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Limite
''Limite'' (, Portuguese for "limit" or "border") is a film by Brazilian director and writer Mário Peixoto (1908–1992), filmed in 1930 and first screened in 1931. Cited by some as the greatest of all Brazilian films, this 120-minute, silent, and experimental feature by novelist and poet Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of many, including Sergei Eisenstein, Georges Sadoul, and Walter Salles. In 2015, it was voted number 1 on the Abraccine Top 100 Brazilian films list. It's considered to be a cult film.http://www.cinelatino.com.fr/sites/default/files/lesdocs/cinemas_damerique_latine_n16_2008.pdf Plot In August 1929, Peixoto was in Paris, on a summer break from his studies in England, when he saw a photograph by André Kertész. The picture of two handcuffed male hands around the neck of a woman who was gazing at the camera became the 'generative' or 'Protean' image for ''Limite,'' in which a man and two women are lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limite (1931)
''Limite'' (, Portuguese for "limit" or "border") is a film by Brazilian director and writer Mário Peixoto (1908–1992), filmed in 1930 and first screened in 1931. Cited by some as the greatest of all Brazilian films, this 120-minute, silent, and experimental feature by novelist and poet Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of many, including Sergei Eisenstein, Georges Sadoul, and Walter Salles. In 2015, it was voted number 1 on the Abraccine Top 100 Brazilian films list. It's considered to be a cult film.http://www.cinelatino.com.fr/sites/default/files/lesdocs/cinemas_damerique_latine_n16_2008.pdf Plot In August 1929, Peixoto was in Paris, on a summer break from his studies in England, when he saw a photograph by André Kertész. The picture of two handcuffed male hands around the neck of a woman who was gazing at the camera became the 'generative' or 'Protean' image for ''Limite,'' in which a man and two women are los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mário Peixoto
Mário Rodrigues Breves Peixoto (; March 3, 1908 – February 3, 1992) was a Brazilian film director, mainly known for his only film '' Limite'', a silent experimental film filmed in 1930 and premiered in Rio de Janeiro on 17 May 1931. Peixoto wrote, directed and took up a minor role in the film. Its musical score includes Erik Satie, Claude Debussy, Alexander Borodin, Igor Stravinsky, Sergei Prokofiev and César Franck. The single-handed achievement of a member of the well-to-do élite of 1920s Brazil, ''Limite'' became over the years almost a myth — its only copy being almost lost during the 1950s, were it not restored thanks to the personal efforts of two 1970s critics — and the object of various legends, many of them put into circulation by Peixoto himself. One such legend referred to a bogus complimentary article about the film ("A film from South America"), that had supposedly been written by Sergei Eisenstein and published, in English translation, in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraccine Top 100 Brazilian Films
In 2015, the (Abraccine) published a list with the 100 best Brazilian films ever according to the votes of its members. This poll was the basis for a book named ''The 100 Best Brazilian Films'', published in 2016. The idea of the ranking and the book was suggested by publisher Letramento, with whom Abraccine and television network Canal Brasil co-released the book. The ranking was done based on individual lists done by Abraccine's 100 critics, who initially mentioned 379 films. The full list was first made available to the public on 26 November 2015, and the book was released on 1 September 2016. The list covers almost all decades between the 1930s and the 2010s, the only exception being the 1940s. A 1931 film, Mário Peixoto's '' Limite'', is the oldest one and also the first ranked, while the most recent work is from 2015, Anna Muylaert's '' The Second Mother''. The '' chanchada'' (1930–50s musical comedies) is represented by Carlos Manga's '' O Homem do Sputnik'' (1959), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Brasil
Edgar Brasil (1902–1954) was a German-born Brazilian cinematographer.Shaw & Dennison p.187 He worked on more than 50 productions during his career. Selected filmography * ''Limite'' (1931) * ''Hello, Hello, Carnival! Alô, Alô, Carnaval (Hello, Hello Carnival) is a 1936 Brazilian musical comedy film directed and produced by Adhemar Gonzaga and Wallace Downey, and released by the Cinédia production company. ''Hello, Hello, Carnival'' was the first Brazil ...'' (1936) * '' Minas Conspiracy'' (1948) References Bibliography * Shaw, Lisa & Dennison, Stephanie. ''Brazilian National Cinema''. Routledge, 2014. External links * 1902 births 1954 deaths German cinematographers German male film actors Brazilian cinematographers Brazilian male film actors Male actors from Hamburg 20th-century German male actors Film people from Hamburg German emigrants to Brazil {{Cinematographer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatler
''Tatler'' is a British magazine published by Condé Nast Publications focusing on fashion and lifestyle, as well as coverage of high society and politics. It is targeted towards the British upper-middle class and upper class, and those interested in society events. Its readership is the wealthiest of all Condé Nast's publications. It was founded in 1901 by Clement Shorter. ''Tatler'' is also published in Russia by Conde Nast, and by Edipresse Media Asia. History ''Tatler'' was introduced on 3 July 1901, by Clement Shorter, publisher of '' The Sphere''. It was named after the original literary and society journal founded by Richard Steele in 1709. Originally sold occasionally as ''The Tatler'' and for some time a weekly publication, it had a subtitle varying on "an illustrated journal of society and the drama". It contained news and pictures of high society balls, charity events, race meetings, shooting parties, fashion and gossip, with cartoons by "The Tout" and H. M. Bate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vsevolod Pudovkin
Vsevolod Illarionovich Pudovkin ( rus, Всеволод Илларионович Пудовкин, p=ˈfsʲevələt ɪlərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn; 16 February 1893 – 30 June 1953) was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948. Biography Vsevolod Pudovkin was born in Penza into a Russian family, the third of six children. His father Illarion Epifanovich Pudovkin came from peasants of the Penza Governorate, the village of Shuksha and worked in several companies as a manager and a door-to-door salesman. Vsevolod's mother Elizaveta Alexandrovna Pudovkina (née Shilkina) was a housewife. A stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Chaplin
Sir Charles Spencer Chaplin Jr. (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financially — he was sent to a workhouse twice before age nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wiene
Robert Wiene (; 27 April 1873 – 17 July 1938) was a film director of the silent era of German cinema. He is particularly known for directing the German silent film ''The Cabinet of Dr. Caligari'' and a succession of other German Expressionism, expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile. Biography Early life Robert Wiene was born in Breslau, in the German Province of Silesia (now the city of Wrocław in Poland), as the elder son of the successful theatre actor Carl Wiene. His younger brother Conrad Wiene, Conrad also became an actor, but Robert Wiene at first studied law at the University of Berlin. Career in Germany In 1908 he also started to act, at first in small parts on stage. His first involvement with film was in 1912, writing and (possibly) directing ''Die Waffen der Jugend''. His most memorable feature films are the horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Epstein
Jean Epstein (; 25 March 1897 – 2 April 1953) was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's ''The Fall of the House of Usher'', he directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of ''photogénie''. Life and career Epstein was born in Warsaw, Kingdom of Poland (then a part of Russian Empire) to a French-Jewish father and Polish mother. After his father died in 1908, the family relocated to Switzerland, where Epstein remained until beginning medical school at the University of Lyon in France. While in Lyon, Epstein served as a secretary and translator for Auguste Lumière, considered one of the founders of cinema. Epstein started directing his own films in 1922 with ''Pasteur'', followed by ''L'Auberge rouge'' and '' Coeur fidè ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Theodor Dreyer
Carl Theodor Dreyer (; 3 February 1889 – 20 March 1968), commonly known as Carl Th. Dreyer, was a Danish film director and screenwriter. Widely considered one of the greatest filmmakers of all time, his movies are noted for their emotional austerity and slow, stately pacing, frequent themes of social intolerance, the inseparability of fate and death, and the power of evil in earthly life. His 1928 movie '' The Passion of Joan of Arc'' is considered to be one of the greatest movies of all time, renowned for its cinematography and use of close-ups. It frequently appears on Sight & Sound's lists of the greatest films ever made, and in 2012's poll it was voted the 9th-best film ever made by film critics and 37th by film directors. His other well-known films include ''Michael'' (1924), '' Vampyr'' (1932), '' Day of Wrath'' (1943), ''Ordet'' (''The Word'') (1955), and '' Gertrud'' (1964). Life Dreyer was born illegitimate in Copenhagen, Denmark. His birth mother was an unmarri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
