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Gudok
The gudok (, russian: гудок), gudochek (, russian: гудочек) is an ancient Eastern Slavic string musical instrument, played with a bow. 
A ''gudok'' usually had three strings, two of them tuned in and played as a drone, the third tuned a fifth higher. All three strings were i ...
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Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete ( Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy ( Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional ( folk) styles, which are typically aural traditions—taught " by ear" rather than via written music. Fiddling is the act of playing the fiddle, and fiddlers are musicians that play it. Among musical styles, fiddling tends to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lijerica
) * Gudok (''russian: гудок'' '' uk, гудок'') * Kemenche * Rabel (instrument) * Rabāb (Arabic الرباب) * Rebec * violin The lijerica () is a musical instrument from the Croatian region of Dalmatia and Croatian parts of eastern Herzegovina. It is a pear-shaped, three-stringed instrument which is played with a bow. It is played to accompany the traditional linđo dance from the region. The lijerica's name comes from the lyra (Greek: λύρα), the bowed instrument of the Byzantine Empire which it probably evolved from. While the lijerica is most often associated with traditional folk music, it is still found in modern music from the region. One artist who is notable for his use of the instrument is Mate Bulić. Origins The lijerica is closely related to the bowed musical instrument ''lyra'' (''lūrā'') of the Byzantine Empire, an ancestor of most European bowed instruments and equivalent to the rabāb used in the Islamic Empires of that time. The Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabāb
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gadulka
The gadulka ( bg, гъдулка) is a traditional Bulgarian bowed string instrument. Alternate spellings are "gǎdulka", "gudulka" and "g'dulka". Its name comes from a root meaning "to make noise, hum or buzz". The gadulka is an integral part of Bulgarian traditional instrumental ensembles, commonly played in the context of dance music. The gadulka commonly has three (occasionally four or five Mincho Minchev) main strings with up to sixteen sympathetic resonating strings underneath introduced by the legendary Mincho Nedyalkov. Only the main melodic strings are touched by the player's fingers and the strings are never pressed all the way down to touch the neck. The gadulka is held vertically, with the bow held perpendicular in an under-hand hold. There is a smaller variant of the instrument in the Dobrudja region with no sympathetic strings at all. Gadulka's possible origin may be the lira, the bowed Byzantine instrument of the 9th century AD and ancestor of most Western Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sympathetic Strings
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect. Description Sympathetic strings are used to enhance the sound of an instrument. Some instruments have only a few sympathetic strings such as the Hardanger fiddle (pictured above right). Other instruments which have more include the sitar with 11-13 sympathetic strings and sarod with 15 sympathetic strings, and the sarangi, which has a total of 37 sympathetics. In Weste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounding Board
A sounding board, also known as a tester and abat-voix is a structure placed above and sometimes also behind a pulpit or other speaking platform that helps to project the sound of the speaker. It is usually made of wood. The structure may be specially shaped to assist the projection, for example, being formed as a parabolic reflector. In the typical setting of a church building A church, church building or church house is a building used for Christian worship services and other Christian religious activities. The earliest identified Christian church is a house church founded between 233 and 256. From the 11th thro ..., the sounding board may be ornately carved or constructed. The term "abat-voix," from the French word for the same thing (''abattre'' (“to beat down”) + ''voix'' (“voice”)), is also used in English. The term “sounding board” is also used figuratively to describe a person who listens to a speech or proposal in order that the speaker may rehearse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow (music)
In music, a bow is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones. Materials and manufacture A bow consists of a specially shaped stick with other material forming a ribbon stretched between its ends, which is used to stroke the string and create sound. Different musical cultures have adopted various designs for the bow. For instance, in some bows a single cord is stretched between the ends of the stick. In the Western tradition of bow making—bows for the instruments of the violin and viol families—a hank of horsehair is normally employed. The manufacture of bows is considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fifth
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant note is a perfect fifth above the tonic note. The perfect fifth is more consonant, or stable, than any other interval except the unison and the octave. It occurs above the root of all major and minor chords (triads) and their extensions. Until the late 19th century, it was often referred to by one of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Da Gamba
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish '' vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skomorokh
A skomorokh ( in Russian, in Old East Slavic, in Church Slavonic. Compare with the Old Polish , ) was a medieval East Slavic harlequin, or actor, who could also sing, dance, play musical instruments and compose for oral/musical and dramatic performances. Etymology The etymology of the word is not completely clear. There are hypotheses that the word is derived from the Greek (cf. , 'joke'); from the Italian ('joker', cf. English '' scaramouch''); from the Arabic ; and many others. History The skomorokhs appeared in Kievan Rus' no later than the mid-11th century, but fresco depictions of skomorokh musicians in the Saint Sophia Cathedral in Kyiv (Ukraine) date to the 11th century. The ''Primary Chronicle'' on skomorokhs concurs with the period. The monk chronicler denounced them as devil servants. Furthermore, the Eastern Orthodox Church often railed against them and other elements of popular culture as being irreverent, detracting from the worship of God or being down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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