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Giovanni Della Robbia
250px, ''Saint Sebastian'', Musée du Louvre, Paris. Giovanni della Robbia (1469–1529) was an Italian Renaissance sculptor, mostly in ceramics. Biography Giovanni della Robbia was the son of Andrea della Robbia (1435–1525), brother of Girolamo della Robbia (1488–1566) and grandnephew of Luca della Robbia (1399/1400–1482). During a great part of his life he worked as assistant to his father and inherited the workshop after his father's death, enhancing the polychrome character of the glazed terracotta works. In many cases the sculpture of the two were difficult to distinguish, and a very large number of pieces of Robbia-ware which were attributed to Andrea, and even to Andrea’s uncle Luca, were really by the hand of Giovanni. Neither Luca nor Andrea was in the habit of signing his work, but Giovanni often did so, usually adding the date, probably because other potters had begun to imitate the Robbia ware. Examples of these imitations are a retable in the Basilica of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastian Della Robbia Louvre InvML96
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Orthodox, Anglican, Oriental Orthodox, and Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness that many religions attribute to certain people", referring to the Jewish tzadik, the Islamic walī, the Hindu rishi or Sikh gur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael (archangel)
Michael (; he, מִיכָאֵל, lit=Who is like El od, translit=Mīḵāʾēl; el, Μιχαήλ, translit=Mikhaḗl; la, Michahel; ar, ميخائيل ، مِيكَالَ ، ميكائيل, translit=Mīkāʾīl, Mīkāl, Mīkhāʾīl), also called Saint Michael the Archangel, Saint Michael the Taxiarch in Orthodoxy and Archangel Michael is an archangel in Judaism, Christianity, Islam and the Baha'i faith. The earliest surviving mentions of his name are in 3rd- and 2nd-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels and responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael. Second Temple Jewish writings The earliest surviving mention of Michael is in a 3rd century BC Jew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity Of Jesus
The nativity of Jesus, nativity of Christ, birth of Jesus or birth of Christ is described in the biblical gospels of Luke and Matthew. The two accounts agree that Jesus was born in Bethlehem in Judaea, his mother Mary was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention. Many modern scholars consider the birth narratives unhistorical because they are laced with theology and present two different accounts which cannot be harmonised into a single coherent narrative. But many others view the discussion of historicity as secondary, given that gospels were primarily written as theological documents rather than chronological timelines. The nativity is the basis for the Christian holiday of Christmas, and plays a major role in the Christian liturgical year. Many Christians traditionally display small manger scenes depicting the nativity in their homes, or attend nativity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bargello
The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), was a former barracks and prison, now an art museum, in Florence, Italy. Terminology The word ''bargello'' appears to come from the late Latin ''bargillus'' (from Gothic ''bargi'' and German ''burg''), meaning "castle" or "fortified tower". During the Italian Middle Ages it was the name given to a military captain in charge of keeping peace and justice (hence "Captain of justice") during riots and uproars. In Florence he was usually hired from a foreign city to prevent any appearance of favoritism on the part of the Captain. The position could be compared with that of a current Chief of police. The name Bargello was extended to the building which was the office of the captain. The palace Construction began in 1255. The palace was built to house first the Capitano del Popolo and later, in 1261, the 'podestà', the highest magistrate of the Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Castracane Staccoli
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mino Da Fiesole
Mino da Fiesole (c. 1429 – July 11, 1484), also known as Mino di Giovanni, was an Italian Renaissance sculptor from Poppi, Tuscany. He is noted for his portrait busts. Career Mino's work was influenced by his master Desiderio da Settignano and by Antonio Rossellino, and is characterized by its sharp, angular treatment of drapery. Unlike most Florentine sculptors of his generation, Mino passed two lengthy sojourns in Rome, from about 1459 to 1464 and again from about 1473/1474 until 1480. Mino was a friend and fellow-worker of Desiderio da Settignano and Matteo Civitali, all three being about the same age. Mino's sculpture is remarkable for its finish and delicacy of details, as well as for its spirituality and strong devotional feeling. Of Mino's earlier works, the finest are in the cathedral of Fiesole, the altarpiece and tomb of Bishop Leonardo Salutati (died 1466) His most arduous and complicated commissions, which define his intellectual and artistic nature, are an al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Del Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desiderio Da Settignano
Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settignano, near Florence. Although his work shows the influence of Donatello, specifically in his use of low reliefs, it is most likely that he received his training in the large Florentine workshop run by Bernardo and Antonio Rossellino. Desiderio matriculated into the Arte dei Maestri di Pietra e Legname, Florence's guild of Stone and Woodworkers, in 1453 and shortly thereafter already was supplying cherub head medallions for the frieze running across the front of the Pazzi Chapel in the second cloisteryard of the Basilica of Santa Croce. It is rather surprising that he would have received such an important commission as the monumental tomb of Carlo Marsuppini so early in his career. Apparently, his design capabilities and sensitivity to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a " Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clay
Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4). Clays develop plasticity when wet, due to a molecular film of water surrounding the clay particles, but become hard, brittle and non–plastic upon drying or firing. Most pure clay minerals are white or light-coloured, but natural clays show a variety of colours from impurities, such as a reddish or brownish colour from small amounts of iron oxide. Clay is the oldest known ceramic material. Prehistoric humans discovered the useful properties of clay and used it for making pottery. Some of the earliest pottery shards have been dated to around 14,000 BC, and clay tablets were the first known writing medium. Clay is used in many modern industrial processes, such as paper making, cement production, and chemical filtering. Between one-half and two-thirds of the world's population live or work in buildings made with clay, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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