|
Lion (heraldry)
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden. History The animal designs in the heraldry of the high medieval period are a continuation of the animal style of the Viking Age, ultimately derived from the style of Scythian art as it developed from c. the 7th century BC. Symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. The animals of the "barbarian" (Eurasian) predecessors of heraldic designs are likely to have been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Vyskakujici
Lev may refer to: Common uses *Bulgarian lev, the currency of Bulgaria *an abbreviation for Leviticus, the third book of the Hebrew Bible and the Torah People and fictional characters *Lev (given name) * Lev (surname) Places *Lev, Azerbaijan, a village * Lev (crater), a tiny lunar crater LEV *Laborious Extra-Orbital Vehicle, a mecha from the video game ''Zone of the Enders'' *Lay eucharistic visitor, an extraordinary minister of Holy Communion approved by a church (usually Episcopalian or Lutheran) to bring Communion to the homebound *Libreria Editrice Vaticana, the Vatican Publishing House *Light electric vehicle, an electric bicycle * Local exhaust ventilation, the process of "changing" or replacing air to improve indoor air quality *Low emission vehicle, a motor vehicle that emits relatively low levels of motor vehicle emissions *Lunar Excursion Vehicle, an early name for the Apollo Lunar Module *Longevity escape velocity, a hypothetical situation wherein the average human l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Iron Age
The archaeology of Northern Europe studies the prehistory of Scandinavia and the adjacent North European Plain, roughly corresponding to the territories of modern Sweden, Norway, Denmark, northern Germany, Poland and the Netherlands. The region entered the Mesolithic around the 7th millennium BC. The transition to the Neolithic is characterized by the Funnelbeaker culture in the 4th millennium BC. The Chalcolithic is marked by the arrival of the Corded Ware culture, possibly the first influence in the region of Indo-European expansion. The Nordic Bronze Age proper began roughly one millennium later, around 1500 BC. The end of the Bronze Age is characterized by cultural contact with the Central European La Tène culture (Celts), contributing to the development of the Iron Age by the 4th century BC, presumably the locus of Common Germanic culture. Northern Europe enters the protohistorical period in the early centuries AD, with the adoption of writing and ethnogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Art
Migration Period art denotes the artwork of the Germanic peoples during the Migration period (c. 300 – 900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed. Background In the 3rd century, the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totemism
A totem (from oj, ᑑᑌᒼ, italics=no or '' doodem'') is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. While ''the word'' totem itself is an anglicisation of the Ojibwe term (and both the word and beliefs associated with it are part of the Ojibwe language and culture), belief in tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Contemporary neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary spirit or spirit guide. However, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eurasian Nomads
The Eurasian nomads were a large group of nomadic peoples from the Eurasian Steppe, who often appear in history as invaders of Europe, Western Asia, Central Asia, Eastern Asia, and South Asia. A nomad is a member of people having no permanent abode, who travel from place to place to find fresh pasture for their livestock. The generic title encompasses the varied ethnic groups who have at times inhabited the steppes of Central Asia, Mongolia and what is now Russia and Ukraine. They domesticated the horse around 3500 BCE, vastly increasing the possibilities of nomadic life and subsequently their economy and culture emphasised horse breeding, horse riding and nomadic pastoralism; this usually involved trading with settled peoples around the steppe edges. They developed the chariot, wagon, cavalry and horse archery and introduced innovations such as the bridle, bit and stirrup and the very rapid rate at which innovations crossed the steppelands spread these widely, to be copied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic and Anglo-Saxon styles. One major distinctive feature is interlace decoration, in particular the interlace decoration as found at Sutton Hoo, in East Anglia. This is now applied to decorating new types of objects mostly copied from the Mediterranean world, above all the codex or book. The finest pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Migration Period Art
Migration Period art denotes the artwork of the Germanic peoples during the Migration period (c. 300 – 900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in Britain and Ireland. It covers many different styles of art including the polychrome style and the animal style. After Christianization, Migration Period art developed into various schools of Early Medieval art in Western Europe which are normally classified by region, such as Anglo-Saxon art and Carolingian art, before the continent-wide styles of Romanesque art and finally Gothic art developed. Background In the 3rd century, the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confronted Animals
Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The "anti-confronted animals" is the opposing motif, with the animals back to back. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork. In ancient art, confronted-animal motifs often involve the Master of Animals, a central human figure between two confronted animals, often grasping them, and are probably part of a unified socio- cultural motif. A related motif in ancient art is known as the Mistress of Animals. It is thought that the iconography sometimes has ritual and religious associations; for example, the Lion Gate of Mycenae has a column between the protective, surmounted and confronted lionesses standing with two feet on the ground and two on the same ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scythian Art
Scythian art is the art associated with Scythian cultures, primarily decorative objects, such as jewellery, produced by the nomadic tribes of the area known as Scythia, which encompassed Central Asia, parts of Eastern Europe east of the Vistula River, and parts of South Asia, with the eastern edges of the region vaguely defined by ancient Greeks. The identities of the nomadic peoples of the steppes is often uncertain, and the term "Scythian" should often be taken loosely; the art of nomads much further east than the core Scythian territory exhibits close similarities as well as differences, and terms such as the "Scytho-Siberian world" are often used. Other Eurasian nomad peoples recognised by ancient writers, notably Herodotus, include the Massagetae, Sarmatians, and Saka, the last a name from Persian sources, while ancient Chinese sources speak of the Xiongnu or Hsiung-nu. Modern archaeologists recognise, among others, the Pazyryk, Tagar, and Aldy-Bel cultures, with the furt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking Age
The Viking Age () was the period during the Middle Ages when Norsemen known as Vikings undertook large-scale raiding, colonizing, conquest, and trading throughout Europe and reached North America. It followed the Migration Period and the Germanic Iron Age. The Viking Age applies not only to their homeland of Scandinavia but also to any place significantly settled by North Germanic peoples, Scandinavians during the period. The Scandinavians of the Viking Age are often referred to as ''Vikings'' as well as ''Norsemen'', although few of them were Vikings in sense of being engaged in piracy. Voyaging by sea from their homelands in Denmark, Norway, and Sweden, the Norse people settled in the Viking activity in the British Isles, British Isles, History of Ireland (800–1169), Ireland, the Faroe Islands, Settlement of Iceland, Iceland, Norse settlements in Greenland, Greenland, History of Normandy, Normandy, and the Baltic Sea, Baltic coast and along the Trade route from the Var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Romanesque Art")
