Johnny Weeks
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Johnny Weeks
Johnny Weeks is a fictional character on the HBO drama series ''The Wire'', portrayed by Leo Fitzpatrick. A heroin addict, he commits a series of petty crimes to afford his habit, along with fellow addict Bubbles. Biography Season 1 In season 1, Johnny is Bubbles' best friend and a drug addict with notoriously bad luck. He is naive and enthusiastic for "the game", and allows Bubbles to play the role of teacher. In the pilot episode Johnny is badly beaten by Bodie Broadus, Poot Carr, and other dealers after trying to pass counterfeit money to D'Angelo Barksdale's operation. This spurs Bubbles to become a police informant. While in the hospital for that beating, Johnny discovers he is HIV positive; he also undergoes a colostomy operation. Season 2 Johnny is first seen by Detective Jimmy McNulty, stealing from a shopping centre with Bubbles. McNulty catches Johnny and Bubbles, but instead of arresting them asks them to find stick up artist Omar Little. At the end of Season 2, Of ...
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Leo Fitzpatrick
Leonardo Aurellio Randy Fitzpatrick is an American actor and co-director of the Marlborough Chelsea gallery. He is best known as Telly in '' Kids'' (1995) and Johnny Weeks in ''The Wire'' (2002–2004). Career He was discovered at age 14 by director Larry Clark skateboarding at Washington Square Park in New York City. Fitzpatrick was trying to perform certain skating tricks, and every time he was unsuccessful, he would scream and curse. Clark later cast him as Telly, the central character in the film '' Kids'', then a supporting role in '' Bully''. He has appeared in numerous films since his work with Clark, including '' Storytelling'' and '' City of Ghosts.'' After finishing ''Storytelling'', he was cast in the Robert Redford vehicle ''The Last Castle'' (2001). Two days before filming was to begin, he was hit by a drunk driver, suffering severe nerve and muscle damage in his leg which left him unable to walk for a month, and he was dropped from the film. In 2000, he appe ...
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Proposition Joe
Joseph Stewart, better known as "Proposition Joe" or "Prop Joe", is a fictional character on the HBO drama ''The Wire'', played by Robert F. Chew. Joe is an Eastside drug lord who prefers a peaceful solution to business disputes when possible. He is responsible for creating the lucrative New Day Co-Op with Stringer Bell, supplying much of Baltimore with heroin brought into the city by " The Greeks". Displaying a cunning, business-oriented demeanor, Joe is often a match in wits for rival drug lords Avon Barksdale and Marlo Stanfield, and is able to manipulate most situations to his advantage. His nickname stems from his trademark phrase, "I've got a proposition for you", going back to his days selling test answers on the schoolyard. Along with Poot Carr, Wee-Bey Brice, Omar Little, and Bubbles, he is one of the few characters from the drug trade to appear in every season. Biography Season 1 Joe first appears at an annual basketball game between the Eastside Projects' team ...
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Fictional Homeless People
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Fictional Characters With HIV/AIDS
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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Fictional Heroin Users
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fictional Career Criminals
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context o ...
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Fictional Characters Based On Real People
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context o ...
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Television Characters Introduced In 2002
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival stora ...
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The Wire Characters
The following is a listing of fictional characters from the HBO series, ''The Wire''. Note that some characters' allegiances or positions may have changed over time; and, although the series has ended, the placement below is generally meant to reflect their most recent situation. Also, some specific plot lines may be revealed in a character's description. Appearances The Law Law enforcement is an integral part of ''The Wire'' and characters in this field range from those enforcing the law at street level to those setting laws citywide. The Street Those involved in drug dealing and drug addicts alike are featured. Thieves and sex workers are also featured. The Docks Stevedores, their families, and the criminal organization that is involved in the smuggling through the Baltimore docks are featured. The Politicians Both honest and corrupt state and city officials depicted in the series are included in this section. The Schools Pupils, staff and employees in the school syst ...
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The Corner
''The Corner'' is a 2000 HBO drama television miniseries based on the nonfiction book '' The Corner: A Year in the Life of an Inner-City Neighborhood'' (1997) by David Simon and Ed Burns, and adapted for television by David Simon and David Mills. It premiered on HBO in the United States on April 16, 2000 and concluded its six-part run on May 21, 2000. The series was released on DVD on July 22, 2003. It won the Primetime Emmy Award for Outstanding Miniseries in 2000. ''The Corner'' chronicles the life of a family living in poverty amid the open-air drug markets of West Baltimore. "The corner" is the junction of West Fayette Street and North Monroe Street (U.S. Route 1) (). Cast and characters * T. K. Carter as Gary McCullough, a drug addict; DeAndre's father, and Fran's ex-husband. He dropped out of college when Fran became pregnant and became addicted to drugs after their marriage ended. * Khandi Alexander as Francine "Fran" Boyd, a drug addict; DeAndre McCullough and ...
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David Simon
David Judah Simon (born February 9, 1960) is an American author, journalist, screenwriter, and producer best known for his work on '' The Wire'' (2002–08). He worked for '' The Baltimore Sun'' City Desk for twelve years (1982–95), wrote '' Homicide: A Year on the Killing Streets'' (1991), and co-wrote '' The Corner: A Year in the Life of an Inner-City Neighborhood'' (1997) with Ed Burns. The former book was the basis for the NBC series '' Homicide: Life on the Street'' (1993–99), on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series '' The Corner'' (2000). He was the creator, executive producer, head writer, and show runner of the HBO television series ''The Wire'' (2002–2008). He adapted the non-fiction book '' Generation Kill'' into a television mini-series, and served as the show runner for the project. He was selected as one of the 2010 MacArthur Fellows and named an '' Utne Reader'' visionary in 2011. Simon also ...
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Howard "Bunny" Colvin
Howard "Bunny" Colvin is a fictional character on the HBO drama ''The Wire'', played by actor Robert Wisdom. Colvin is a wise and able police major in the Baltimore's Western District, alienated by the careerism and bureaucracy rampant in the Baltimore Police Department and the detrimental social effects of the War on Drugs. Close to retirement, he secretly breaks chain of command and puts his resources into "Hamsterdam," three zones within his district where drug dealers are pressured to non-violently congregate in exchange for informal legal sanction. Colvin also concentrates policing in these areas and attracts important ground-level social services, such as needle and condom distribution. Despite unprecedented statistical gains, Colvin is forced to retire from the force. He later becomes a field researcher alongside academic Dr. David Parenti in Baltimore city schools. In this role, Colvin falls into the guardianship of Namond Brice. Character storyline Colvin joined th ...
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