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Lovefool
"Lovefool" is a song written by Peter Svensson and Nina Persson for Swedish rock band the Cardigans' third studio album, '' First Band on the Moon'' (1996). It was released as the album's lead single in Sweden in mid-1996 and on 9 September 1996 in the United Kingdom. In the United States, the song was serviced to radio in August 1996. A few months after its release, the track was included in the Baz Luhrmann film ''Romeo + Juliet'', helping the song gain international recognition. "Lovefool" peaked at number two on the UK Singles Chart following a re-release in 1997 and achieved moderate success on other European charts. In North America, it reached number three in Canada and number two on the US ''Billboard'' Hot 100 Airplay Chart (it did not appear on the Hot 100 due to rules in place at the time). In Australasia, the song topped the New Zealand Singles Chart and climbed to number 11 in Australia, earning gold sales certifications in both regions. Background Persson wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Band On The Moon
''First Band on the Moon'' is the third studio album by the Cardigans. It features the international single "Lovefool". It was first released on 12 August 1996 and internationally on 9 September 1996. The album was a major breakthrough for the band, both in their native Sweden and internationally. It is their best-selling album in the United States, having sold around 664,000 copies there as of September 2010. Track listing "Happy Meal II" is a re-recording of "Happy Meal", a song that was originally a bonus track on the US edition of ''Life (Cardigans album), Life'', with some minor lyric changes. Black Sabbath connections At least two songs on the album directly reference Black Sabbath material. In addition to the cover "Iron Man (song), Iron Man", "Heartbreaker" begins and ends with a quotation of the primary material from the song "Black Sabbath (song), Black Sabbath", the first track on Black Sabbath's debut album. Personnel *Lars-Olof Johansson – keyboards, piano *B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cardigans
The Cardigans is a Swedish rock band formed in Jönköping, Sweden, in 1992 by guitarist Peter Svensson, bassist Magnus Sveningsson, drummer Bengt Lagerberg, keyboardist Lars-Olof Johansson and lead singer Nina Persson. Post-hiatus shows since 2012 have been with Oskar Humlebo on guitar instead of Svensson. With their debut album '' Emmerdale'' (1994) they gained a solid base in their home country and enjoyed some success abroad, especially in Japan. Their second album ''Life'' (1995) secured them an international reputation. Their popularity rose when their single " Lovefool", from the album '' First Band on the Moon'' (1996), was included in the soundtrack to the 1996 film '' Romeo + Juliet''. Other singles included "Erase/Rewind" and " My Favourite Game" from the album '' Gran Turismo'' (1998). After a two-year hiatus, the band returned recording and releasing their fifth album ''Long Gone Before Daylight'' (2003), a mellower country-flavoured record. Their last album so f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Been It
"Been It" is a song by Swedish band the Cardigans, released from their third studio album, ''First Band on the Moon''. In additional to reaching number 26 on the UK Singles Chart, the song also became an alternative hit in Canada, climbing to number nine on the '' RPM'' Alternative 30. Formats and track listings All songs were written by Nina Persson and Peter Svensson. * German CD single # "Been It" – 3:41 # "Blah Blah Blah" – 2:58 * European, UK, and Australia CD single # "Been It" – 3:41 # "Been It" – 3:40 # "Blah Blah Blah" – 2:58 # "Losers" – 3:15 * UK limited-edition 7-inch single :A. "Been It" – 3:41 :B. "Been It" – 3:40 * US 12-inch single # "Been It" – 6:59 # "Been It" – 6:15 # "Lovefool" – 7:56 # "Lovefool" – 7:10 * Canadian and US CD single # "Been It" – 6:59 # "Been It" – 6:16 # "Been It" – 4:06 # "Lovefool" – 7:58 # "Lovefool" – 7:10 Credits and personnel Credits are adapted from the liner notes of ''First Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was "Poor Little Fool" by Ricky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot 100 Airplay (Radio Songs)
The Radio Songs chart (previously named Hot 100 Airplay until 2014 and Top 40 Radio Monitor until 1991) is released weekly by ''Billboard'' magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales (both physical and the digital) and streaming activity, that determine the chart positions of songs on the ''Billboard'' Hot 100. History Radio airplay has always been one of the component charts of the Hot 100. Prior to the establishment of the Hot 100, ''Billboard'' published a radio airplay chart, a singles sales chart and a jukebox play chart, the last of which was discontinued in 1959 as jukeboxes lost their popularity. During the 1960s and 1970s, ''Billboard'' continued to collect airplay data as a component of the Hot 100 but did not make the chart public. The airplay-only chart debuted as a 30-position chart on October 20, 1984, and was expanded to 40 posi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo + Juliet
Romeo Montague () is the male protagonist of William Shakespeare's tragedy ''Romeo and Juliet''. The son of Lord Montague and his wife, Lady Montague, he secretly loves and marries Juliet, a member of the rival House of Capulet, through a priest named Friar Laurence. Juliet then becomes Juliet Montague. Forced into exile after slaying Juliet's cousin, Tybalt, in a duel, Romeo commits suicide upon hearing falsely of Juliet's death. The character's origins can be traced as far back as Pyramus, who appears in Ovid's ''Metamorphoses'', but the first modern incarnation of Romeo is Mariotto in the 33rd of Masuccio Salernitano's ''Il Novellino'' (1476). This story was reworked in 1524 by Luigi da Porto as ''Giulietta e Romeo'' (published posthumously in 1531). Da Porto named the character Romeo Montecchi and his storyline is near-identical to Shakespeare's adaptation. Since no 16th-century direct English translation of ''Giulietta e Romeo'' is known, Shakespeare's main source i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Minor
A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: : : Well-known compositions in A minor *Johann Sebastian Bach ** Violin Concerto in A minor, BWV 1041 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" * Johannes Brahms **Double Concerto, Op. 102 * Frédéric Chopin ** Étude Op. 10, No. 2 ** Étude Op. 25, No. 4 ** Étude Op. 25, No. 11, ''Winter Wind'' ** Mazurka Op. 17, No. 4 ** Mazurka Op. 59, No. 1 ** ''Boléro'', Op. 19 ** Prelude No. 2 in A minor, Op. 28/2 ** Waltz in A minor, Op. 34, B. 150 *Franz Liszt ** Transcendental Étude No. 2, ''Fus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
