|
Lancelot
Lancelot du Lac (French for Lancelot of the Lake), also written as Launcelot and other variants (such as early German ''Lanzelet'', early French ''Lanselos'', early Welsh ''Lanslod Lak'', Italian ''Lancillotto'', Spanish ''Lanzarote del Lago'', and Welsh ''Lawnslot y Llyn''), is a character in some versions of Arthurian legend, where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is an orphaned son of King Ban of the lost Kingdom of Benoic, raised in the fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife, Queen Guinevere, despite suffering from frequent and sometimes prolonged fits of madness. But when his adulterous affair with Guinevere is discovered, it causes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camelot
Camelot is a castle and court associated with the legendary King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and, since the Lancelot-Grail cycle, eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world. The stories locate it somewhere in Great Britain and sometimes associate it with real cities, though more usually its precise location is not revealed. Most scholars regard it as being entirely fictional, its unspecified geography being perfect for chivalric romance writers. Nevertheless, arguments about the location of the "real Camelot" have occurred since the 15th century and continue today in popular works and for tourism purposes. Etymology The name's derivation is uncertain. It has numerous different spellings in medieval French Arthurian romances, including ''Camaalot'', ''Camalot'', ''Chamalot'', ''Camehelot'' (sometimes read as ''Camchilot''), ''Camaalo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lancelot, The Knight Of The Cart
, original_title_lang = fro , translator = , written = between 1177 and 1181 , country = , language = Old French , subject = Arthurian legend , genre = Chivalric romance , form = , meter = Octosyllable , rhyme = Rhyming couplets , lines = 7,134 , oclc = , wikisource = , orig_lang_code = fr , native_wikisource = Lancelot ou le Chevalier de la charrette (Édition Belinfante) ''Lancelot, the Knight of the Cart'' (french: Lancelot, le Chevalier de la Charrette), is a 12th-century Old French poem by Chrétien de Troyes, although it is believed that Chrétien did not complete the text himself. It is one of the first stories of the Arthurian legend to feature Lancelot as a prominent character. The narrative tells about the abduction of Queen Guinevere, and is the first text to feature the love affair between Lancelot and Guin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matter Of Britain
The Matter of Britain is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne, and the Matter of Rome, which included material derived from or inspired by classical mythology. History The three "Matters" were first described in the 12th century by French poet Jean Bodel, whose epic ' ("Song of the Saxons") contains the line: The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "Matter of Rome", and the tales of the Paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the " Matter of France". King Arthur is the chief subject of the Matter of Britain, along with stories relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanzelet
''Lanzelet'' is a medieval romance written by Ulrich von Zatzikhoven after 1194. It is the first treatment of the Lancelot tradition in German, and contains the earliest known account of the hero's childhood with the Lady of the Lake-like figure in any language. The poem consists of about 9,400 lines arranged in 4-stressed Middle High German couplets. It survives complete in two manuscripts and in fragmentary form in three others. The author is often identified with a Swiss cleric named in a document from 1214, though little else is known of him. He claims he translated ''Lanzelet'' from a ''welschez'' (Middle High German for French, but in this case probably Anglo-Norman) book brought to Germany by Hugo de Morville, one of the Crusaders who replaced Richard the Lionhearted as a hostage when the king had been arrested by Leopold V, Duke of Austria in 1194. The poem features a version of the hero's childhood, including the death of his father Pant (Ban) and his upbringing b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mordred
Mordred or Modred (; Welsh: ''Medraut'' or ''Medrawt'') is a figure who is variously portrayed in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle ''Annales Cambriae'', wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in Geoffrey of Monmouth's pseudo-historical work ''Historia Regum Britanniae'' which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised him as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adultery
Adultery (from Latin ''adulterium'') is extramarital sex that is considered objectionable on social, religious, moral, or legal grounds. Although the sexual activities that constitute adultery vary, as well as the social, religious, and legal consequences, the concept exists in many cultures and is similar in Christianity, Judaism and Islam. Adultery is viewed by many jurisdictions as offensive to public morals, undermining the marriage relationship. Historically, many cultures considered adultery a very serious crime, some subject to severe punishment, usually for the woman and sometimes for the man, with penalties including capital punishment, mutilation, or torture. Such punishments have gradually fallen into disfavor, especially in Western countries from the 19th century. In countries where adultery is still a criminal offense, punishments range from fines to caning and even capital punishment. Since the 20th century, criminal laws against adultery have become contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jousting
Jousting is a martial game or hastilude between two horse riders wielding lances with blunted tips, often as part of a tournament. The primary aim was to replicate a clash of heavy cavalry, with each participant trying to strike the opponent while riding towards him at high speed, breaking the lance on the opponent's shield or jousting armour if possible, or unhorsing him. The joust became an iconic characteristic of the knight in Romantic medievalism. The participants experience close to three and a quarter times their body weight in G-forces when the lances collide with their armour. The term is derived from Old French , ultimately from Latin "to approach, to meet". The word was loaned into Middle English around 1300, when jousting was a very popular sport among the Anglo-Norman knighthood. The synonym tilt (as in tilting at windmills) dates . Jousting is based on the military use of the lance by heavy cavalry. It transformed into a specialized sport during the Late Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swordsmanship
Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword. The term is modern, and as such was mainly used to refer to smallsword fencing, but by extension it can also be applied to any martial art involving the use of a sword. The formation of the English word "swordsman" is parallel to the Latin word ''gladiator'', a term for the professional fighters who fought against each other and a variety of other foes for the entertainment of spectators in the Roman Empire. The word ''gladiator'' itself comes from the Latin word ''gladius'', which is a type of sword. European swordsmanship Classical history The Roman legionaries and other forces of the Roman military, until the 2nd century A.D., used the gladius as a short thrusting sword effectively with the ''scutum'', a type of shield, in battle. According to Vegetius the Romans mainly used underhanded stabs and thrusts because one thrust into the gut would kill an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Arthur
King Arthur ( cy, Brenin Arthur, kw, Arthur Gernow, br, Roue Arzhur) is a legendary king of Britain, and a central figure in the medieval literary tradition known as the Matter of Britain. In the earliest traditions, Arthur appears as a leader of the post-Roman Britons in battles against Saxon invaders of Britain in the late 5th and early 6th centuries. He appears in two early medieval historical sources, the ''Annales Cambriae'' and the '' Historia Brittonum'', but these date to 300 years after he is supposed to have lived, and most historians who study the period do not consider him a historical figure.Tom Shippey, "So Much Smoke", ''review'' of , ''London Review of Books'', 40:24:23 (20 December 2018) His name also occurs in early Welsh poetic sources such as '' Y Gododdin''. The character developed through Welsh mythology, appearing either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
