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History Of Manga
Manga, in the sense of narrative multi-panel cartoons made in Japan, originated from Euro-American-style cartoons featured in late 19th-century Japanese publications. The form of manga as speech-balloon-based comics more specifically originated from translations of American comic strips in the 1920s, with several early such manga read left-to-right and the longest-running pre-1945 manga being the Japanese translation of the American comic strip ''Bringing Up Father''. The word manga first came into usage in the late 18th century, though it only came to refer to various forms of cartooning in the 1890s and did not become a common word until around 1920. Historians and writers on manga history have described two broad and complementary processes shaping modern manga. Their views differ in the relative importance they attribute to the role of cultural and historical events following World War II versus the role of pre-war, Meiji, and pre-Meiji Japanese culture and art: One view, r ...
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Hokusai Manga
The is a collection of sketches of various subjects by the Japanese artist Hokusai. Subjects of the sketches include landscapes, flora and fauna, everyday life and the supernatural. The word ''manga'' in the title does not refer to the contemporary story-telling ''manga'', as the sketches in the work are not connected to each other. Block-printed in three colours (black, gray and pale flesh), the Manga comprise thousands of images in fifteen volumes, the first published in 1814, when the artist was 55. The final three volumes were published posthumously, two of them assembled by their publisher from previously unpublished material. The final volume was made up of previously published works, some not even by Hokusai, and is not considered authentic by art historians. Publication history The preface to the first volume of the work, written by , a minor artist of Nagoya, suggests that the publication of the work may be aided by Hokusai's pupils. Part of the preface reads: The ...
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Kamishibai
is a form of Japanese street theater and storytelling that was popular during the Great Depression of the 1930s and the post-war period in Japan until the advent of television during the mid-20th century. were performed by a (" narrator") who travelled to street corners with sets of illustrated boards that they placed in a miniature stage-like device and narrated the story by changing each image. has its earliest origins in Japanese Buddhist temples, where Buddhist monks from the 8th century onward used ("picture scrolls") as pictorial aids for recounting their history of the monasteries, an early combination of picture and text to convey a story. History Origins The exact origins of during the 20th century are unknown, appearing "like the wind on a street corner" in the Shitamachi section of Tokyo around 1930. It is believed, however, that has deep roots in Japan's ("pictorial storytelling") art history, which can be traced back to the 12th-century scrolls, such a ...
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Yomiuri Shimbun
The (lit. ''Reading-selling Newspaper'' or ''Selling by Reading Newspaper'') is a Japanese newspaper published in Tokyo, Osaka, Fukuoka, and other major Japanese cities. It is one of the five major newspapers in Japan; the other four are the '' Asahi Shimbun'', the '' Chunichi Shimbun ( Tokyo Shimbun)'' the ''Mainichi Shimbun'', and the '' Nihon Keizai Shimbun''. It is headquartered in Otemachi, Chiyoda, Tokyo.' It is a newspaper that represents Tokyo and generally has a conservative orientation. It is one of Japan's leading newspapers, along with the Osaka-based liberal ( Third way) Asahi Shimbun and the Nagoya-based Social democratic Chunichi Shimbun. It is published by regional bureaus, all of them subsidiaries of The Yomiuri Shimbun Holdings, Japan's largest media conglomerate by revenue and the second largest media conglomerate by size behind Sony,The Yomiuri Shimbun Holdings is the largest media conglomerate by revenue in Japan, while Sony is Japan's largest me ...
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Anime News Network
Anime News Network (ANN) is a news website that reports on the status of anime, manga, video games, Japanese popular music and other related cultures within North America, Australia, Southeast Asia and Japan. The website offers reviews and other editorial content, forums where readers can discuss current issues and events, and an encyclopedia that contains many anime and manga with information on the staff, cast, theme music, plot summaries, and user ratings. The website was founded in July 1998 by Justin Sevakis, and operated the magazine '' Protoculture Addicts'' from 2005 to 2008. Based in Canada, it has separate versions of its news content aimed toward audiences in four separate regions: the United States and Canada, Australia and New Zealand, and Southeast Asia. History The website was founded by Justin Sevakis in July 1998. In May 2000, CEO Christopher Macdonald joined the website editorial staff, replacing editor-in-chief Isaac Alexander. On June 30, 2002, Anime ...
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Studio Ghibli
is a Japanese animation studio headquartered in Koganei, Tokyo."Studio Ghibli Collection - Madman Entertainment". ''Studio Ghibli Collection - Madman Entertainment''. Retrieved 2020-12-14. It is best known for its animated feature films, and has also produced several short subjects, television commercials, and two television films. Its mascot and most recognizable symbol is a character named Totoro, a giant spirit inspired by raccoon dogs (''tanuki'') and cats from the 1988 anime film '' My Neighbor Totoro''. Among the studio's highest-grossing films are '' Spirited Away'' (2001), ''Howl's Moving Castle'' (2004) and ''Ponyo'' (2008). The studio was founded on June 15, 1985, by directors Hayao Miyazaki and Isao Takahata and producer Toshio Suzuki, after the successful performance of Topcraft's '' Nausicaä of the Valley of the Wind'' (1984). It has also collaborated with video game studios on the visual development of several games. Five of the studio's films are among the t ...
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Isao Takahata
was a Japanese director, screenwriter and producer. A co-founder of Studio Ghibli, he earned international critical acclaim for his work as a director of Japanese animated feature films. Born in Ujiyamada, Mie Prefecture, Takahata joined Toei Animation after graduating from the University of Tokyo in 1959. He worked as an assistant director, holding various positions over the years and collaborating with colleague Hayao Miyazaki, eventually directing his own film, ''The Great Adventure of Horus, Prince of the Sun'' (1968). He continued his partnership with Miyazaki, and under Nippon Animation directed the television series '' Heidi, Girl of the Alps'' (1974), '' 3000 Leagues in Search of Mother'' (1976), and ''Anne of Green Gables'' (1979). Takahata, Miyazaki and others formed Studio Ghibli in 1985, where he would direct '' Grave of the Fireflies'' (1988), '' Only Yesterday'' (1991), '' Pom Poko'' (1994), and '' My Neighbors the Yamadas'' (1999). His last film as director was ...
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Shigisan-engi
The is an or (painted narrative handscroll) made in the second half of the 12th century CE, during the Heian period of Japanese history (794–1185). It is an illuminated manuscript detailing miracles attributed to the monk , who lived on Mount Shigi near Nara in Japan in the latter part of the 9th century. The tales are composed in the genre of , a narrative that chronicles the founding of a Buddhist or Shinto establishment. In the case of the , the establishment is , where used to live. The pictorial style of the work, known as , or "men's pictures", is characterized by active movement, outdoor scenes and a certain feeling of lack of restraint. is part of a broader style of Japanese painting called . The work is a prime example of both Heian period scroll painting and , as most of the early scroll and paintings are now lost. Background arts Originating in Japan in the sixth or seventh century through trade with the Chinese Empire, art spread widely among the a ...
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Will Eisner
William Erwin Eisner (March 6, 1917 – January 3, 2005) was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series '' The Spirit'' (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book ''A Contract with God''. He was an early contributor to formal comics studies with his book ''Comics and Sequential Art'' (1985). The Eisner Award was named in his honor and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame. 1917–1936: Early life Family background Eisner's father, Shmuel "Samuel" Eisner, was born March 6, 1886, in Kolomyia, Austria-Hungary (present-day Ukraine), and was one of eleven children. He aspired to be an artist, and as a teenager painted murals for rich patrons and Catholic churche ...
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Shunga (art)
is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word ''shunga'' means ''picture of spring''; "spring" is a common euphemism for sex. Shunga, as a subset of ukiyo-e, was enjoyed by all social groups in the Edo period, despite being out of favor with the shogunate. The ukiyo-e movement sought to idealize contemporary urban living and appeal to the new chōnin class. Shunga followed the aesthetics of everyday life and widely varied in its depictions of sexuality. Most ukiyo-e artists made shunga at some point in their careers. History Shunga was heavily influenced by illustrations in Chinese medicine manuals beginning in the Muromachi era (1336 to 1573). Zhou Fang, a notable Tang-dynasty Chinese painter, is also thought to have been influential. He, like many artists of his time, tended to draw ...
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Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series '' The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series '' One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation ...
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