Gajalaxmi
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Gajalaxmi
Gajalakshmi (), also spelt as Gajalaxmi, is one of the most significant '' Ashtalakshmi'' aspects of the Hindu goddess of prosperity, Lakshmi. Mythology In Hindu mythology, Gajalakshmi is regarded to have restored the wealth and power lost by Indra when she rose from the Samudra Manthana, the churning of the ocean. She is the form of the goddess who stands for animal wealth, as well as other symbols of wealth that represent strength. Iconography In a sixth century BCE sculpture, the goddess is depicted holding a lotus in her left hand and a lotus cornucopia in her right hand. There are two lions at her feet, two elephants bathing her with life giving waters, and two female attendants to her left and right side holding flywhisks. Depictions An image is found from the 2nd century BCE, possibly in Buddhist contexts, and appears on the railings from the Buddhist site of Bharhut, from 125-100 BCE. It appears on a 1st-century BCE coin of Azilises, and a 3rd-century CE coi ...
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Gaja Lakshmi
Gajalakshmi (), also spelt as Gajalaxmi, is one of the most significant ''Ashtalakshmi'' aspects of the Hindu goddess of prosperity, Lakshmi. Mythology In Hindu mythology, Gajalakshmi is regarded to have restored the wealth and power lost by Indra when she rose from the Samudra Manthana, the churning of the ocean. She is the form of the goddess who stands for animal wealth, as well as other symbols of wealth that represent strength. Iconography In a sixth century BCE sculpture, the goddess is depicted holding a lotus in her left hand and a lotus cornucopia in her right hand. There are two lions at her feet, two elephants bathing her with life giving waters, and two female attendants to her left and right side holding flywhisks. Depictions An image is found from the 2nd century BCE, possibly in Buddhist contexts, and appears on the railings from the Buddhist site of Bharhut, from 125-100 BCE. It appears on a 1st-century BCE coin of Azilises, and a 3rd-century CE coin f ...
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Lalitasana
Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or "royal ease" in English, and is a relaxed pose typical in royal portraits and those of religious figures whose "kingly" attributes are being emphasized. The figure sits on a throne with one leg tucked inwards on the seat and the other hanging down ("pendent") to touch the ground or rest on a support (often a stylized lotus throne). Usually it is the proper right leg that dangles, but the reversed image can be found. Bare feet are normal. '' Asana'' is a general term for a seated pose, from sa, आसन ''āsana'' "sitting down" (from आस ''ās'' "to sit down"), a sitting posture, a seat. Some sources distinguish between the ''lalitasana'' posture, as described above, and the "royal ease" (''maharajalilasana'' or ''rajalilasana''), where the right leg (usually) is bent, and the foot rests on the same level as the sitting body, and ...
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Kalinga Architecture
The Kaḷinga architectural style is a style of Hindu architecture which flourished in the ancient Kalinga previously known as Utkal and in present eastern Indian state of Odisha. The style consists of three distinct types of temples: Rekha Deula, Pidha Deula and Khakhara Deula. The former two are associated with Vishnu, Surya and Shiva temples while the third is mainly with Chamunda and Durga temples. The Rekha Deula and Khakhara Deula houses are the sanctum sanctorum while the Pidha Deula constitutes outer dancing and offering halls. In Kalinga, the ancient land of Sakta cult, divine iconography existed since the mythological era. Present day research implies that idols (deities) were placed under auspicious trees in the ancient days. And maybe today a temple in general carries various minute details and the overall shape of some heritage tree. The various aspects of a typical Kalinga temple include architectural stipulations, iconography, historical connotations and hono ...
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Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy ('' shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. T ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ...
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Ratnagiri, Odisha
Ratnagiri (Odia: ରତ୍ନଗିରି, meaning "hill of jewels") is the site of a ruined mahavihara, once the major Buddhist monastery in modern Odisha, India. It is located on a hill in between the Brahmani and Birupa rivers in Jajpur district. It is close to other Buddhist sites in the area, including Lalitagiri and Udayagiri, and from the state capital Bhubaneswar and 70km from the former state capital Cuttack. The Buddhist monuments were constructed from the 5th century CE onwards, with the last work in the 13th century, and the peak period of work done between about the 7th to 10th centuries. After perhaps the 16th century the site ceased to be used and fell into ruins. These were little known until the 1960s when major campaigns of excavations by the Archaeological Survey of India ("ASI") revealed the site, producing large quantities of very fine sculpture. Monastery 1 has been described as "the finest in terms of carved stone decoration to have survived in India". ...
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Indian Museum, Kolkata
The Indian Museum in Central Kolkata, West Bengal, India, also referred to as the Imperial Museum at Calcutta in colonial-era texts, is the ninth oldest museum in the world, the oldest and largest museum in India as well as in Asia. It has rare collections of antiques, armour and ornaments, fossils, skeletons, mummies and Mughal paintings. It was founded by the Asiatic Society of Bengal in Kolkata (Calcutta), India, in 1814. The founder curator was Nathaniel Wallich, a Danish botanist. It has six sections comprising thirty five galleries of cultural and scientific artifacts namely Indian art, archaeology, anthropology, geology, zoology and economic botany. Many rare and unique specimens, both Indian and trans-Indian, relating to humanities and natural sciences, are preserved and displayed in the galleries of these sections. In particular the art and archaeology sections hold collections of international importance. It is an autonomous organization under Ministry of Culture, ...
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Ellora Caves
Ellora is a UNESCO World Heritage Site located in the Aurangabad district of Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 CE., Quote: "These 34 monasteries and temples, extending over more than 2 km, were dug side by side in the wall of a high basalt cliff, not far from Aurangabad, in Maharashtra. Ellora, with its uninterrupted sequence of monuments dating from A.D. 600 to 1000, brings the civilization of ancient India to life. Not only is the Ellora complex a unique artistic creation and a technological exploit but, with its sanctuaries devoted to Hinduism, it illustrates the spirit of tolerance that was characteristic of ancient India." Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well as ...
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Gundestrup Cauldron
The Gundestrup cauldron is a richly decorated silver vessel, thought to date from between 200 BC and 300 AD,Nielsen, S; Andersen, J; Baker, J; Christensen, C; Glastrup, J; et al. (2005). "The Gundestrup cauldron: New scientific and technical investigations”, ''Acta Archaeologica, 76'': 1–58. Jouttijärvi, Arne (2009), "The Gundestrup Cauldron: Metallurgy and Manufacturing Techniques”, ''Materials and Manufacturing Processes, 24'': 960–966. or more narrowly between 150 BC and 1 BC. This places it within the late La Tène period or early Roman Iron Age. The cauldron is the largest known example of European Iron Age silver work (diameter: ; height: ). It was found dismantled, with the other pieces stacked inside the base, in 1891, in a peat bog near the hamlet of Gundestrup in the Aars parish of Himmerland, Denmark ().Bergquist, A K & Taylor, T F (1987), "The origin of the Gundestrup cauldron", ''Antiquity 61'': 10–24.Taylor, Timothy (1992), "The Gundestrup cauldron" ...
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Konkani People
The Konkan people ( Konkani) Konkanis : are an Indo-Aryan ethnolinguistic group native to the Konkan region of the Indian subcontinent who speak various dialects of the Konkani language. Konkani is the state language of Goa and also spoken by populations in coastal Karnataka, coastal Maharashtra, and Kerala. Other Konkani speakers are found in Gujarat state. A large percentage of Konkani people are bilingual. Etymology The word ''Konkan'' and, in turn ''Konkani'', is derived from ' or . Different authorities explain etymology of this word differently. Some include: *''Koṇ'' meaning top of the mountain. *Name of aboriginal mother goddess, which is sometimes sanskritised to mean goddess Renuka. Thus the name ''Konkane'', comes from the word ', which means ''the people of Konkan''. Sub-ethnic groups Endonyms In general, in Konkani the masculine form used to address a Konkani speaker is ' and the feminine form is . The plural form is ''Konkane'' or ''Konkani''. In Goa ''K ...
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Konkan
The Konkan ( kok, कोंकण) or Kokan () is a stretch of land by the western coast of India, running from Damaon in the north to Karwar in the south; with the Arabian Sea to the west and the Deccan plateau in the east. The hinterland east of the coast has numerous river valleys and riverine islands among the hilly slopes leading up into the tablelands of the Deccan. The region has been recognised by name, since at least the time of Strabo in the third century C.E., and was a thriving mercantile port with Arab tradesmen from the 10th century. The best-known islands of Konkan are Ilhas de Goa, the site of the Goa state's capital at Panjim, and the seven islands of Bombay, on which lies the capital of the State of Maharashtra. Definition Historically, the limits of Konkan have been flexible, and it has been known by additional names like " Aparanta" and "Gomanchal", the latter being defined as the coastal area between the Daman Ganga River in the north and the ...
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Sandstone
Sandstone is a clastic sedimentary rock composed mainly of sand-sized (0.0625 to 2 mm) silicate grains. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar (both silicates) because they are the most resistant minerals to weathering processes at the Earth's surface. Like uncemented sand, sandstone may be any color due to impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Since sandstone beds often form highly visible cliffs and other topographic features, certain colors of sandstone have been strongly identified with certain regions. Rock formations that are primarily composed of sandstone usually allow the percolation of water and other fluids and are porous enough to store large quantities, making them valuable aquifers and petroleum reservoirs. Quartz-bearing sandstone can be changed into quartzite through metamorphism, usually relate ...
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