Lekythos
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Lekythos
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil Olive oil is a liquid fat obtained from olives (the fruit of ''Olea europaea''; family Oleaceae), a traditional tree crop of the Mediterranean Basin, produced by pressing whole olives and extracting the oil. It is commonly used in cooking: .... It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in Po ...
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White Ground Technique
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic ...
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White-ground
White-ground technique is a style of white ancient Greek pottery and the Greek vase painting, painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure vase painting, black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip (ceramics), slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric vase painting, Geometric and Archaic Greece, Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cyclades, Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that r ...
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Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multi ...
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Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and ...
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Akhilleus Hektor Louvre CA601
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's ''Iliad''. He was the son of the Nereid Thetis and Peleus, king of Phthia. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the 1st century AD) state that Achilles was invulnerable in all of his body except for one heel, because when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term " Achilles' heel" has come to mean a point of weakness, especially in someone or something with an otherwise strong ...
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Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appar ...
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Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's '' Iliad''. He was the son of the Nereid Thetis and Peleus, king of Phthia. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the 1st century AD) state that Achilles was invulnerable in all of his body except for one heel, because when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term " Achilles' heel" has come to mean a point of weakness, especially in someone or something with an otherwise ...
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Thanatos
In Greek mythology, Thanatos (; grc, Θάνατος, pronounced in "Death", from θνῄσκω ''thnēskō'' "(I) die, am dying") was the personification of death. He was a minor figure in Greek mythology, often referred to but rarely appearing in person. His name is transliterated in Latin as ''Thanatus'', but his counterpart in Roman mythology is Mors or Letum. In myth and poetry The Greek poet Hesiod established in his ''Theogony'' that Thánatos has no father, but is the son of Nyx (Night) and brother of Hypnos (Sleep).Hesiod, ''Theogony'' 758 ff, trans. Evelyn-White, Greek epic 8th or 7th century BC Homer confirmed Hypnos and Thanatos as twin brothers in his epic poem, the ''Iliad'', where they were charged by Zeus via Apollo with the swift delivery of the slain hero Sarpedon to his homeland of Lycia. Counted among Thanatos' siblings were other negative personifications such as Geras (Old Age), Oizys (Suffering), Moros (Doom), Apate (Deception), Momus (Blam ...
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Gnathia Vases
Gnathia vases are a type of pottery belonging to ancient Apulian vase painting of the 4th century BC. They are named after the ancient city of Gnathia (now Egnazia) in Eastern Apulia. There, the first examples of the style were discovered in the mid-19th century. Their production began in Apulia around 370/360 BC, in parallel to the local version of the red-figure style which developed tendencies towards polychromy around that time. Typical of Gnathia vases is the application of different paints directly onto the glazed vase body. Additionally, internal details could be added by incision. The themes depicted include erotes, images from the life of women, theatre scenes and dionysiac motifs. Figural, painting is often limited to the upper half of the vessel body, while the bottom half often bears only ornamental decoration. The most common shapes were bell kraters, ''pelikes'', '' oinochoai'' and '' skyphoi''. The most important artists are the Konnakis Painter and the Rose Pain ...
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Knucklebones
Knucklebones, also known as scatter jacks, snobs, astragalus, tali, dibs, fivestones, jacks, or jackstones, among many other names, is a game of dexterity played with a number of small objects that are thrown up, caught, and manipulated in various manners. It is ancient in origin and is found in various cultures worldwide. The name "knucklebones" is derived from the Ancient Greek version of the game, which uses the astragalus (a bone in the ankle, or hock) of a sheep. However, different variants of the game from various cultures use other objects, including stones, seashells, seeds, and cubes. Modern knucklebones consist of six points, or knobs, projecting from a common base and are usually made of metal or plastic. The winner is the first player to successfully complete a prescribed series of throws, which, though similar, differ widely in detail. The simplest throw consists in either tossing up one stone, the jack, or bouncing a ball and picking up one or more stones or ...
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Hypnos
In Greek mythology, Hypnos (; Ancient Greek: means 'sleep') also spelled Hypnus is the personification of sleep; the Roman equivalent is known as Somnus. His name is the origin of the word hypnosis. Pausanias wrote that Hypnos was a dearest friend of the Muses. Description Hypnos is usually the fatherless son of Nyx ("The Night"), although sometimes Nyx's consort Erebus ("The Darkness") is named as his father. His twin brother is Thanatos ("Death"). Both siblings live in the underworld ( Hades). According to rumors, Hypnos lived in a big cave, which the river Lethe ("Forgetfulness") comes from and where night and day meet. His bed is made of ebony, on the entrance of the cave grow a number of poppies and other soporific plants. No light and no sound would ever enter his grotto. According to Homer, he lives on the island Lemnos, which later on has been claimed to be his very own dream-island. He is said to be a calm and gentle god, as he helps humans in need and, d ...
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Kerch Style
The Kerch style , also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC. The style is characterized by slender mannered figures and a polychromatism given to it by the use of white paint and gilding. The vases are thus named because a large quantity of them were found at Kerch (ancient Pantikapaion) on the Black Sea coast of Crimea. The majority of these are now in the Hermitage Museum, St. Petersburg. It is not possible to set formal criteria which separate them stylistically from the contemporary ''plain style'' of late classical vase painting around painters like the Jena Painter or the Meleager Painter. The end of the Kerch style coincides with the end of red-figure painting as a whole. The identification of individual painters is often difficult. At the time of th ...
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