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Let's Get To It
''Let's Get to It'' is the fourth studio album by Australian recording artist Kylie Minogue. It was the final studio album with Pete Waterman Limited (PWL), being released by the record label in the United Kingdom on 14 October 1991. Mushroom Records distributed the album in Australia on 25 November 1991. After Matt Aitken left the trio Stock Aitken Waterman (SAW) in early 1991, the remaining producers wanted to make another album with Minogue, although it was not a contractual obligation for her. Mike Stock and Pete Waterman agreed to share their songwriting credits with Minogue for the first time on six tracks. They spent months recording at PWL Studios, more time than any of her previous studio albums. Musically, ''Let's Get to It'' varies in sound, with it including hip hop, new jack swing, house and dance-pop genres. Music critics provided mixed reviews, recognising Minogue's creative control and her provocative image despite them being ambivalent towards the ...
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Kylie Minogue
Kylie Ann Minogue (; born 28 May 1968) is an Australian singer, songwriter and actress. She is the highest-selling female Australian artist of all time, having sold over 80 million records worldwide. She has been recognised for reinventing herself in music and fashion, for which she is referred to by the European press as the " Princess of Pop" and a style icon. Her accolades include a Grammy Award, three Brit Awards and 17 ARIA Music Awards. Born and raised in Melbourne, Minogue first achieved recognition starring in the Australian soap opera '' Neighbours'', playing tomboy mechanic Charlene Robinson. She gained prominence as a recording artist in the late 1980s and released four bubblegum and dance-pop-influenced studio albums produced by Stock Aitken Waterman. By the early 1990s, she had amassed several top ten singles in the UK and Australia, including "I Should Be So Lucky", "The Loco-Motion", "Hand on Your Heart", and "Better the Devil You Know". Taking more cr ...
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Matt Aitken
Matthew James Aitken (born 25 August 1956) is an English songwriter and record producer, brought up in Astley, Greater Manchester, best known as the creative force behind the 1980s and early 1990s songwriting/production trio Stock Aitken Waterman. Biography He began his musical career as a musician and was a member of many different bands before teaming up with Mike Stock to write and produce music for other artists. They both later teamed up with Pete Waterman, and they went from small independent record labels to the major RCA Records, producing a myriad of hits. According to Waterman, Aitken was a noted perfectionist, particularly when it came to his guitar solos. After the partnership split up in 1991, Aitken went into a period of retirement, raising his daughters Isabelle and Romy, and pursuing hobbies such as auto racing. He later returned to the music industry in 1994 -- partnering with Mike Stock once again and having success with acts such as Nicki French, Scooch, a ...
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Michael Hutchence
Michael Kelland John Hutchence (22 January 1960 – 22 November 1997) was an Australian musician, singer-songwriter and actor. Hutchence co-founded the rock band INXS, which sold over 75 million records worldwide and was inducted into the ARIA Hall of Fame in 2001. He was the lead singer and lyricist of INXS from 1977 until his death. Hutchence was a member of the short-lived pop rock group Max Q (Australian band), Max Q. He also recorded some solo material and acted in feature films, including ''Dogs in Space'' (1986), ''Frankenstein Unbound'' (1990), and ''Limp'' (1999). Hutchence had a string of love affairs with prominent actresses, models and singers, and his private life was often reported in the Australian and international press. In July 1996, Hutchence and English television presenter Paula Yates had a daughter. On the morning of 22 November 1997, Hutchence was found dead in his hotel room in Sydney. His death was reported by the New South Wales Coroner to be t ...
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INXS
INXS (a word play, phonetic play on "in excess") were an Australian Rock music, rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. The band's founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. For 20 years, INXS was fronted by Hutchence, whose magnetic stage presence made him the focal point of the band. Initially known for their New wave music, new wave/pop music, pop style, the band later developed a harder Pub rock (Australia), pub rock style that included funk and dance music, dance elements. In 1984, INXS had their first number-one hit in Australia with "Original Sin (INXS song), Original Sin". The band would later achieve international success in the mid-to-late 1980s and early 1990s with the hit albums ''Listen Like Thieves'', ''Kick (INXS album), Kick'', and ' ...
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What Do I Have To Do
"What Do I Have to Do" is a song performed by Australian singer-songwriter Kylie Minogue from her third studio album, '' Rhythm of Love'' (1990). The song was written and produced by Stock, Aitken & Waterman. Originally, the song was planned to be released after the single "Better the Devil You Know", but instead "Step Back in Time" was released and this was released as the third single on 21 January 1991. The song received positive reviews from most music critics, who thought the song was an instant rave classic. The song peaked at number eleven in her native Australia. The song did however peak at number six in the United Kingdom, becoming a success there. The song was also hit in France and The Netherlands. The song has been performed on most of Minogue's concert tours, including her Rhythm of Love Tour, Let's Get to It Tour and Intimate and Live Tour. The song has also been performed at the Showgirl: The Greatest Hits Tour and the Homecoming Tour, and has been most recent ...
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Better The Devil You Know
"Better the Devil You Know" is a song by Australian singer-songwriter Kylie Minogue, taken from her third studio album '' Rhythm of Love'' (1990). The song was written and produced by Stock Aitken Waterman. The song was released as the album's lead single on 30 April 1990 by PWL and Mushroom Records. "Better the Devil You Know" is known as the song that re-invented Minogue with more sex appeal, as her previous albums were presented with her "girl next door" persona. Her music onwards presented a more independent approach. The song's title is a reference to an idiom. Lyrically, the song was said to be about Minogue's leaving of her TV series ''Neighbours'' and her relationship with her then-boyfriend, INXS frontman and singer Michael Hutchence. The song was lauded by music critics, who noted the imagery change in her music. They also complimented the song itself and felt it was one of Minogue's best - a highlight of not just her studio album but her compilations as well. Commerci ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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Let's Get To It Tour
The Let's Get to It Tour was the fourth concert tour by Australian pop singer Kylie Minogue. As stated by Minogue herself in 1991, the tour was technically a continuation of the previous Rhythm of Love Tour which had already visited Australia and Asia. In addition to revising the setlist, she assembled a new band to work with her existing musical director and choreographer. Backed by her five dancers, Minogue mounted the tour in support of her fourth studio album ''Let's Get to It'' (1991). The show comprised an all-new couture wardrobe created by John Galliano and several new additions to the set list from the new album, many of which were written by Minogue herself. She wore a plastic raincoat, which was designed by Galliano. By her choosing of outfits on the tour, the title "SexKylie" was given by the media in this period. Background and development The tour is an updated version of her last tour promoting for ''Rhythm of Love''. A whole new stage wardrobe was conducte ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ...
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