film or television. It is a necessary element in creating a chiaroscuro effect. Traditional photographic lighting ( three-point lighting) uses a key light, a fill light and a back light for illumination. Low-key lighting often uses only a key light, optionally controlled with a fill light or a simple reflector. Low key light accentuates the contours of the subject by throwing areas into shade while a fill light or reflector may illuminate the shadow areas to control contrast. The relative strength of key-to-fill, known as the lighting ratio, can be measured using a light meter. Low key lighting has a higher lighting ratio, e.g., 8:1, than high-key lighting, which can approach 1:1. The term "low key" is also used in cinematography and photography to refer to any scene with a high lighting ratio, especially if there is a predominance of shadowy areas. It tends to heighten the sense of alienation felt by the viewer, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony A77 II
The Sony Alpha 77 II (ILCA-77M2), stylized as the Sony α77 II, is an interchangeable-lens camera aimed at the advanced amateur. It replaced the Sony Alpha 77 model in June 2014. It is similar in design to its predecessor, including the use of a SLT transparent mirror and electronic viewfinder. Specifications The successor of Sony Alpha 77 model, the Sony Alpha 77 II is similar in design to its antecedent, including the use of a SLT transparent mirror and electronic viewfinder. It features a BIONZ X image processor and is compatible with A-mount lenses. GPS has been dropped in favour of Wi-Fi and NFC. The focus area is wider and denser, with a class-leading 79 AF points including 15 crossing sensor combined with subject tracking and eye-focus capabilities. The SLT design avoids the need to flip the mirror out of the way with every shot, allowing a rapid 12 fps burst speed for up to 60 frames in full resolution. Unlike most DSLR cameras, the phase-detect focus unit is operational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lighting Ratio
Lighting ratio in photography refers to the comparison of key light (the main source of light from which shadows fall) to the fill light (the light that fills in the shadow areas). The higher the lighting ratio, the higher the contrast of the image; the lower the ratio, the lower the contrast. Since the lighting ratio is the ratio of the light levels on the brightest lit to the least lit parts of the subject, and the brightest lit are lit by both key (K) and fill (F), therefore the lighting ratio is properly (K+F):F although for contrast ratios of 4:1 or more, then K:F is sufficiently accurate. Light can be measured in footcandles. A key light of 200 footcandles and a fill light of 100 footcandles have a 3:1 ratio (a ratio of three to one) whereas a keylight of 800 footcandles and a fill light of 200 footcandles has a ratio of 4:1 according to the lighting ratio formula. The ratio can be determined in relation to F stops since each increase in f-stop is equal to double the amount ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-key Lighting
High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood. It is often used in works of comedy. High-key lighting is usually quite homogeneous and free from dark shadows. The terminology comes from the higher balance in the ratio between the key light and the fill light in a traditional three-point lighting setup. In the 1950s and 1960s, high-key lighting was achieved through multiple light sources lighting a scene—usually using three fixtures per person (left, right, and central)—which resulted in a uniform lighting pattern with very little modeling. Nowadays, multiple hot light sources are replaced with much more efficient fluorescent Fluorescence is the emission of light by a substance that has absorbed l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contre-jour
Contre-jour (French for "against daylight") is a photographic technique in which the camera is pointing directly toward a source of light and an equivalent technique of painting. Description Before its use in photography, contre-jour was used in painting, where the shadows would fall to the left on the left, to the right on the right and forward in the lower centre. The edges of the subject would show surprising colour effects. Contre-jour produces backlighting of the subject. This effect usually hides details, causes a stronger contrast between light and dark, creates silhouettes and emphasizes lines and shapes. The sun, or other light source, is often seen as either a bright spot or as a strong glare behind the subject. Fill light may be used to illuminate the side of the subject facing toward the camera. The subject is generally considered silhouetted when there is a lighting ratio of 16:1 or more. See also *High-dynamic-range imaging In photography and videogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low-key Photography
Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the " key" or front light illuminating the scene (low-key lighting), and emphasizing natural or artificial light only on specific areas in the frame. This photographic style is usually used to create a mysterious atmosphere, that only suggests various shapes, often graphic, letting the viewer experience the photograph through subjective interpretation and often implies painting objects or the human body with black non-toxic dyes or pigments. Renaissance and Baroque, represented by different painting styles including sfumato and chiaroscuro used by artists like Leonardo da Vinci and Rubens), tenebroso (it. dark, mysterious) used by artists such as Caravaggio, Rembrandt, Jusepe de Ribera among others, produced paintings in which black was predominant on the canvas and the light often come from only one source to achieve dramatic scenes. Edward Weston, Yousuf Karsh and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture, dance, painting, sculpture and cinema. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genres
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Film
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of ''Dracula'' (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-key Lighting
High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood. It is often used in works of comedy. High-key lighting is usually quite homogeneous and free from dark shadows. The terminology comes from the higher balance in the ratio between the key light and the fill light in a traditional three-point lighting setup. In the 1950s and 1960s, high-key lighting was achieved through multiple light sources lighting a scene—usually using three fixtures per person (left, right, and central)—which resulted in a uniform lighting pattern with very little modeling. Nowadays, multiple hot light sources are replaced with much more efficient fluorescent Fluorescence is the emission of light by a substance that has absorbed l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Light Meter
A light meter is a device used to measure the amount of light. In photography, a light meter (more correctly an exposure meter) is used to determine the proper exposure (photography), exposure for a photograph. The meter will include either a Digital data, digital or analog calculator which displays the correct shutter speed and f-number for optimum exposure, given a certain lighting situation and film speed. Similarly, exposure meters are also used in the fields of cinematography and scenic design, in order to determine the optimum light level for a scene. Light meters are used in the general field of architectural lighting design to verify proper installation and performance of a building lighting system, and in assessing the light levels for growing plants. Use in photography The earliest type of light meters were called ''Complex index of refraction, extinction meters'' and contained a numbered or lettered row of neutral density filters of increasing density. The p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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