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Idomeneo
' (Italian for '' Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as '' Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo Score
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneus
In Greek mythology, Idomeneus (; el, Ἰδομενεύς) was a Cretan king and commander who led the Cretan armies to the Trojan War, in eighty black ships. He was also one of the suitors of Helen, as well as a comrade of the Telamonian Ajax. Meriones was his charioteer and brother-in-arms. Description Idomeneus was described by the chronicler Malalas in his account of the ''Chronography'' as "above average height, dark-skinned, good eyes, well set, strong, good nose, thick beard, good head, curly hair, a berserker when fighting". Family Idomeneus was the son of Deucalion and Cleopatra, grandson of King Minos and king of Crete and Queen Pasiphaë, thus tracing his line from Helios the sun god. He was husband of Meda by whom she became the mother of Orsilochus, Cleisithyra, Iphiclus and Lycus. Mythology In Homer's ''Iliad'', Idomeneus is found among the first rank of the Greek generals, leading his troops and engaging the enemy head-on, and escaping serious injury. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuvilliés Theatre
The Cuvilliés Theatre (german: link=no, Cuvilliés-Theater) or Old Residence Theatre (''Altes Residenztheater'') is the former court theatre of the Residenz in Munich, Bavaria, Germany. History Elector of Bavaria Maximilian III Joseph (reg. 1745–1777) commissioned the construction of a new theatre outside the palace after a fire in the St. George's Hall of the Residence which had served previously as a theatre room. The Residence Theatre was built from 1751 to 1753 by François de Cuvilliés in rococo style. The carving was done under supervision of Johann Baptist Straub. Due to limited space the National Theatre Munich was built next to the Residence Theatre from 1811. The interior decoration was then removed under King Ludwig I (reg. 1825–1848) when the building became a depot for the National Theatre, but the Residence Theatre was already restored and re-opened in 1857 under King Maximilian II (reg. 1848–1864). Originally the theatre was located where the prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Varesco
Father Giambattista Varesco (Trento, 26 November 1735 – Salzburg, 25 August 1805) was a chaplain, musician, poet and (most famously) librettist to Wolfgang Amadeus Mozart. His given name variously appears as Giambattista, Gianbattista, Giovanni Battista and Girolamo Giovanni Battista. He is sometimes referred to with the Italian title ''Abate'' or the French ''Abbé'', both used for priests: he was chaplain at the Salzburg court chapel from 1766. Varesco's only familiar work with Mozart is the libretto to ''Idomeneo''; the abortive ''L'oca del Cairo'' is little-known. Varesco also edited Metastasio's libretto for '' Il re pastore'', one of Mozart's lesser operas. Mozart's commission for ''Idomeneo'' came in 1780 from Karl Theodor, Elector of Bavaria; his court in Munich paid Varesco 90 gulden. Leopold Mozart acted as a local intermediary for his son, and their correspondence left many details on the collaboration, and showed the composer's dissatisfaction, primarily with the ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: '' Il pomo d'oro'', 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idoménée
''Idoménée'' (English: ''Idomeneus'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Idoménée'' was first performed on 12 January 1712 by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. The libretto, by Antoine Danchet, is based on a stage play by Crébillon père. It later formed the basis of Giambattista Varesco's libretto for Wolfgang Amadeus Mozart's opera ''Idomeneo''. Roles Synopsis *Prologue Vénus visits Eole (Aeolus) in his cavern to ask him to release the winds so she can punish the Greek hero Idoménée (Idomeneus), on his way back from the siege of Troy to his home in Crete. *Act 1: In Crete, Ilione, daughter of King Priam of Troy reveals she has rejected the advances of Idoménée, but is secretly in love with his son Idamante. He returns her love, spurning Electre, who jealously plots revenge. News arrives that Idoménée has been lost in a storm at s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Theodore, Elector Of Bavaria
Charles Theodore (german: link=no, Karl Theodor; 11 December 1724 – 16 February 1799) reigned as Prince-elector and Count Palatine from 1742, as Duke of Jülich and Berg from 1742 and also as prince-elector and Duke of Bavaria from 1777 to his death. He was a member of the House of Palatinate-Sulzbach, a branch of the House of Wittelsbach. Family and ascent Charles Theodore was of the Wittelsbach house Palatinate-Sulzbach. Brockhaus Geschichte Second Edition His father was Johann Christian, who later became Count Palatine of Sulzbach. His mother was Marie-Anne-Henriette-Leopoldine de La Tour d'Auvergne, Margravine of Bergen op Zoom, a grandniece of Henri de La Tour d'Auvergne, Viscount of Turenne. Charles Theodore was born in Drogenbos near Brussels and educated in Mannheim. Charles Theodore was the Margrave of Bergen op Zoom from 1728 onwards. He then succeeded his father as Count Palatine of Sulzbach in 1733 and inherited the Electoral Palatinate and the duchies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and '' opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maîtr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian ' divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera '' Faust'' and Delibes's ballet ''Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called ' intermèdes'. The term is also sometimes used for a ballet suite of loosely connected dances. One 20th-century example is Jacqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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