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Kaminarimon
The is the outer of two large entrance gates that ultimately leads to the Sensō-ji (the inner being the Hōzōmon) in Asakusa, Tokyo, Japan. The gate, with its lantern and statues, is popular with tourists. It stands 11.7 m tall, 11.4 m wide and covers an area of 69.3 m2. The first gate was built in 941, but the current gate dates from 1960, after the previous gate was destroyed in a fire in 1865. History The Kaminarimon was first built in 941 AD by Taira no Kinmasa, a military commander. It was originally located near Komagata, but it was reconstructed in its current location in 1635. This is believed to be when the gods of wind and thunder were first placed on the gate. The gate has been destroyed many times throughout the ages. Four years after its relocation, the Kaminarimon burned down, and in 1649 AD, Tokugawa Iemitsu had the gate rebuilt along with several other of the major structures in the temple complex. The gate burned to the ground in 1757 AD and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensō-ji
is an ancient Buddhist temple located in Asakusa, Tokyo, Japan. It is Tokyo's oldest temple, and one of its most significant. Formerly associated with the Tendai sect of Buddhism, it became independent after World War II. It is dedicated to Kannon, the bodhisattva of compassion, and is the most widely visited spiritual site in the world with over 30 million visitors annually. Adjacent to the temple is a five-story pagoda, the Asakusa Shinto shrine, as well as many shops with traditional goods in the Nakamise-dōri. The temple has a titanium tiled roof that maintains the historic image but is stronger and lighter. History The temple is dedicated to the bodhisattva Kannon (Avalokiteśvara). According to legend, a statue of the Kannon was found in the Sumida River in 628 AD by two fishermen, brothers Hinokuma Hamanari and Hinokuma Takenari. The chief of their village, Hajino Nakamoto, recognized the sanctity of the statue and enshrined it by remodeling his own house into a sma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaminarimon Lantern Bottom 2006
The is the outer of two large entrance gates that ultimately leads to the Sensō-ji (the inner being the Hōzōmon) in Asakusa, Tokyo, Japan. The gate, with its lantern and statues, is popular with tourists. It stands 11.7 m tall, 11.4 m wide and covers an area of 69.3 m2. The first gate was built in 941, but the current gate dates from 1960, after the previous gate was destroyed in a fire in 1865. History The Kaminarimon was first built in 941 AD by Taira no Kinmasa, a military commander. It was originally located near Komagata, but it was reconstructed in its current location in 1635. This is believed to be when the gods of wind and thunder were first placed on the gate. The gate has been destroyed many times throughout the ages. Four years after its relocation, the Kaminarimon burned down, and in 1649 AD, Tokugawa Iemitsu had the gate rebuilt along with several other of the major structures in the temple complex. The gate burned to the ground in 1757 AD and ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asakusa
is a district in Taitō, Tokyo, Japan. It is known as the location of the Sensō-ji, a Buddhist temple dedicated to the bodhisattva Kannon. There are several other temples in Asakusa, as well as various festivals, such as the . History The development of Asakusa as an entertainment district during the Edo period came about in part because of the neighboring district, Kuramae. Kuramae was a district of storehouses for rice, which was then used as payment for servants of the feudal government. The keepers () of these storage houses initially stored the rice for a small fee, but over the years began exchanging the rice for money or selling it to local shopkeepers at a margin. Through such trading, many came to have a considerable amount of disposable income and as result theaters and geisha houses began to spring up in nearby Asakusa. For most of the 20th century, Asakusa remained a major entertainment district in Tokyo. The or "Sixth District" was in particular famous as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanja Matsuri
, or Sanja Festival, is one of the three largest Shinto festivals in Tokyo. It is considered one of the wildest and largest. The festival is held in honor of Hinokuma Hamanari, Hinokuma Takenari, and Hajino Nakatomo, the three men who established and founded the Sensō-ji Buddhist temple. Sanja Matsuri is held on the third weekend of every May at Asakusa Shrine. Its prominent parades revolve around three ''mikoshi'' (portable shrines referenced in the festival's name), as well as traditional music and dancing. Over the course of three days, the festival attracts 1.5 to 2 million locals and tourists every year. History Like many Japanese festivals, Sanja Matsuri is a religious celebration. It is a weekend-long Shinto festival that is dedicated to the ''kami'' (spirits) of three men. It is believed that two fishermen—brothers named Hinokuma Hamanari and Hinokuma Takenari—found a statuette of the Bodhisattva Kannon caught in a fishing net in the Sumida River on the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hōzōmon
The is the inner of two large entrance gates that ultimately leads to the Sensō-ji (the outer being the Kaminarimon) in Asakusa, Tokyo. A two-story gate ('' nijūmon''), the Hōzōmon's second story houses many of the Sensō-ji's treasures. The first story houses two statues, three lanterns and two large sandals. It stands tall, wide, and deep. History The Hōzōmon was first built in 942 AD by Taira no Kinmasa. Destroyed by fire in 1631, it was rebuilt by Tokugawa Iemitsu in 1636. It stood for 300 more years until it was once again burned down during the Tokyo air raids of 1945. In 1964, the present steel-reinforced concrete structure was built with a donation of ¥150 million from Yonetarō Motoya. Since the gate was reconstructed using flame-resistant materials, the upper story of the Hōzōmon stores the Sensō-ji's treasured sutras. These treasures include a copy of the Lotus Sutra that is designated a Japanese National Treasure and the ''Issai-kyō'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Lighting Equipment Of Japan
The traditional lighting equipment of Japan includes the , the , the , and the . The is a lamp consisting of paper stretched over a frame of bamboo, wood or metal. The paper protected the flame from the wind. Burning oil in a stone, metal, or ceramic holder, with a wick of cotton or pith, provided the light. They were usually open on the top and bottom, with one side that could be lifted to provide access. Rapeseed oil was popular. Candles were also used, but their higher price made them less popular. A lower-priced alternative was sardine oil. The became popular in the Edo period (1603–1867). Early on, the was handheld; it could also be placed on a stand or hung on a wall. The was most common indoors. Many had a vertical box shape with an inner stand for the light. Some had a drawer on the bottom to facilitate refilling and lighting. A handle on top made it portable. A variety was the . One explanation attributes it to Kobori Enshu, who lived in the late Azuchi-Momoya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raijin
, also known as , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder and storms in Japanese mythology and the Shinto religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beating on den-den daiko drums with ''tomoe'' symbols drawn on them. Iconography of Raijin are often found in Japanese temples and shrines. He is usually depicted alongside Fūjin, the god of wind. Etymology The name "Raijin" is derived from the Japanese words and . Description Raijin is often depicted with a fierce, frightening face and a muscular figure with gravity-defying hair. He is surrounded by Taiko drums that he plays to create the sound of thunder. Raijin holds large hammers in his hands that he uses to play the drums. In some cases, Raijin is portrayed with three fingers which are said to represent the past, present and future. Two of the most notable sculptures of Raijin are located in the Sanjusangendo temple and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hirakushi Denchū
was a Japanese sculptor. He was noted for his traditional Japanese wood sculptures, especially realistically rendered painted wooden portrait sculptures, often incorporating Buddhist themes.Roberts, Laurance P. ''A Dictionary of Japanese Artists: Painting, Sculpture, Ceramics, Prints, Lacquer.'' Tokyo: Weatherhill, 1976. pg 43 He was appointed to the Imperial Art Academy in 1937 and in 1944 was appointed an Imperial Household Artist. He was named a Person of Cultural Merit in 1954 and in 1962 was awarded the Order of Cultural Merit.Tazawa, Yutaka. ''Biographical Dictionary of Japanese Art.'' Tokyo: Kodansha International in Collaboration with the International Society for Educational Information, 1981. ppg 437-8 His carving of a pair of dragon gods can be found in the rear alcoves of Kaminarimon Gate at the entrance to Tokyo's Sensō-ji Temple, installed in 1978 on the 1,350th anniversary of the Kannon's first appearance in Asakusa.Enbutsu, Sumiko. ''Old Tokyo: Walks in the City ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thunder
Thunder is the sound caused by lightning. Depending upon the distance from and nature of the lightning, it can range from a long, low rumble to a sudden, loud crack. The sudden increase in temperature and hence pressure caused by the lightning produces rapid expansion of the air in the path of a lightning bolt. In turn, this expansion of air creates a sonic shock wave, often referred to as a "thunderclap" or "peal of thunder". The scientific study of thunder is known as ''brontology'' and the irrational fear (phobia) of thunder is called ''brontophobia''. Etymology The ''d'' in Modern English ''thunder'' (from earlier Old English ''þunor'') is epenthetic, and is now found as well in Modern Dutch ''donder'' (cf. Middle Dutch ''donre''; also Old Norse '' þorr'', Old Frisian ''þuner'', Old High German ''donar'', all ultimately descended from Proto-Germanic *''þunraz''). In Latin the term was ''tonare'' "to thunder". The name of the Nordic god Thor comes from the Old Nors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalokiteśvara
In Buddhism, Avalokiteśvara (Sanskrit: अवलोकितेश्वर, IPA: ) is a bodhisattva who embodies the compassion of all Buddhas. He has 108 avatars, one notable avatar being Padmapāṇi (lotus bearer). He is variably depicted, described, and portrayed in different cultures as either male or female. In East Asian Buddhism, he has evolved into a female form called Guanyin. Etymology The name ''Avalokiteśvara'' combines the verbal prefix ''ava'' "down", ''lokita'', a past participle of the verb ''lok'' "to notice, behold, observe", here used in an active sense; and finally ''īśvara'', "lord", "ruler", "sovereign" or "master". In accordance with sandhi (Sanskrit rules of sound combination), ''a''+''īśvara'' becomes ''eśvara''. Combined, the parts mean "lord who gazes down (at the world)". The word ''loka'' ("world") is absent from the name, but the phrase is implied. It does appear in the Cambodian form of the name, ''Lokesvarak''. The earliest translation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guanyin
Guanyin () is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara ( sa, अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation of "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means "he One WhoPerceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī. Guanyin is often referred to as the "most widely beloved Buddhist Divinity" with miraculous powers to assist all those who pray to her, as is mentioned in the ''Pumen chapter'' of '' Lotus Sutra'' and ''Kāraṇḍavyūha Sūtra''. Several large temples in East Asia a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva ( Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated '' bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" ('' brahmaviharas'') of loving-kindness (''metta''), compassion ('' karuṇā''), emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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