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Frankfurter Opern- Und Museumsorchester
The Frankfurter Opern- und Museumsorchester ''(Frankfurt Opera House and Museum's Orchestra)'' is the resident orchestra of the Oper Frankfurt. Its somewhat peculiar name is derived from the series of "Museum Concerts", organized by the Frankfurter Museumsgesellschaft since 1808. The orchestra is ranked as an "A-list" ensemble under the German TVK regulations. Its music director and principal conductor is Sebastian Weigle. History and repertory With a history spanning more than 200 years, the Frankfurter Opern- und Museumsorchester is one of Germany's oldest symphonic ensembles. It was founded in the late 18th century as the orchestra of the Oper Frankfurt, Frankfurt's municipal opera. In addition to playing in the opera house, the orchestra maintains a series of 10 subscription programs per season (each played twice, on Sundays 11 a.m. and Mondays 8 p.m. CET, respectively), performed at the Alte Oper Frankfurt, a former opera house converted into a concert hall. The orchestra ...
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Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musici ...
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Willem Mengelberg
Joseph Wilhelm Mengelberg (28 March 1871 – 21 March 1951) was a Dutch conductor, famous for his performances of Beethoven, Brahms, Mahler and Strauss with the Concertgebouw Orchestra in Amsterdam. He is widely regarded as one of the greatest symphonic conductors of the 20th century. Biography Mengelberg was the fourth of fifteen children of German-born parents in Utrecht, Netherlands. His father was the Dutch-German sculptor Friedrich Wilhelm Mengelberg. After studies in Utrecht with the composer and conductor Richard Hol, the composer Anton Averkamp (1861–1934) and the violinist Henri Wilhelm Petri (1856–1914), he went on to study piano and composition at the Cologne conservatory (now the Hochschule für Musik Köln), where his principal teachers were Franz Wüllner, Isidor Seiss and Adolf Jensen. In 1891, when he was 20, he was chosen as General Music Director of the city of Lucerne Switzerland, where he conducted an orchestra and a choir, directed a music school, ...
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Die Deutsche Bühne
''Die Deutsche Bühne'' is the oldest German theatre magazine and reports on the fields of acting, music theatre and dance. It first appeared under this title in 1909. The publisher is the Deutscher Bühnenverein. The editorial team consists of Detlef Brandenburg (Editor-in-Chief), Detlev Baur (Deputy Editor-in-Chief), Ulrike Kolter and Andreas Falentin. The magazine is published monthly by Inspiring Network Verlag in Hamburg. The circulation is of 7,000 copies.Mediadaten 2019
(retrieved 24 November 2020)
The ''Deutsche Bühne'' is available in newsstands and can be subscribed to. An offshoot of the ''Deutsche Bühne'' is the youth theatre magazine ''die junge bühne'', which first appeared in 2007. The free magazine is aimed at audiences and act ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia ...
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Concertmaster
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," "f ...
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Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio '' When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke ...
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Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto ( her Op. 7), chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She premiered many works by he ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the " Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters ...
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Also Sprach Zarathustra (Strauss)
', Op. 30 (, ''Thus Spoke Zarathustra'' or ''Thus Spake Zarathustra'') is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical 1883–1885 novel '' Thus Spoke Zarathustra''."Richard Strauss – Tone-Poem, ''Death and Transfiguration'', Opus 24"
(and other works), Old And Sold
The composer conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts half an hour. The initial  – titled "Sunrise" in the composer's programme notes – became well known after its use in

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Ein Heldenleben
''Ein Heldenleben'' (''A Hero's Life''), Op. 40, is a tone poem by Richard Strauss. The work was completed in 1898. It was his eighth work in the genre, and exceeded any of its predecessors in its orchestral demands. Generally agreed to be autobiographical in nature despite contradictory statements on the matter by the composer, the work contains more than thirty quotations from Strauss's earlier works, including ''Also sprach Zarathustra'', ''Till Eulenspiegel'', ''Don Quixote'', ''Don Juan'', and ''Death and Transfiguration''. Background Strauss began work on the piece while staying in a Bavarian mountain resort in July 1898. He proposed to write a heroic work in the mould of Beethoven's ''Eroica'' Symphony: "It is entitled 'A Hero's Life', and while it has no funeral march, it does have lots of horns, horns being quite the thing to express heroism. Thanks to the healthy country air, my sketch has progressed well and I hope to finish by New Year's Day."Glass, Herbert''E ...
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George Szell
George Szell (; June 7, 1897 – July 30, 1970), originally György Széll, György Endre Szél, or Georg Szell, was a Hungarian-born American conductor and composer. He is widely considered one of the twentieth century's greatest conductors. He is remembered today for his long and successful tenure as music director of the Cleveland Orchestra of Cleveland, Ohio, and for the recordings of the standard classical repertoire he made in Cleveland and with other orchestras. Szell came to Cleveland in 1946 to take over a respected if undersized orchestra, which was struggling to recover from the disruptions of World War II. By the time of his death he was credited, to quote the critic Donal Henahan, with having built it into "what many critics regarded as the world's keenest symphonic instrument." Through his recordings, Szell has remained a presence in the classical music world long after his death, and his name remains synonymous with that of the Cleveland Orchestra. Whil ...
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Bruno Walter
Bruno Walter (born Bruno Schlesinger, September 15, 1876February 17, 1962) was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century. Biography Early life Born near Alexanderplatz in Berlin to a middle-class Jewish family, he began his musical education at the Stern Conservatory at the age of eight, making his first public appearance as a pianist when he was nine; he performed a co ...
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