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František Kupka
František Kupka (23 September 1871 – 24 June 1957), also known as ''Frank Kupka'' or ''François Kupka,'' was a Czech Republic, Czech Painting, painter and graphic artist. He was a pioneer and co-founder of the early phases of the Abstract art, abstract art movement and Orphic Cubism (Orphism (art), Orphism). Kupka's abstract works arose from a base of Realism (visual arts), realism, but later evolved into pure abstract art. Biography Education František Kupka was born in Opočno (eastern Kingdom of Bohemia, Bohemia) in Austria-Hungary in 1871. From 1889 to 1892, he studied at the Academy of Fine Arts in Prague. At this time, he painted historical and patriotic themes. Kupka enrolled at the Academy of Fine Arts Vienna, Academy of Fine Arts in Vienna, where he concentrated on symbolic and allegorical subjects. He was influenced by the painter and social reformer Karl Wilhelm Diefenbach (1851–1913) and his naturistic life-style. Kupka exhibited at the Kunstverein, Vienna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opočno
Opočno (; german: Opotschno) is a town in Rychnov nad Kněžnou District in the Hradec Králové Region of the Czech Republic. It has about 3,100 inhabitants. Opočno is known for the Opočno Castle, one of the most magnificent examples of Renaissance architecture in Bohemia. The town centre with the castle is well preserved and is protected by law as an urban monument zone. Administrative parts Villages of Čánka and Dobříkovec are administrative parts of Opočno. Geography Opočno is located about northeast of Hradec Králové. It lies in the Orlice Table. The highest point is the hill Velká Hvězda at above sea level. The town is situated on the Zlatý Stream and on the shore of the Broumar Pond. History Opočno was first mentioned in 1068 by Cosmas of Prague in his ''Chronica Boemorum'', when there was a gord. In the early 14th century, Opočno was acquired by the Drslavic family, who had a Gothic castle built here, and a small town began to arise next to it. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegorical
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Section D'Or
The Section d'Or ("Golden Section"), also known as Groupe de Puteaux or Puteaux Group, was a collective of Painting, painters, sculptors, poets and critics associated with Cubism and Orphism (art), Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie. Active from 1911 to around 1914, members of the collective came to prominence in the wake of their controversial showing at the Salon des Indépendants in the spring of 1911. This showing by Albert Gleizes, Jean Metzinger, Robert Delaunay, Henri le Fauconnier, Fernand Léger and Marie Laurencin (at the request of Guillaume Apollinaire, Apollinaire), created a scandal that brought Cubism to the attention of the general public for the first time. The Salon de la Section d'Or, held October 1912—the largest and most important public showing of Cubist works prior to World War I—exposed Cubism to a wider audience still. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puteaux Group
The Section d'Or ("Golden Section"), also known as Groupe de Puteaux or Puteaux Group, was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie. Active from 1911 to around 1914, members of the collective came to prominence in the wake of their controversial showing at the Salon des Indépendants in the spring of 1911. This showing by Albert Gleizes, Jean Metzinger, Robert Delaunay, Henri le Fauconnier, Fernand Léger and Marie Laurencin (at the request of Apollinaire), created a scandal that brought Cubism to the attention of the general public for the first time. The Salon de la Section d'Or, held October 1912—the largest and most important public showing of Cubist works prior to World War I—exposed Cubism to a wider audience still. After the war, with support given by the deal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphism (art)
Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism. The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. History The Orphists were rooted in Cubism but tended towards a pure lyrical abstraction. They saw art as the unification of sensation and color. More concerned with sensation, they began with recognizable subjects, depicted with abstract structures. Orphism aimed to vacate recognizable subject matter by concentrating exclusively on ''form'' and ''color''. The movement also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Figaro
''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French newspapers of record, along with ''Le Monde'' and '' Libération''. It was named after Figaro, a character in a play by polymath Beaumarchais (1732–1799); one of his lines became the paper's motto: "''Sans la liberté de blâmer, il n'est point d'éloge flatteur''" ("Without the freedom to criticise, there is no flattering praise"). With a centre-right editorial line, it is the largest national newspaper in France, ahead of '' Le Parisien'' and ''Le Monde''. In 2019, the paper had an average circulation of 321,116 copies per issue. The paper is published in Berliner format. Since 2012 its editor (''directeur de la rédaction'') has been Alexis Brézet. The newspaper has been owned by Dassault Group since 2004. Other Groupe Figaro publications inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurist Manifesto
The ''Manifesto of Futurism'' (Italian: ''Manifesto del Futurismo'') is a manifesto written by the Italian poet Filippo Tommaso Marinetti and published in 1909. Marinetti expresses an artistic philosophy called Futurism that was a rejection of the past and a celebration of speed, machinery, violence, youth and industry. It also advocated the modernization and cultural rejuvenation of Italy. Publication Marinetti wrote the manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909. It was published in the Italian newspaper ''Gazzetta dell'Emilia'' in Bologna on 5 February 1909, then in French as ''Manifeste du futurisme'' (''Manifesto of Futurism'') in the newspaper ''Le Figaro'' on 20 February 1909. Marinetti's '' Poesia'' focused its April 1909 issue on the manifesto and the Italian and French version were reprinted together with English version. In April 1909 a Madrid-based magazine, '' Prometeo'', published th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon D'Automne
The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.Salon d'automne; Société du Salon d'automne Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif. Exposés au Petit Palais des Champs-Élysées, 1903 Perceived as a reaction against the conservative policies of the official |
Illustrator
An illustrator is an artist who specializes in enhancing writing or elucidating concepts by providing a visual representation that corresponds to the content of the associated text or idea. The illustration may be intended to clarify complicated concepts or objects that are difficult to describe textually, which is the reason illustrations are often found in children's books. Illustration is the art of making images that work with something and add to it without needing direct attention and without distracting from what they illustrate. The other thing is the focus of the attention, and the illustration's role is to add personality and character without competing with that other thing. Illustrations have been used in advertisements, architectural rendering, greeting cards, posters, books, graphic novels, storyboards, business, technical communications, magazines, shirts, video games, tutorials, and newspapers. A cartoon illustration can add humor to stories or essa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
František Kupka, 1912, Amorpha, Fugue En Deux Couleurs (Fugue In Two Colors), 210 X 200 Cm, Narodni Galerie, Prague
František () is a masculine given name of Czech origin. It is a cognate of Francis, Francisco, François, and Franz. People with the name include: * Frank Daniel (František Daniel) (1926–1996), Czech film director, producer, and screenwriter * Frank Musil (František Musil) (born 1964), Czech professional ice hockey player and coach *František Albert (1856–1923), Czech surgeon and writer * František Balvín (born 1915), Czech Olympic cross-country skier * František Bartoš (other), multiple people ** František Bartoš (folklorist) (1837–1906), Moravian ethnomusicologist and folklorist ** František Bartoš (motorcycle racer) (born 1926), Czech Grand Prix motorcycle road racer *František Běhounek (1898–1973), Czech scientist, explorer, and writer * František Bělský (1921–2000), Czech sculptor *František Bílek (1872–1941), Czech Art Nouveau and Symbolist sculptor and architect * František Bolček (1920–1968), Slovak professional football player *F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blaise Cendrars
Frédéric-Louis Sauser (1 September 1887 – 21 January 1961), better known as Blaise Cendrars, was a Swiss-born novelist and poet who became a naturalized French citizen in 1916. He was a writer of considerable influence in the European modernist movement. Early years and education He was born in La Chaux-de-Fonds, Neuchâtel, Switzerland, rue de la Paix 27, into a bourgeois francophone family, to a Swiss father and a Scottish mother. They sent young Frédéric to a German boarding school, but he ran away. At the Realschule in Basel in 1902 he met his lifelong friend the sculptor August Suter. Next they enrolled him in a school in Neuchâtel, but he had little enthusiasm for his studies. Finally, in 1904, he left school due to poor performance and began an apprenticeship with a Swiss watchmaker in Russia. While living in St. Petersburg, he began to write, thanks to the encouragement of R.R., a librarian at the National Library of Russia. There he wrote the poem, " La Lé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Laurens
Jean-Pierre Laurens (18 March 1875, Paris23 April 1932, Fontenay-aux-Roses) was a French painter; primarily of figures and portraits. Biography He was the youngest son of the painter, Jean-Paul Laurens. His older brother, Paul Albert Laurens also became an artist,. and he was married to the sculptor, Yvonne Diéterle. He studied with Léon Bonnat at the École des Beaux-Arts. His first exhibit at the Salon (Paris), Salon came in 1899, when he was presented with a third-class medal. In 1900, he was awarded a silver medal and a travel grant. A second-class medal followed in 1906. Shortly after the beginning of World War I, he received a bullet wound to the leg and was taken prisoner near Rocquigny, Ardennes, Rocquigny. In September, 1914, he was transferred to the prison camp at Wittenberg, south of Berlin, where he made sketches of the harsh conditions and the typhus epidemic that ravaged the camp. He was later taken to a labor camp in Courland and, after the war, spent time a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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