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Graces
In Greek mythology, the Charites ( ), singular ''Charis'', or Graces, were three or more goddesses of charm, beauty, nature, human creativity, goodwill, and fertility. Hesiod names three – Aglaea ("Shining"), Euphrosyne ("Joy"), and Thalia ("Blooming")Hesiod, ''Theogony''907 ff – and names Aglaea as the youngest and the wife of Hephaestus. In Roman mythology they were known as the , the "Graces". Some sources use the appellation "Charis" as the name of one of the Charites, and equate her with Aglaea, as she too is referred to as the wife of Hephaestus. The Charites were usually considered the daughters of Zeus and Oceanid Eurynome. Rarely, they were said to be daughters of Dionysus and Coronis or of Helios and the Naiad Aegle Pausanias, ''Description of Greece''9.35.5 or of Hera by an unnamed father. Other possible names of their mother by Zeus are Eurydome, Eurymedousa, or Euanthe. Homer identified them as part of the retinue of Aphrodite. The Charites were also as ...
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Euphrosyne
Euphrosyne (; grc, Εὐφροσύνη), in ancient Greek religion and mythology, was one of the Charites, known in ancient Rome as the ''Gratiae'' (Graces). She was sometimes called Euthymia (Εὐθυμία) or Eutychia (Εὐτυχία). Family According to Hesiod, Euphrosyne and her sisters Thalia and Aglaea were daughters of Zeus and the Oceanid Eurynome. Alternative parentage may be Zeus and Eurydome, Eurymedousa, or Euanthe; Dionysus and Kronois; or Helios and the Naiad Aegle. In some accounts, Euphrosyne was a daughter of the primordial gods, Erebus (Darkness) and Nyx (Night).Hyginus, ''Fabulae'Preface/ref>"From Nox/ Nyx (Night) and Erebus ere born Fatum/ Moros (Fate), Senectus/ Geras (Old Age), Mors/ Thanatos (Death), Letum (Dissolution), Continentia (Moderation), Somnus/ Hypnos (Sleep), Somnia/ Oneiroi (Dreams), Amor (Love)--that is Lysimeles, Epiphron (Prudence), Porphyrion, Epaphus, Discordia/ Eris (Discord), Miseria/ Oizys (Misery), Petula ...
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Aglaea
Aglaea () or Aglaïa (; grc, Ἀγλαΐα, lit=festive radiance) is one of the three ''Charites'' or ''Gratiae'' (Graces) in Greek mythology. Family According to Hesiod, Aglaea is the youngest of the Charites, the three daughters of Zeus and the Oceanid Eurynome. The mythographer Apollodorus, in constrast, calls them the children of Zeus by Eunomia, the goddess of good order and lawful conduct. Aglaea's two sisters are Euphrosyne, the goddess of joy or mirth, and Thalia, the goddess of festivity and rich banquets. Together they are known as the Charites in Greek mythology or the ''Gratiae'' (Graces) in Roman mythology, and they were responsible for overseeing all feasts and dances. They were part of the retinue of Aphrodite with Aglaea sometimes acting as her messenger. Aglaea was married to Hephaestus, typically seen as after his divorce from Aphrodite, and by him she became mother of Eucleia ("Good Repute"), Eupheme ("Acclaim"), Euthenia ("Prosperity"), and Philophr ...
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Thalia (Grace)
__NOTOC__ In Greek mythology, Thalia or Thaleia ( or ; grc, Θάλεια , Tháleia, the joyous, the abundance) was one of the three Charites or Graces, along with her sisters Aglaea and Euphrosyne.Hesiod, ''Theogony,'907/ref> The Greek word ''thalia'' is an adjective applied to banquets, meaning rich, plentiful, luxuriant and abundant. Thalia is a part of the Nine Muses in Greek mythology. The Muses are the foundation of inspiration, arts and wisdom. The Muses are the daughters of Zeus and Mnemosine who are the amorous counterparts of Apollo's posse of gods. The Muses, which Thalia is a part of, began their lives as nymphs, or an extensive class of female divinities. The nymphs then presented themselves as whispers in the ears of those that called upon them. An ancient writer Hesiod summoned them across the world as the nine muses, their names being: Thalia, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Calliope, Terpsichore and Urania. Thalia and the Muses were crucial to t ...
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Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous. In Hesiod's ''Theogony'', Aphrodite is born off the coast of Cythera from the ...
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Hera
In ancient Greek religion, Hera (; grc-gre, Ἥρα, Hḗrā; grc, Ἥρη, Hḗrē, label=none in Ionic and Homeric Greek) is the goddess of marriage, women and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offend her, especially Zeus' numerous adulterous lovers and illegitimate offspring. Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a '' polos'' or diadem, sometimes veiled as a married woman. She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the cow, cuckoo and the peacock. She is sometimes shown holding a pomegranate, ...
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Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label= genitive Boeotian Aeolic and Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label= genitive el, Δίας, ''Días'' () is the sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Eileithyia, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Di ...
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Eurynome (Oceanid)
Eurynome (; Ancient Greek: ) was a deity of ancient Greek religion worshipped at a sanctuary near the confluence of rivers called the Neda and the Lymax in classical Peloponnesus. She was represented by a statue of what we would call a mermaid. Tradition, as reported by the Greek traveller, Pausanias, identified her with the Oceanid, or "daughter of Ocean", of Greek poetry. Etymology The name is usually segmented Eury-nome, where eury- is "wide". This segment appears in Linear B as e-u-ru–, a prefix in a few men’s names. It does not occur in any Mycenaean women’s names, nor does –nome. The root of –nome is Proto-Indo-European *nem-, distribute, as in the Greek infinitive, nemein, "to distribute." Words derived from *nem- had a large variety of senses. In the case of Eurynome, the two main senses proposed are "wanderer" and "ruler". Robert Graves saw in Eurynome a lunar goddess descending from the Pre-Hellenic mother goddess of Neolithic Europe. In that case, –nome ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he ...
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Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly At ...
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Coronis (mythology)
There are several characters in Greek mythology by the name Coronis (Ancient Greek: Κορωνίς, -ίδος "crow" or "raven"). These include: *Coronis, one of the Hyades. * Coronis, a daughter of King Coronaeus of Phocis who fled from Poseidon and was changed into a crow by Athena. *Coronis, a Maenad who was raped by Butes of Thrace. Dionysus made the offender throw himself down a well. *Coronis, who was in one version the mother of the Graces by Dionysus. She may be the same with the above character. * Coronis, daughter of Phlegyas, king of the Lapiths, was one of Apollo's lovers and mother of Asclepius. *Coronis, one of the sacrificial victims of Minotaur. A coronis may also be: * A vessel with raised ends, like a crescent. Notes References * Diodorus Siculus, ''The Library of History'' translated by Charles Henry Oldfather. Twelve volumes. Loeb Classical Library. Cambridge, Massachusetts: Harvard University Press; London: William Heinemann, Ltd. 1989. Vol. 3. Boo ...
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Eurydome
According to Lucius Annaeus Cornutus' ''Compendium Theologiae Graecae'', Eurydome (Ευρυδόμη; "Structure Outside the Areas") was the mother of the Graces by Zeus Zeus or , , ; grc, Δῐός, ''Diós'', label= genitive Boeotian Aeolic and Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label= genitive el, Δίας, ''Días'' () is the sky and thunder god in ancient Greek relig ... (a role normally attributed to the similarly named Eurynome). References * Cornutus, ''Compendium Theologiae Graecae'', 15 Greek goddesses Divine women of Zeus {{Greek-deity-stub ...
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Theogony
The ''Theogony'' (, , , i.e. "the genealogy or birth of the gods") is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed . It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the au ...
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