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Gonfaloniere
The Gonfalonier (in Italian: ''Gonfaloniere'') was the holder of a highly prestigious communal office in medieval and Renaissance Italy, notably in Florence and the Papal States. The name derives from ''gonfalone'' (in English, gonfalon), the term used for the banners of such communes. In Florence, the office was known as Gonfalonier of Justice (''Gonfaloniere di Giustizia'') and was held by one of the nine citizens selected by the drawing lots every two months, who formed the city's government, or Signoria. In the papal states, it was known as Gonfalonier of the Church or Papal Gonfalonier. Other central and northern Italian communes, from Spoleto to the County of Savoy, elected or appointed ''gonfalonieri.'' The Bentivoglio family of Bologna aspired to this office during the sixteenth century. However, by the year 1622, when Artemisia Gentileschi painted a portrait of Pietro Gentile as a gonfaloniere of Bologna, with the ''gonfalone'' in the background, the office had mer ...
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Gonfalonier Of Justice
Gonfaloniere of Justice () was a post in the government of medieval and early Renaissance Florence. Like Florence's Priori, it was introduced in 1293 when Giano Della Bella's Ordinances of Justice came into force. He was one of the nine citizens selected by drawing lots every two months, who formed the government, or Signoria. As he was the temporary standard-bearer of the Republic of Florence and custodian of the city's banner, which was displayed from the yardarm of a portable cross. Along with the voting rights of the other Priori, he was also in charge of the internal security forces and the maintenance of public order. To distinguish him from his other eight colleagues, his crimson coat, lined with ermine, was further embroidered with golden stars. Each of Florence's neighborhoods, or , had its own who might be selected to serve on the council, and its own selected from the first families of each quarter. History Prelude The gonfaloniere di giustizia in 1366 was N ...
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Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ...
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Podestà
Podestà (, English: Potestate, Podesta) was the name given to the holder of the highest civil office in the government of the cities of Central and Northern Italy during the Late Middle Ages. Sometimes, it meant the chief magistrate of a city state, the counterpart to similar positions in other cities that went by other names, e.g. ''rettori'' ("rectors"). In the following centuries up to 1918, the term was used to designate the head of the municipal administration, particularly in the Italian-speaking territories of the Austrian Empire. The title was taken up again during the Fascist regime with the same meaning. The podestà's office, its duration and the residence and the local jurisdiction were called ''podesteria'', especially during the Middle Ages, and in later centuries, more rarely during the fascist regime. Currently, ''podestà'' is the title of mayors in Italian-speaking municipalities of Graubünden in Switzerland, but is not the case for the rest of the Can ...
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Gonfalone
The gonfalon, gonfanon, gonfalone (from the early Italian ''confalone'') is a type of heraldic flag or banner, often pointed, swallow-tailed, or with several streamers, and suspended from a crossbar in an identical manner to the ancient Roman vexillum. It was first adopted by Italian medieval communes, and later, by local guilds, corporations and districts. The difference between a gonfalon with long tails and a standard is that a gonfalon displays the device on the non-tailed area, and the standard displays badges down the whole length of the flag. Background A gonfalon can include a badge or coat of arms, or decoration. Today, every Italian comune (municipality) has a gonfalon sporting its coat of arms. The gonfalon has long been used for ecclesiastical ceremonies and processions. The papal "ombrellino", a symbol of the pope, is often mistakenly called "gonfalone" by the Italians because the pope's ceremonial umbrella was often depicted on the banner. ''Gonfalone'' was ori ...
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Signoria Of Florence
The Signoria of Florence (Italian: "lordship") was the government of the medieval and Renaissance Republic of Florence, between 1250 and 1532. Its nine members, the ''Priori'', were chosen from the ranks of the guilds of the city: six of them from the major guilds, and two from the minor guilds. The ninth became the Gonfaloniere of Justice. Selection of members The names of all guild members over thirty years old were put in eight leather bags called ''borse''. Every two months, these bags were taken from the church of Santa Croce, where they were ordinarily kept, and in a short ceremony drawn out at random. Only men who were not in debt, had not served a recent term, and had no relation to the names of men already drawn, would be considered eligible for office. Service in the Signoria Immediately after they were elected, the nine were expected to move into the Palazzo della Signoria, where they would remain for the two months of their office. There they were paid a modest su ...
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Gonfalonier Of The Church
The gonfalonier of the Church or papal gonfalonier ( it, Gonfaloniere della Chiesa, "standard-bearer"; la, Vexillifer Ecclesiæ) was a military and political office of the Papal States. Originating from the use of the Papal banner during combat, the office later became largely ceremonial and political. At his nomination, the gonfalonier was given two banners, one with the arms of the Church (''vexillum cum armis Ecclesiæ'') and another with the arms of the reigning pope (''cum armis suis''). The gonfalonier was entitled to include ecclesiastical emblems (the Keys of St. Peter and the ombrellino) upon his own arms, usually only during his term of office but on occasion permanently. Pope Innocent XII ended the rank, along with the captaincy general, and replaced them both with the position of flag-bearer of the Holy Roman Church ( it, Vessilifero di Santa Romana Chiesa), which later became hereditary in the Naro Patrizi. List of gonfaloniers of the Church See also * ...
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Capitano Del Popolo
Captain of the People ( it, Capitano del popolo, Lombard: ''Capitani del Popol'') was an administrative title used in Italy during the Middle Ages, established essentially to balance the power and authority of the noble families of the Italian city-states.Najemy, John M. 2006. ''A History of Florence 1200-1575''. Blackwell Publishing. . pp. 66–7, 75, 83–4, 94, 123, 157, 172, 178, 248. History It was created in the early 13th century when the ''populares'', the increasingly wealthy classes of commoners (merchants, professionals, craftsmen and, in maritime cities, ship-owners) began to acquire roles in the communal administration of various Italian city-states, and needed a municipal officeholder able to counter the political power of the nobles (called ''potentes''), represented usually by the '' podestà'' (a title used for chief magistrates and other top administrators in medieval Italian cities). One of the first ''capitani del popolo'' was created in Bologna in north ...
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House Of Bentivoglio
The Bentivoglio family (Latin: ''Bentivoius'') was an Italian noble family that became the ''de facto'' rulers of Bologna and responsible for giving the city its political autonomy during the Renaissance, although their rule did not survive a century. History The presence in Bologna of the Bentivoglio family is first recorded in 1323. Originally from the castle of that name in the neighborhood of Bologna, the family claimed descent from Enzio, King of Sardinia, an illegitimate son of Frederick II, Holy Roman Emperor. During the fourteenth century, the family, belonging to one of the worker's guilds at Bologna, had gained power as pro-papist Guelph leaders in the fourteenth century. Amid the faction-conflicts of the commune, on 14 March 1401, Giovanni I Bentivoglio, with the help of Gian Galeazzo Visconti, declared himself '' signore'' and ''Gonfaloniere di Giustizia''. The Visconti however soured on Giovanni, and he was defeated and killed on 26 June 1402 at the Battle of Casal ...
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Origine Della Compagnia Della Misericordia In Firenze
''Origine'' is the fourth studio album released by B1A4 under WM Entertainment. The album was released on October 19, 2020, by WM Entertainment and distributed by Sony Music Entertainment Korea This is a list of record labels owned by, or associated with Sony Music. According to Sony Music official site, the main labels are Columbia Records, RCA Records, Epic Records, Arista Records, Legacy Recordings, Sony Music Latin, Sony Masterworks, ..., the album contains 12 tracks including their lead single "Like A Movie". It marks B1A4's first full studio album since '' Good Timing'' in 2016, and their subsequent EP '' Rollin''' and the first release as a trio, following the departures of Jinyoung and Baro. Background On September 17, 2020, WM Entertainment announced that B1A4 was preparing to release an album in October. On September 30, the release date was confirmed to be on October 19. On October 6, a comeback trailer was released to YouTube. On October 7, a full tracklist was re ...
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Italian City-states
The Italian city-states were numerous political and independent territorial entities that existed in the Italian Peninsula from the beginning of the Middle Ages until the proclamation of the Kingdom of Italy, which took place in 1861. After the fall of the Western Roman Empire, urban settlements in Italy generally enjoyed a greater continuity than settlements in western Europe. Many of these cities were survivors of earlier Etruscan, Umbrian and Roman towns which had existed within the Roman Empire. The republican institutions of Rome had also survived. Some feudal lords existed with a servile labour force and huge tracts of land, but by the 11th century, many cities, including Venice, Milan, Florence, Genoa, Pisa, Lucca, Cremona, Siena, Città di Castello, Perugia, and many others, had become large trading metropoles, able to obtain independence from their formal sovereigns. Early Italian city-states Among the earliest city-states of Italy, that already started to ...
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Heraldry
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes. Although the use of various devices to signify individuals and groups goes back to antiquity, both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages. It is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered tog ...
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Condottieri
''Condottieri'' (; singular ''condottiero'' or ''condottiere'') were Italian captains in command of mercenary companies during the Middle Ages and of multinational armies during the early modern period. They notably served popes and other European monarchs during the Italian Wars of the Renaissance and the European Wars of Religion. Notable ''condottieri'' include Prospero Colonna, Giovanni dalle Bande Nere, Cesare Borgia, the Marquis of Pescara, Andrea Doria, and the Duke of Parma. The term ''condottiero'' in medieval Italian originally meant "contractor" since the ''condotta'' was the contract by which the condottieri put themselves in the service of a city or of a lord. The term, however, became a synonym of "military leader" during the Renaissance and Reformation era. Some authors have described the legendary Alberto da Giussano as the "first condottiero" and Napoleon Bonaparte (in virtue of his Italian origins) as the "last condottiero". According to this view, the con ...
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