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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced '' kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on '' Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other t ...
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Kayōkyoku
is a Japanese pop music genre, which became a base of modern J-pop. ''The Japan Times'' described ''kayōkyoku'' as "standard Japanese pop" or " Shōwa-era pop". ''Kayōkyoku'' represents a blend of Western and Japanese musical scales. Music in this genre is extremely varied as a result. ''Kayōkyoku'' in the narrower and more practical sense, however, excludes J-pop and ''enka''. Unlike "J-pop" singers such as Southern All Stars' Keisuke Kuwata, the singers of the ''kayōkyoku'' genre do not use stylized pronunciations based on the English language, but prefer traditional Japanese. There are exceptions, such as in singer Momoe Yamaguchi's song "Rock 'n' Roll Widow". Unlike ''enka'', ''kayōkyoku'' is also not based on emotional displays of effort while singing. Famous ''kayōkyoku'' artists include Kyu Sakamoto, The Peanuts, The Tigers, Candies, Pink Lady, Seiko Matsuda, Junko Sakurada, The Checkers and Onyanko Club. Characteristics Kayokyoku music has simple melo ...
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Music Of Japan
In Japan, music includes a wide array of distinct genres, both traditional and modern. The word for "music" in Japanese is 音楽 (''ongaku''), combining the kanji 音 ''on'' (sound) with the kanji 楽 ''gaku'' (music, comfort). Japan is the world's largest market for music on physical media and the second-largest overall music market, with a retail value of US$2.7 billion in 2017. Traditional and folk music Gagaku, hougaku The oldest forms of traditional Japanese music are: * , or Buddhist chanting * , or orchestral court music both of which date to the Nara (710–794) and Heian (794–1185) periods. Gagaku classical music has been performed at the Imperial court since the Heian period. Kagura-uta (神楽歌), Azuma-asobi (東遊) and Yamato-uta (大和歌) are indigenous repertories. Tōgaku (唐楽) and komagaku emerged during the Tang dynasty (618–907) via the Korean Peninsula. In addition, gagaku splits into kangen (管弦) (instrumental music) and bugaku (舞楽) ( ...
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Namie Amuro
Namie Amuro ( ; ja, 安室奈美恵, Amuro Namie, label=none; born September 20, 1977) is a Japanese former recording artist, producer, songwriter, dancer, model, actress and entrepreneur who was active between 1992 and 2018. A leading figure of the Japanese entertainment industry since the early 1990s, Amuro is known for breaking the youthful idol stereotype of J-Pop, changing the fashion trends and lifestyle of women in Japan, her experimentation across music styles, and for her visual imagery in music videos and live performances. Due to her career longevity, resilience, professionalism, efforts behind-the-scenes in the music industry, and her way of life, she is considered a pop culture icon in Japan and Asia. She has been referred to as "Diva of Heisei Era" and the " Queen of Japanese Pop", and has been recognized as having the influence and career impact domestically equivalent to artists such as Janet Jackson and Madonna in Western music and pop culture. Born in Naha, O ...
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Eurobeat
Eurobeat refers to two styles of dance music that originated in Europe: one is a British variant of Italian Eurodisco-influencedAng, Ien & Morley, David (2005). "Cultural Studies: Volume 3, Issue 2". ''Routledge''. pgs. 171, 173, 170. . "Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too. ..Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs." dance-pop, and the other is a hi-NRG-driven form of Italo disco. Both forms were developed in the 1980s. Producer trio Stock Aitken Waterman and pop band Dead or Aliv ...
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Kawaii Metal
Kawaii metal (also known as idol metal, cute metal, J-pop metal or kawaiicore) is a musical genre that blends elements of heavy metal and J-pop that was pioneered in Japan in the early 2010s. The genre combines both Eastern and Western influences that appeal to both cultures. A typical kawaii metal composition combines the instrumentation found in various types of heavy metal music with J-pop melodies and a Japanese idol aesthetic. Kawaii metal's lyrical topics often contain kawaii (cute, lovable, kidlike) themes, making them much less hostile than those of other heavy metal genres. The Japanese girl group Babymetal is often credited with the creation and success of kawaii metal. In addition to Babymetal, kawaii metal acts such as Ladybaby have garnered media attention, as well as minor commercial attention, for performing songs of this genre. History and characteristics Japanese heavy metal idol group Babymetal are considered the inventors of the kawaii metal genre. ...
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Shibuya-kei
is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg. Shibuya-kei first emerged as retail music from the Shibuya district of Tokyo. Flipper's Guitar, a duo led by Kenji Ozawa and Keigo Oyamada (Cornelius), formed the bedrock of the genre and influenced all of its groups, but the most prominent Shibuya-kei band was Pizzicato Five, who fused mainstream J-pop with a mix of jazz, soul, and lounge influences. Shibuya-kei peaked in the late 1990s and declined after its principal players began moving into other music styles. Overseas, fans of Shibuya-kei were typically indie pop enthusiasts, which contrasted with the tende ...
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Enka
is a Japanese music genre considered to resemble traditional Japanese music stylistically. Modern ''enka'', however, is a relatively recent musical form, which adopts a more traditional musical style in its vocalism than '' ryūkōka'' music, popular during the prewar years. Modern ''enka'', as developed in the postwar era, is a form of sentimental ballad music. Some of the first modern ''enka'' singers were Hachiro Kasuga, Michiya Mihashi, and Hideo Murata. The revival of ''enka'' in its modern form is said to date from 1969, when Keiko Fuji made her debut. The most famous male ''enka'' singers are Shinichi Mori and Kiyoshi Hikawa. Etymology The term ''enka'' was first used to refer to political texts set to music which were sung and distributed by opposition activists belonging to the Freedom and People's Rights Movement during the Meiji period (1868–1912) as a means of bypassing government curbs on speeches of political dissent – and in this sense the word is deriv ...
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Happy End (band)
was a Japanese folk rock band active from 1969 to 1972. Composed of Haruomi Hosono, Takashi Matsumoto, Eiichi Ohtaki and Shigeru Suzuki, the band's pioneering sound was regarded as avant-garde to most Japanese at the time. They are considered to be among the most influential artists in Japanese music. MTV described Happy End's music as "rock with psych smudges around the edges." History Career When his band Burns needed a bass player, drummer Takashi Matsumoto reached out to Haruomi Hosono, a Rikkyo University student whom he heard was quite skilled. After playing shows together, Hosono eventually invited Matsumoto to join the psychedelic rock band Apryl Fool, which the drummer described as being influenced by bands like Vanilla Fudge, "really progressive sounds for the time." When their keyboardist, Hiro Yanagida, started getting more into music like Buffalo Springfield and the West Coast sound that was becoming popular, Matsumoto said Hosono got into it too, and "we sta ...
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City Pop
is a loosely defined form of Japanese pop music that emerged in the late 1970s and peaked in the 1980s. It was originally termed as an offshoot of Japan's Western-influenced "new music", but came to include a wide range of styles – including AOR, soft rock, R&B, funk, and boogie – that were associated with the country's nascent economic boom and leisure class. It was also identified with new technologies such as the Walkman, cars with built-in cassette decks and FM stereos, and various electronic musical instruments. There is no unified consensus among scholars regarding the definition of city pop. In Japan, the tag simply referred to music that projected an " urban" feel and whose target demographic was urbanites. Many of the artists did not embrace the Japanese influences of their predecessors, and instead, largely drew from American soft rock, boogie, and funk. Some examples may also feature tropical flourishes or elements taken from disco, jazz fusion, Okinawan, L ...
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Group Sounds
, often abbreviated as GS, is a genre of Japanese rock music which became popular in the mid to late 1960s and initiated the fusion of Japanese '' kayōkyoku'' music and Western rock music. Their music production techniques were regarded as playing a pioneering role in modern Japanese popular music. Group sounds arose following the Beatles performance at the Budokan in 1966, and was strongly influenced by British beat music of the 1960s. Group sounds acts included the Tigers, the Tempters, the Spiders, the Mops, and the Golden Cups. The movement peaked in late 1967 when Jackey Yoshikawa and His Blue Comets won the Japan Record Award. See also * Music of Japan * J-pop * Visual kei * Japanese hip hop Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop ... * Japanese jazz * Jap ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. '' Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other st ...
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Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to ...
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