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François Girardon
François Girardon (10 March 1628 – 1 September 1715) was a French sculptor of the Louis XIV style or French Baroque, best known for his statues and busts of Louis XIV and for his statuary in the gardens of the Palace of Versailles. Biography He was born at Troyes. His father was a foundry worker. He was first trained as a joiner and woodcarver. His talent attracted the attention of the Chancellor of Louis XIV, Pierre Séguier, a serious patron of the arts, who arranged for him to work in the studio of François Anguier, and later, from 1648 to 1650 to live and apprentice in Rome. There he saw Baroque sculpture and met Bernini, but he came to reject that style and moved instead toward classicism and the models of ancient Roman sculpture. In 1650 he returned to France, and became a member of the group of artists, led by Charles Le Brun, the official painter of the King, and including the garden designer André Le Nôtre, who were commissioned to decorate the new royal park ...
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Proserpina
Proserpina ( , ) or Proserpine ( ) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone. Proserpina replaced or was combined with the ancient Roman fertility goddess Libera, whose principal cult was housed in the Aventine temple of the grain-goddess Ceres, along with the wine god Liber. Each of these three deities occupied their own ''cella'' at the temple. Their cults were served or supervised by a male public priesthood. Ceres was by far the senior of the three, one of the dii consentes, Rome's approximate equivalent to the Greek Twelve Olympians. She was identified with Greek Demeter and Liber was identified with Bacchus and Dionysus. Libera is sometimes described as a female version of Liber Pater, concerned with female fertility. Otherwise she is given no clear identity or mythology by Roman sources, and no Greek equivalent. Nothing is known of her native iconography: her name translates as a feminine form ...
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Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as ...
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François-Michel Le Tellier, Marquis De Louvois
François Michel Le Tellier, Marquis of Louvois (18 January 1641 – 16 July 1691) was the French Secretary of State for War during a significant part of the reign of Louis XIV. Together with his father, Michel le Tellier, the French Army would eventually be increased to 340,000 soldiers – an army that would fight four wars between 1667 and 1713. He is commonly referred to as "Louvois". Early life Louvois was born in Paris on 18 January 1641, to Michel Le Tellier, and Élisabeth Turpin. Louvois received instructions from his father in the management of state affairs. The young man won the king's confidence, and in 1666 he succeeded his father as war minister. His talents were perceived by Turenne in the War of Devolution (1667–68), who gave him instruction in the art of providing armies. After the peace of Aix-la-Chapelle, Louvois devoted himself to organising the French army. The years between 1668 and 1672, says Camille Rousset, "were years of preparation, when Lionne ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Place Vendôme
The Place Vendôme (), earlier known as Place Louis-le-Grand, and also as Place Internationale, is a square in the 1st arrondissement of Paris, France, located to the north of the Tuileries Gardens and east of the Église de la Madeleine. It is the starting point of the Rue de la Paix. Its regular architecture by Jules Hardouin-Mansart and pedimented screens canted across the corners give the rectangular Place Vendôme the aspect of an octagon. The original Vendôme Column at the centre of the square was erected by Napoleon I to commemorate the Battle of Austerlitz; it was torn down on 16 May 1871, by decree of the Paris Commune, but subsequently re-erected and remains a prominent feature on the square today. History The Place Vendôme was begun in 1698 as a monument to the glory of the armies of Louis XIV, the Grand Monarque, and called Place des Conquêtes, to be renamed Place Louis le Grand, when the conquests proved temporary. An over life-size equestrian statue of the ...
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Alexandre Lenoir
Marie Alexandre Lenoir (27 December 1761 – 11 June 1839) was a French archaeologist. Self-taught, he devoted himself to saving France's historic monuments, sculptures and tombs from the ravages of the French Revolution, notably those of Saint-Denis and Sainte-Geneviève. Life The ravages of the Revolution caused the birth of the Musée des monuments français. Thanks to support from Jean Sylvain Bailly, Alexandre Lenoir successfully demanded that all art objects from state properties be gathered together in this museum. These objects were confiscated at different religious houses and stored in a single place to avoid their dispersal and destruction. Mandated by the National Constituent Assembly in 1791, he brought together the various objects he sought to conserve in the Couvent des Petits Augustins, a building which later was converted to become the École nationale supérieure des Beaux-Arts. On 1 August 1793, the National Convention decreed that the tombs of "former ki ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in coup of 18 Brumaire, November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolitionism, abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its Causes of the French Revolution, causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General of 1789, Estates General, which was converted into a National Assembly (French Revolution), National Assembly in June. Contin ...
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Sorbonne (building)
The name Sorbonne (French: ''La Sorbonne''; , , ) is commonly used to refer to the historic University of Paris in Paris, France or one of its successor institutions (see below). It is also the name of a building in the Latin Quarter of Paris which from 1253 onwards housed the College of Sorbonne, part of one of the first universities in the Western world, later renamed University of Paris and commonly known as "the Sorbonne". Today, it continues to house the successor universities of the University of Paris, such as Panthéon-Sorbonne University, Sorbonne University, Sorbonne Nouvelle University and Paris City University, as well as the . Sorbonne Université is also now the university resulting from the merger on 1 January 2018 of Paris 6 UPMC and Paris 4 Sorbonne.. Collège de Sorbonne The college was founded in 1253 by Robert de Sorbon. Louis IX of France confirmed the foundation in 1257. It was one of the first significant colleges of the medieval University of Paris ...
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Cardinal Richelieu
Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and the red robes that they customarily wear. Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government by becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. He also became engaged in a bitter dispute with the king's mother, Marie de Médicis, who had once been a close ally. Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In forei ...
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Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young bu ...
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Nymphs
A nymph ( grc, νύμφη, nýmphē, el, script=Latn, nímfi, label=Modern Greek; , ) in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings. They are often divided into various broad subgroups, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Naiads (freshwater nymphs), the Nereids (sea nymphs), and the Oreads (mountain nymphs). Nymphs are often featured in classic works of art, literature, mythology, and fiction. Since the Middle Ages, nymphs have been sometimes popularly associated or even confused with fairies. Etymology The Greek word has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun rema ...
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Apollo Belvedere
The ''Apollo Belvedere'' (also called the ''Belvedere Apollo, Apollo of the Belvedere'', or ''Pythian Apollo'') is a celebrated marble sculpture from Classical Antiquity. The ''Apollo'' is now thought to be an original Roman creation of Hadrianic date (c. 120–140 AD), though in a Hellenistic style. The distinctively Roman footwear is one reason scholars believe it is not a copy of an original Greek statue. It was rediscovered in central Italy in the late 15th century during the Italian Renaissance and was placed on semi-public display in the Vatican Palace in 1511, where it remains. It is now in the ''Cortile del Belvedere'' of the Pio-Clementine Museum of the Vatican Museums complex. From the mid-18th century it was considered the greatest ancient sculpture by ardent neoclassicists, and for centuries it epitomized the ideals of aesthetic perfection for Europeans and westernized parts of the world. Description The Greek god Apollo is depicted as a standing archer ha ...
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