Herman Chin Loy
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Herman Chin Loy
Herman Chin Loy ( Trelawny, 11 July 1948''Aquarius Rock. The Hip Reggae World of Herman Chin-Loy'' booklet and liner notes) is a Jamaican record producer, best known for his productions from the late 1960s and early 1970s of artists such as Augustus Pablo, Dennis Brown, Alton Ellis and Bruce Ruffin, and for the ''Aquarius'' and ''Scorpio'' labels that he ran. He is a Chinese Jamaican. Biography In 1969 Lloyd A. Chin-Loy opened Aquarius Record Store in Half Way Tree, Kingston, Jamaica. In the early 1970s Chin-Loy contracted Mr. Rosser, a notable studio engineer from Wales, to build an innovative, state of the art 24-track recording studio - the first of its kind in Jamaica and probably the entire Caribbean region; and so was born Aquarius Recording Studio in the heart of Half-Way-Tree. Lloyd Chin-Loy subsequently brought on board his half-brother Herman Chin-Loy, who ran the retail end of the business. Herman dabbled in producing. His earliest productions were quirky, innovative ...
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Trelawny Parish
Trelawny (Jamaican Patois: ''Trilaani'' or ''Chrilaani'') is a parish in the county of Cornwall in northwest Jamaica. Its capital is Falmouth. It is bordered by the parishes of Saint Ann in the east, Saint James in the west, and Saint Elizabeth and Manchester in the south. Trelawny is known for producing several Olympic sprinters. History In 1770, the wealthy planters in St James and St Ann succeeded in having sections of those parishes become the parish of Trelawny as they were too far from administrative centres. Trelawny was named after Sir William Trelawny, 6th Baronet, the then Governor of Jamaica, whose prominent family had originated at the manor of Trelawny in the parish of Pelynt in Cornwall, England. The first capital was Martha Brae, located inland from Rock Bay. Trelawny is best known for its sugar estates and sugar cane mills. It had more sugar estates than any other parish, so there was need for a sea coast town to export it. Falmouth became a thrivin ...
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The Hippy Boys
The Hippy Boys was a Jamaican band formed in 1968 by Lloyd Charmers. The band included guitarist Alva "Reggie" Lewis, organist Glen Adams, and brothers Aston 'Family Man' Barrett on bass guitar and Carlton Barrett on drums. After the UK Singles Chart success of "Return of Django" in 1969, Lee "Scratch" Perry and The Upsetters were invited on a six-week tour of the UK. However, due to a clashing of schedules, the original Upsetters could not make the trip. The newly formed Hippy Boys became the new Upsetters for the tour; causing the band to be frequently confused with the original Upsetters in the future. The band also recorded with Max Romeo Max Romeo (born Maxwell Livingston Smith; 22 November 1944)"Respect to th ...
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Living People
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Jamaican Record Producers
Jamaican may refer to: * Something or someone of, from, or related to the country of Jamaica * Jamaicans, people from Jamaica * Jamaican English, a variety of English spoken in Jamaica * Jamaican Patois, an English-based creole language * Culture of Jamaica * Jamaican cuisine See also * *Demographics of Jamaica *List of Jamaicans *Languages of Jamaica This is a demography of the population of Jamaica including population density, education level, health of the populace, economic status, religious affiliations and other aspects of the population. Population According to the total population w ... {{disambiguation Language and nationality disambiguation pages ...
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Ernest Wilson (singer)
Fitzroy Ernest Wilson (18 November 1951 – 2 November 2021) was a Jamaican reggae singer who found fame as a member of the Clarendonians before working as a solo artist. Biography Wilson formed the Clarendonians in 1963 with Peter Austin, the duo going on to become one of the most popular groups of the ska and rocksteady era, and having several Jamaican number one hits.Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, Wilson embarked on a solo career in 1967, releasing the "Money Worries" single.Thompson, Dave (2002) "Reggae & Caribbean Music", Backbeat Books, Further singles followed, with "Undying Love", "Storybook Children" and "If I Were a Carpenter" in 1968 (all produced by Coxsone Dodd), "Private Number" (for Joe Gibbs) and "Freedom Train" (for Lee "Scratch" Perry - one of the first Jamaican singles ever to be released in stereo) in 1969. In 1969, he got back together with sometime Clarendonian Freddie McGregor in the duo 'Ernest Wilson & Freddy' ...
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Little Roy
Little Roy (born Earl Lowe in Witfield Town, Kingston, Jamaica) is a Jamaican reggae artist.Bush, NathanLittle Roy Biography, AllMusic, retrieved 2011-02-14 Biography Little Roy began his career at the age of 12 years in 1965 recording a few unsuccessful tracks with producers Coxsone Dodd and Prince Buster. He is part of the musical legacy, one of the founding Fathers of what we call ROOTS REGGAE ERA. He was the first to record a song with the word REGGAE with producer Prince Buster who named him Little Roy although the song was unsuccessful.Larkin, Colin (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p. 172 He had his first number one hit with "Bongo Nyah" (1969)at the age of 16 years for Lloyd Daley ("the Matador"), the first song about the Rastafari movement to be successful commercially in Jamaica. For his song "Don't Cross the Nation" (1970), Little Roy worked with the Wailers and producer Lee "Scratch" Perry.He worked with the late Dennis Brown on the b ...
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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or " riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to ...
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Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the ...
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Now Generation Band
The Now Generation Band (or NOWGEN) was a Jamaican reggae band during the late 1960s into the 1970s. Beginning as a dance band on the road, they gradually undertook more recording dates and, in 1972, quit road work to concentrate on studio work. The band comprised Mikey Chung and Geoffrey Chung on guitar, Val Douglas on bass, Robbie Lyn and Earl Wire Lindo on keyboards, with Martin Sinclair and Mikey "Boo" Richards on drums. They recorded with most Jamaican record producers such as Duke Reid, Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, Harry J, and Harry Mudie. Songs they recorded included "Dem Ha Fe Get a Beatin" and "Maga Dog" by Peter Tosh, (Joe Gibbs); "Beat Down Babylon" by Junior Byles, (Lee Perry); "Baby Don't Do it" and "Things in Life" by Dennis Brown, (Lloyd Matador); "Breakfast in Bed" by Lorna Bennett, (Harry J); "Life Is Just for Living" by Ernie Smith, "Shaft" by The Chosen Few (Derrick Harriott); plus "Y Mas Gan" by The Abyssinians The Abyssinians are a ...
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Lloyd Charmers
Lloyd Charmers (born Lloyd Tyrell, 1938 – 27 December 2012, also known as Lloyd Chalmers, Lloyd Terell, or Lloyd Terrell)Ruddock, George (2012), '' Jamaica Gleaner'', 29 December 2012. Retrieved 29 December 2012 was a Jamaican ska and reggae singer, keyboard player and record producer. Career Lloyd Charmers was born in Kingston, Jamaica.Lloyd Charmers
, . Retrieved 29 December 2012
His professional career began in 1962, when he performed as the Charmers with Roy Willis on Vere Johns' ''Talent Hour'', starting a recording career soon afterward. When the Charmers split, he joined

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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ...
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