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Liu Hulan (opera)
Liu Hulan
Liu Hulan
(刘胡兰) is a 1954 Chinese-language western-style opera by Chen Zi. It is based on the death of a 14-year-old communist party girl Liu Hulan, who was elevated into a revolutionary martyr. Part of The original opera was composed in 1949, only 2 years after her death, and revised into a full-scale opera in 1954. Several other composers such as Ge Guangrui also contributed to Chen's opera.[1] A similar opera based on another revolutionary martyr is Sister Jiang. References[edit]^ "Archived copy". Archived from the original on 2016-03-04. Retrieved 2012-11-21. This article about an opera or opera-related subject is a stub
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Chinese-language Western-style Opera
Chinese contemporary classical opera (Chinese: 当今古典歌剧; dāngjīn gŭdiăn gējù; "contemporary classical opera") is a musical art form drawing on western opera traditions - distinct from modern developments of traditional Chinese opera.[1][2] One of the first western-style operas was The White Haired Girl (1940).[3][4][5] Chinese-language western-style opera is to be distinguished the Revolutionary operas of the Cultural Revolution
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Revolutionary Martyr
A martyr (Greek: μάρτυς, mártys, "witness"; stem μάρτυρ-, mártyr-) is someone who suffers persecution and death for advocating, renouncing, refusing to renounce, or refusing to advocate a belief or cause as demanded by an external party. This refusal to comply with the presented demands results in the punishment or execution of the martyr by the oppressor. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people imprisoned[citation needed] or killed for espousing a political cause. Most martyrs are considered holy or are respected by their followers, becoming symbols of exceptional leadership and heroism in the face of difficult circumstances
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Ge Guangrui
Ge Guangrui (葛光锐, Shanghai, 1929) is a Chinese composer.[1][2][3] His best known opera is We have our own successors (Chinese: 自有後来人 Zi you houlai ren). He also worked on Chen Zi's 1954 opera Liu Hulan.[4] References[edit]^ A Critical History of New Music in China - Page 328 C. C. Liu - 2010 "Talimu he [The Tarim River] by Ge Guangrui" ^ New music in the Orient: essays on composition in Asia since World ... - Page 274 Harrison Ryker - 1991 Ge Guangrui p190, 191, 196 ^ Donald J
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Sister Jiang
Sister Jiang (Chinese: 江姐; pinyin: Jiāng Jiě) is a 1964 Chinese-language western-style opera based on the real life death of Sichuan revolutionary martyr Jiang Zhuyun, though in the opera the name is changed to Jiang Xueqin.[1][2][3][4] The opera was composed by Yang Ming and Jiang Chunyang[5] musicians of the art bureau of the Chinese Air Force.[6][7] In 2002 at the invitation of the German World Art Festival, director Zhang Yuan presented the opera with Zhang Huoding in the title role as Jiang Jie at the Cologne Grand Theater - the first major presentation of a revolutionary opera in Europe. Zhang Yuan made a film version of the production in 2003. The opera is not the base of the 2010 CCTV-1 series also entitled Jiang jie. References[edit]^ East Asian History - Institute of Advanced Studies, Australian National University, 1998 p134-137 ^ Chongqing & The Three Gorges Kim Hunter Gordon, Jesse Watson Page 97 "..
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Opera
Opera
Opera
(Italian: [ˈɔːpera]; English plural: operas; Italian plural: opere [ˈɔːpere]) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting.[1] In traditional opera, singers do two types of singing: recitative, a speech-inflected style[2] and arias, a more melodic style, in which notes are sung in a sustained fashion. Opera
Opera
incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance
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Special
Special
Special
or specials may refer to:Contents1 Music 2 Film and television 3 Other uses 4 See alsoMusic[edit] Special
Special
(album), a 1992
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Liu Hulan
Liu Hulan
Liu Hulan
(刘胡兰, 1932–1947) was a young female spy during the Chinese Civil War
Chinese Civil War
between the Kuomintang
Kuomintang
and the Communist Party.[1][2] She was born in Yunzhouxi village, in the Wenshui County of the Shanxi
Shanxi
province. She joined the Communist Party in 1946[3] and soon after joined an association of women working in support of the Liberation Army. She was actively involved in organizing the villagers of Yunzhouxi in support of the Communist Party of China
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Chen Zi
Chen Zi (陈紫, Huiyang, 1919–1999) was a Chinese composer. He was one of the composers at the original revolutionary Lu Xun Academy
Lu Xun Academy
in Yan'an
Yan'an
and one of the collaborators assisting Ma Ke in composition of 1945's The White-Haired Girl.[1] Among his works are the 1954 opera Liu Hulan (opera), and the 1956 opera Spring Blossoms (《迎春花开了》Yingchunhua kaile) co-composed with Liang Kexiang to a libretto by Lu Cang (陆苍) and Wang Lie (王烈).[2] References[edit]^ Sheila Melvin, Jindong Cai -Rhapsody in Red: How Western Classical Music Became Chinese 2004 Page 169 "Ma Ke was the principal composer of The White-Haired Girl
The White-Haired Girl
but he had many collaborators from the Lu Xun Academy
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Liu Hulan (opera)
Liu Hulan
Liu Hulan
(刘胡兰) is a 1954 Chinese-language western-style opera by Chen Zi. It is based on the death of a 14-year-old communist party girl Liu Hulan, who was elevated into a revolutionary martyr. Part of The original opera was composed in 1949, only 2 years after her death, and revised into a full-scale opera in 1954. Several other composers such as Ge Guangrui also contributed to Chen's opera.[1] A similar opera based on another revolutionary martyr is Sister Jiang. References[edit]^ "Archived copy". Archived from the original on 2016-03-04. Retrieved 2012-11-21. This article about an opera or opera-related subject is a stub
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