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Kafi
Kafi ( pa, ਕਾਫ਼ੀ (Gurmukhi), (Shahmukhi), Hindi: काफ़ी, Urdu: کافی, Sindhi:ڪافي) is a classical form of Sufi music mostly in the Siraiki, Punjabi and Sindhi languages and originating from the Punjab, and Sindh regions in the Indian subcontinent. Some well-known Kafi poets are Baba Farid, Bulleh Shah, Shah Hussain, Shah Abdul Latif Bhittai, Sachal Sarmast and Khwaja Ghulam Farid. This poetry style has also lent itself to the Kafi genre of singing, popular throughout South Asia, especially Pakistan, Bangladesh and India. Over the years, both Kafi poetry and its rendition have experienced rapid growth phases as various poets and vocalists added their own influences to the form, Tribute: The legendary maestro by Shaikh Aziz, |
Shah Hussain
Shah Hussain ( pa, ; ; 1538–1599), also known as Madhoo Lal Hussain, was a 16th-century Punjabi Muslim Sufi poet who is regarded as a pioneer of the Kafi form of Punjabi poetry. He lived during the ruling periods of Mughal emperors Akbar and his son Jahangir. Name Shah Hussain is also often known as Shah Hussain Faqir - ''Faqir'' meaning ''Dervish'' (mendicant) and ''Shah'' means ''King''. So due to his extremely humble Sufi personality, people called him ''The Dervish King'', a person who was a King and a Dervish at the same time. He was born in 945 AH (1538) within the Walled City of Lahore in what is now Punjab, Pakistan. His father was Sheikh Usman, he was a Dhudhi Rajput (a clan of Rajput), and by occupation, he was a weaver (in some of Shah Hussain poetic rhymes he used his pen name as Faqir Hussain Julaha which means "Saint Hussain the weaver"), his father, in his early age, enrolled him in a local school where he started to memorize the Quran. His teacher was Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulleh Shah
Syed Abdullah Shah Qadri ( pa, ; ; 1680–1757), known popularly as Bulleh Shah ( pa, ; ) and Bulleya, was a Punjabi philosopher and Sufi poet during 17th-century Punjab. His ancestors had migrated from Bukhara (modern-day Uzbekistan) some three hundred years earlier. His first spiritual teacher was Shah Inayat Qadiri, a Sufi murshid of Lahore. He was a mystic poet and is universally regarded as "The Father of Punjabi Enlightenment". He lived and was buried in Kasur. Biography He was born in 1680 in Uch, Multan province, Mughal Empire (present day Punjab, Pakistan). Bulleh Shah was an eminent scholar of Arabic and Persian. After his early education, he went to Lahore where he met Inayat Qadri, and became his disciple. Bulleh Shah's father, Shah Muhammad Darwaish, was well-versed in Arabic, Persian, and the Quran. Due to uncertain reasons, he had to move to Malakwal, a village of Sahiwal. Later, when Bulleh Shah was six years old, his family moved to Pandoke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fakir
Fakir ( ar, فقیر, translit=faḳīr or ''faqīr'') is an Islamic term traditionally used for Sufi Muslim ascetics who renounce their worldly possessions and dedicate their lives to the worship of God. They do not necessarily renounce all relationships and take vows of poverty, some may be poor and some may even be wealthy, but the adornments of the temporal worldly life are kept in perspective and do not detract from their constant dedication to God. The connotations of poverty associated with the term relate to their spiritual neediness, not necessarily their physical neediness. They are characterized by their reverence for '' dhikr'' (a devotional practice which consists of repeating the names of God with various formulas, often performed after the daily prayers). Sufism in the Muslim world emerged during the early Umayyad Caliphate (661–750 CE) See Googlbook search and grew as a mystical tradition in the mainstream Sunni and Shia denominations of Islam, state Er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sufi Music
Sufi music refers to the devotional music of the Sufis, inspired by the works of Sufi poets like Rumi, Hafiz, Bulleh Shah, Amir Khusrow, and Khwaja Ghulam Farid. Qawwali is the best-known form of Sufi music and is most commonly found in the Sufi culture in South Asia. However, music is also central to the Sema ceremony of the whirling dervishes, which is set to a form of music called Ayin, a vocal and instrumental piece featuring Turkish classical instruments such as the ney (a reed flute). The West African gnawa is another form, and Sufis from Indonesia to Afghanistan to Morocco have made music central to their practices. Some of the Sufi orders have taken an approach more akin to puritan forms of Islam, declaring music to be unhelpful to the Sufi way. Sufi love songs are often performed as ghazals and Kafi, a solo genre accompanied by percussion and harmonium, using a repertoire of songs by Sufi poets. Musicians Abida Parveen, a Pakistani Sufi singer is one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siraiki Language
Saraiki ( '; also spelt Siraiki, or Seraiki) is an Indo-Aryan language of the Lahnda group, spoken by 26 million people primarily in the south-western half of the province of Punjab in Pakistan. It was previously known as Multani, after its main dialect. Saraiki has partial mutual intelligibility with Standard Punjabi, and it shares with it a large portion of its vocabulary and morphology. At the same time in its phonology it is radically different (particularly in the lack of tones, the preservation of the voiced aspirates and the development of implosive consonants), and has important grammatical features in common with the Sindhi language spoken to the south. The Saraiki language identity arose in the 1960s, encompassing more narrow local earlier identities (like Multani, Derawi or Riasati), and distinguishing itself from broader ones like that of Punjabi. Name The present extent of the meaning of ' is a recent development, and the term most probably gained its curr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islam
Islam (; ar, ۘالِإسلَام, , ) is an Abrahamic religions, Abrahamic Monotheism#Islam, monotheistic religion centred primarily around the Quran, a religious text considered by Muslims to be the direct word of God in Islam, God (or ''Allah'') as it was revealed to Muhammad, the Muhammad in Islam, main and final Islamic prophet.Peters, F. E. 2009. "Allāh." In , edited by J. L. Esposito. Oxford: Oxford University Press. . (See alsoquick reference) "[T]he Muslims' understanding of Allāh is based...on the Qurʿān's public witness. Allāh is Unique, the Creator, Sovereign, and Judge of mankind. It is Allāh who directs the universe through his direct action on nature and who has guided human history through his prophets, Abraham, with whom he made his covenant, Moses/Moosa, Jesus/Eesa, and Muḥammad, through all of whom he founded his chosen communities, the 'Peoples of the Book.'" It is the Major religious groups, world's second-largest religion behind Christianity, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gurmukhi
Gurmukhī ( pa, ਗੁਰਮੁਖੀ, , Shahmukhi: ) is an abugida developed from the Laṇḍā scripts, standardized and used by the second Sikh guru, Guru Angad (1504–1552). It is used by Punjabi Sikhs to write the language, commonly regarded as a Sikh script, Gurmukhi is used in Punjab, India as the official script of the Punjabi language. While Shahmukhi script is used in Punjab, Pakistan as the official script. The primary scripture of Sikhism, the Guru Granth Sahib, is written in Gurmukhī, in various dialects and languages often subsumed under the generic title '' Sant Bhasha'' or ''saint language'', in addition to other languages like Persian and various phases of Indo-Aryan languages. Modern Gurmukhī has thirty-five original letters, hence its common alternative term ''paintī'' or "the thirty-five," plus six additional consonants, nine vowel diacritics, two diacritics for nasal sounds, one diacritic that geminates consonants and three subscript charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monorhyme
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. The term "monorhyme" describes the use of one ( mono) type of repetitious sound (rhyme). This is common in Arabic, Latin and Welsh work, such as ''The Book of One Thousand and One Nights'', e.g. ''qasida'' and its derivative ''kafi''. Some styles of monorhyme use the end of a poem's line to utilize this poetic tool. The Persian '' ghazal'' poetry style places the monorhyme before the refrain in a line. This is seen in the poem "Even the Rain" by Agha Shahid Aili: :"''What will suffice for a true-love knot? Even the rain?'' :'' But he has bought grief's lottery, bought even the rain.''" The monorhyme ''knot'' is introduced before the line’s refrain or pause. The corresponding rhyme ''bought'' is used in the next line. Although these are not the last words of the lines in the poem, monorhyme is incorporated in identical rhyme schemes in each line. Example An example of monorhyme is the poem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasidah
The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word ''qasidah'' is still used in its original birthplace, Arabia, and in all Arab countries. Well known ''qasā'id'' include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound.Akiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tariqah
A tariqa (or ''tariqah''; ar, طريقة ') is a school or order of Sufism, or specifically a concept for the mystical teaching and spiritual practices of such an order with the aim of seeking '' haqiqa'', which translates as "ultimate truth". A tariqa has a '' murshid'' (guide) who plays the role of leader or spiritual director. The members or followers of a tariqa are known as ''muridin'' (singular ''murid''), meaning "desirous", viz. "desiring the knowledge of God and loving God" (also called a ''fakir''). Tariqa is also believed to be the same as Tzadik of Judaism meaning the "rightly guided one". The metaphor of "way, path" is to be understood in connection of the term ''sharia'' which also has the meaning of "path", more specifically "well-trodden path; path to the waterhole". The "path" metaphor of ''tariqa'' is that of a further path, taken by the mystic, which continues from the "well-trodden path" or exoteric of ''sharia'' towards the esoteric ''haqiqa''. A fourth "s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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