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Horimono
''Horimono'' (, , literally carving, engraving), also known as ''chōkoku'' (, "sculpture"), are the engraved images in the blade of a nihonto () Japanese sword, which may include katana or tantō blades. The artist is called a ''chōkokushi'' (), or a ''horimonoshi'' (, "engraver"). There are a variety of designs, which include ''tsume'' () "claws", ''kusa kurikara'' () (Arabesque style), ''Munenagabori'' (created in Munenaga), ''renge'' () (lotus blossom) and ''rendai'' () (lotus pedestal), fruit, dragons, and many others. Tattooing Horimono can also refer to the practice of traditional tattooing in Japanese culture; while irezumi (also spelled or sometimes ) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, inc ... usually refers to any tattooing (and often has negative connotations in Japan), "horimono" is usua ...
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Katana
A is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the ''tachi'', it was used by samurai in feudal Japan and worn with the edge facing upward. Since the Muromachi period, many old ''tachi'' were cut from the root and shortened, and the blade at the root was crushed and converted into ''katana''. The specific term for ''katana'' in Japan is ''uchigatana'' (打刀) and the term ''katana'' (刀) often refers to single-edged swords from around the world. Etymology and loanwords The word ''katana'' first appears in Japanese in the '' Nihon Shoki'' of 720. The term is a compound of ''kata'' ("one side, one-sided") + ''na'' ("blade"), in contrast to the double-sided '' tsurugi''. See more at the Wiktionary entry. The ''katana'' belongs to the ''nihontō'' family of swords, and is distinguished by a blade length (''nagasa'') of more than 2 ''shaku'', approximately . ...
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Japanese Sword
A is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794 – 1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the '' katana'', ''tachi'', '' odachi'', ''wakizashi'', and ''tantō''. Classification Classification by shape and usage In modern times the most commonly known type of Japanese sword is the ''Shinogi-Zukuri'' '' katana'', which is a single-edged and usually curved longsword traditionally worn by samurai from the 15th century onwards. Western historians have said that Japanese katana were among the finest cutting weapons in world military history, for their intended use. Other types of Japanese swords in ...
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Japanese Swords
A is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794 – 1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application and method of manufacture. Some of the more commonly known types of Japanese swords are the '' katana'', ''tachi'', '' odachi'', ''wakizashi'', and ''tantō''. Classification Classification by shape and usage In modern times the most commonly known type of Japanese sword is the ''Shinogi-Zukuri'' '' katana'', which is a single-edged and usually curved longsword traditionally worn by samurai from the 15th century onwards. Western historians have said that Japanese katana were among the finest cutting weapons in world military history, for their intended use. Other types of Japanese swords in ...
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Irezumi
(also spelled or sometimes ) is the Japanese word for tattoo, and is used in English to refer to a distinctive style of Japanese tattooing, though it is also used as a blanket term to describe a number of tattoo styles originating in Japan, including tattooing traditions from both the Ainu people and the Ryukyuan Kingdom. All forms of are applied by hand, using wooden handles and metal needles attached via silk thread. This method also requires special ink known as ink (also called ); tattooing practiced by both the Ainu people and the Ryukyuan people uses ink derived from the indigo plant. It is a painful and time-consuming process, practiced by a limited number of specialists known as . typically have one or more apprentices working for them, whose apprenticeship can last for a long time period; historically, were admired as figures of bravery and roguish sex appeal. During the Edo period, ("tattoo punishment") was a criminal penalty. The location of the tattoo was det ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ...
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Wakizashi Horimono
The is one of the traditionally made Japanese swords (''nihontō'') worn by the samurai in feudal Japan. History and use The production of swords in Japan is divided into specific time periods:Transition of kotō, shintō, shinshintō, and gendaitō.
Nagoya Japanese Sword Museum Touken World
* ''Jokotō'' (ancient swords, until around A.D. 900) * ''Kotō'' (old swords from around 900–1596) * ''Shintō'' (new swords 1596–1780) * ''Shinshintō'' (newer swords 1781–1876) * ''Gendaitō'' (modern or contemporary swords 1876–present) The ''wakizashi'' has a blade between in length. ''Wakizashi'' close to the length of a ''

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Tantō
A is one of the traditionally made Japanese swords (Commons:Nihonto, ''nihonto'') that were worn by the samurai class of feudal Japan. The tantō dates to the Heian period, when it was mainly used as a weapon but evolved in design over the years to become more ornate. Tantō were used in traditional martial arts (tantojutsu). The term has seen a resurgence in the West since the 1980s as a point style of modern tactical knives, designed for piercing or stabbing. Description The ''tantō'' is a dagger, single or double edged dagger with a length between 15 and 30 cm (1 Japanese Shaku (unit), shaku). The tantō was designed primarily as a stabbing weapon, but the edge can be used for cutting, slashing as well. Tantō are generally Forging, forged in ''hira-zukuri'' (平造) style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the ''shinogi-zukuri'' (鎬造) structure of a ''katana''. Some tantō have particularly thick cross-sect ...
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Arabesque (European Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ...
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Munenaga
, an imperial prince (the eighth son of Emperor Godaigo) and a poet of the Nijō poetic school of Nanboku-chō period, mostly known for his compilation of the '' Shin'yō Wakashū''.Earl Roy Miner, Hiroko Odagiri, and Robert E. Morrell (1985: 202). ''The Princeton companion to classical Japanese literature.'' Princeton, N.J. : Princeton University Press. Prince Munenaga led a turbulent life, which quite likely served as an impetus for his poetic sensibility. In 1326 he took tonsure as a Tendai priest on Mount Hiei and swiftly advanced in his studies of the Buddhist doctrine. In 1330 Prince Munenaga became the head priest of Tendai school, but was soon after banished to Sanuki in Shikoku for his participation in the Genkō War, where he had fought for his father's cause of imperial restoration. After three years of exile he marched his troops into Kyoto. Subsequently, when the imperial army lost to Ashikaga Takauji in 1336, Prince Munenaga took refuge on Mount Hiei with his fath ...
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Hajichi
are traditional tattoos worn on the hands of Ryukyuan (mainly Okinawan) women. History The custom was first recorded in the 16th century but is believed to date back much further. The tattoos could represent pride in being a woman, beauty, and protection. They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked ''hajichi'' would risk suffering in the afterlife. After annexation The tattoos were banned by the Meiji government in 1899, but the practice continued for many years. The ban was mainly to crack down on independent Ryukyuan culture because it was deemed "primitive" by ethnic Yamato people. American servicemen during World War II were taught that one could distinguish between some Okinawan women and mainland Japanese women through ''hajichi''. Nonetheless the practise became less and less common over time and by the 1950s most young ...
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