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Ikebana
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikebana In Kyoto State Guest House
is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. reached its first zenith in the 16thcentury under the influence of Buddhist tea masters and has grown over the centuries, with numerous distinct schools extant today. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology is from the Japanese and . Possible translations include "giving life to flowers" and "arranging flowers". History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chadō
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokonoma
A , or simply , is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed. In English, a could be called an alcove. History There are two theories about the predecessor of : the first is that it derives from the room structure of the , which flourished in the Heian period (794–1185) and declined in the Muromachi period (1336–1573); the second is that it derives from the room structure of Zen monasteries in the Kamakura period (1185–1333). In the room of the monastery, there was a board called which displayed Buddhist altar fittings such as candlesticks, incense burners and vases. On the wall behind was a hanging scroll with a Buddhist theme. The second theory is that the and the back wall developed into a -style in the Muromachi period. In , an architectural style developed in the Muromachi period, came to be used as room decoration, and the owner of the house sat in front of decorated with various things to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitsu-gusoku
''Mitsu-gusoku'' (Japanese: 三具足) in Japanese Buddhism is a traditional arrangement of three articles, often displayed in front of a painting of the Buddha or important Buddhist figures. The articles normally consist of a censer, a candlestick, later in the shape of a red-crowned crane, and a vase for flower offerings. They are placed next to each other either on a tablet or a small table. This type of arrangement became popular during the Kamakura period and Nanbokucho period. The ''tatehana'' ("standing flowers") style of the ''mitsu-gusoku'' was the earliest form of flower arrangements in Japan, which was later formalised into the art of ''ikebana is the Japanese art of flower arrangement. It is also known as . The tradition dates back to Heian period, when floral offerings were made at altars. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japan ...''. It is mentioned that starting in the mid-15th century, the priest Ikenob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art
Japanese art covers a wide range of art styles and media, including Jōmon pottery, ancient pottery, Japanese sculpture, sculpture, Ink wash painting, ink painting and Japanese calligraphy, calligraphy on silk and paper, ''ukiyo-e'' paintings and Woodblock printing in Japan, woodblock prints, Japanese pottery and porcelain, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōdō
is the art of appreciating Japanese incense, and involves using incense within a structure of codified conduct. ''Kōdō'' includes all aspects of the incense process, from the , to activities such as the incense-comparing games ''kumikō'' () and ''genjikō'' (). ''Kōdō'' is counted as one of the three classical Japanese arts of refinement, along with '' kadō'' for flower arrangement, and '' chadō'' for tea and the tea ceremony. Etymology The word 香 ''kō'' is written with the Chinese Kangxi radical 186, which is composed of nine strokes (although it can be expanded up to 18 strokes 馫). Translated, it means "fragrance"; however, in this context, it may also be translated as "incense". The word 道 ''dō'' (written with the same character as Chinese ''tao''/''dao'') means "way", both literally (street) and metaphorically (a stream of life experience). The suffix -道 generally denotes, in the broadest sense, the totality of a movement as endeavor, tradition, pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotus Sutra
The ''Lotus Sūtra'' ( zh, 妙法蓮華經; sa, सद्धर्मपुण्डरीकसूत्रम्, translit=Saddharma Puṇḍarīka Sūtram, lit=Sūtra on the White Lotus of the True Dharma, italic=) is one of the most influential and venerated Buddhist Mahāyāna sūtras. It is the main scripture on which the Tiantai, Tendai, Cheontae, and Nichiren schools of Buddhism were established. It is also influential for other East Asian Buddhist schools, such as Zen. According to the British Buddhologist Paul Williams, "For many Buddhists in East Asia since early times, the ''Lotus Sūtra'' contains the final teaching of Shakyamuni Buddha—complete and sufficient for salvation." The American Buddhologist Donald S. Lopez Jr. writes that the ''Lotus Sūtra'' "is arguably the most famous of all Buddhist texts," presenting "a radical re-vision of both the Buddhist path and of the person of the Buddha." Two central teachings of the ''Lotus Sūtra'' have been ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chōjū-jinbutsu-giga
, commonly shortened to , is a famous set of four picture scrolls, or ''emakimono'', belonging to Kōzan-ji temple in Kyoto, Japan. The ''Chōjū-giga'' scrolls are also referred to as ''Scrolls of Frolicking Animals'' and ''Scrolls of Frolicking Animals and Humans'' in English. Some think that Toba Sōjō created the scrolls; however, it seems clear from the style that more than one artist is involved. The right-to-left reading direction of ''Chōjū-jinbutsu-giga '' is traditional in East Asia, and is still common in Japan. ''Chōjū-jinbutsu-giga '' is also credited as the oldest work of manga. The scrolls are now entrusted to the Kyoto National Museum and Tokyo National Museum. The scrolls are the earliest in a linear monochrome drawing style that was to continue in use in Japanese painting (as they are all done with the usual writing and painting brush, they count as painting).Paine and Soper, 139-140 As opened, the first scroll illustrates anthropomorphic rabbits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoin-zukuri
is a style of Japanese residential architecture used in the mansions of the military, temple guest halls, and Zen abbot's quarters of the Muromachi (1336－1573), Azuchi–Momoyama (1568–1600) and Edo periods (1600–1868). It forms the basis of today's traditional-style Japanese house. Characteristics of the development were the incorporation of square posts and floors completely covered with '' tatami''.Kodansha Encyclopedia of Japan, entry for "shoin-zukuri". The style takes its name from the , a term that originally meant a study and a place for lectures on the sūtra within a temple, but which later came to mean just a drawing room or study. History The foundations for the design of today's traditional Japanese residential houses with tatami floors were established in the late Muromachi period (approximately 1338 to 1573) and refined during the ensuing Momoyama period. , a new architectural style influenced by Zen Buddhism, developed during that time from the of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakemono
__NOTOC__ A , more commonly referred to as a , is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage. The "Maruhyōsō" style of kakejiku has four distinct named sections. The top section is called the "ten" heaven. The bottom is the "chi" earth with the "hashira" pillars supporting the heaven and earth on the sides. The maruhyōsō style, also contains a section of "ichimonji" made from "kinran" gold thread. On observation, the Ten is longer than the Chi. This is because in the past, Kakemono were viewed from a kneeling (seiza) position and provided perspective to the "Honshi" main work. This tradition carries on to modern times. There is a cylindrical rod called ''jikugi'' (軸木) at the bottom, which becomes the axis or center of the rolled scroll. The end knobs on this rod are in themselves called ''jiku'', and are used as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Kōdō")
