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Four Masters Of The Yuan Dynasty
The Four Masters of the Yuan dynasty () is a name used to collectively describe the four Chinese painters: Huang Gongwang, Wu Zhen, Ni Zan, and Wang Meng, who were active during the Yuan dynasty (1271–1368). They were revered during the Ming dynasty and later periods as major exponents of the tradition of “ literati painting” ('' wenrenhua''), which was concerned more with individual expression and learning than with outward representation and immediate visual appeal. Huang Gongwang and Wu Zhen belonged to the earlier generation of artists in the Yuan period and consciously emulated the work of ancient masters, especially the pioneering artists of the Five Dynasties period, such as Dong Yuan and Juran, who rendered landscape in a broad, almost Impressionistic manner, with coarse brushstrokes and wet ink washes. While these painters were also respected by the two younger Yuan masters, the restrained thinness of Ni Zan and the almost embroidered richness of Wang Meng distin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ge Zhichuan Relocating By Wang Meng
General Electric Company (GE) is an American Multinational corporation, multinational Conglomerate (company), conglomerate founded in 1892, and incorporated in New York (state), New York state and headquartered in Boston. The company operated in sectors including GE Healthcare, healthcare, GE Aviation, aviation, GE Power, power, GE Renewable Energy, renewable energy, GE Digital, digital industry, additive manufacturing and GE Capital, venture capital and finance, but has since divested from several areas, now primarily consisting of the first four segments. In 2020, GE ranked among the Fortune 500 as the 33rd largest firm in the United States by gross revenue. In 2011, GE ranked among the Fortune 20 as the 14th most profitable company, but later very severely underperformed the market (by about 75%) as its profitability collapsed. Two employees of GE – Irving Langmuir (1932) and Ivar Giaever (1973) – have been awarded the Nobel Prize. On November 9, 2021, the company anno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Dynasties
The Five Dynasties and Ten Kingdoms period (), from 907 to 979, was an era of political upheaval and division in 10th-century Imperial China. Five dynastic states quickly succeeded one another in the Central Plain, and more than a dozen concurrent dynastic states were established elsewhere, mainly in South China. It was a prolonged period of multiple political divisions in Chinese imperial history. Traditionally, the era is seen as beginning with the fall of the Tang dynasty in 907 and reaching its climax with the founding of the Song dynasty in 960. In the following 19 years, Song gradually subdued the remaining states in South China, but the Liao dynasty still remained in China's north (eventually succeeded by the Jin dynasty), and the Western Xia was eventually established in China's northwest. Many states had been '' de facto'' independent long before 907 as the Tang dynasty's control over its officials waned, but the key event was their recognition as sovereign by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessica Rawson
Dame Jessica Mary Rawson, (born 20 January 1943) is an English art historian, curator and sinologist. She is also an academic administrator, specialising in Chinese art. After many years at the British Museum, she was Warden (head) of Merton College, Oxford, from 1994 until her retirement in 2010. She served as pro-vice-chancellor at University of Oxford from 2006 for a term of five years. Biography Rawson's academic background is in Sinology with a particular research focus on the cosmology of the Han period (206 BC-AD 220) and its relation to tombs and their decoration. Educated at St Paul's Girls' School in Hammersmith, West London, New Hall, Cambridge and the University of London, Rawson began her career in the civil service. Between 1976 and 1994, she served as Deputy Keeper and then Keeper of the Department of Oriental Antiquities at the British Museum. From 1994 to 2010 she was Warden of Merton College, Oxford, and from 2006 to 2011 she served as pro-vice-chancellor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Wangs
The Four Wangs () were four Chinese landscape painters in the 17th century, all with the surname Wang. They are best known for their accomplishments in '' shan shui'' painting. The painters They were Wang Shimin (1592–1680), Wang Jian (1598–1677), Wang Hui (1632–1717) and Wang Yuanqi (1642–1715).Cihai: Ci hai bian ji wei yuan hui (辞海编辑委员会）. Ci hai （辞海）. Shanghai: Shanghai ci shu chu ban she （上海辞书出版社）, 1979 Page 757. They were members of the group known as the Six Masters of the early Qing period. Philosophy The Four Wangs represented the so-called "orthodox school" of painting at the time. The school was based on the teachings of Dong Qichang (1555–1636). It was “orthodox” in the Confucian sense that it had continuing traditional modes, as they were in contrast to the "Individualist" painters such as Bada Shanren and Shitao. See also * Four Masters of the Yuan Dynasty *Four Masters of the Ming Dynasty Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Masters Of The Early Qing Period
The Six Masters of the early Qing period () were a group of major Chinese artists who worked in the 17th and early 18th centuries during the Qing dynasty. Also known as orthodox masters, they continued the tradition of the scholar-painter, following the injunctions of the artist-critic Dong Qichang late in the Ming Dynasty. The Six Masters included the flower painter Yun Shouping and the landscapists Wu Li as well as the Four Wangs: Wang Shimin, Wang Jian, Wang Yuanqi, and Wang Hui.Cihai: Ci hai bian ji wei yuan hui (辞海编辑委员会）. Ci hai （辞海）. Shanghai: Shanghai ci shu chu ban she （上海辞书出版社）, 1979 Page 958. The works of the Six Masters are generally conservative, cautious, subtle, and complex, in contrast to the vigorous and vivid painting of their "individualist" contemporaries. One of the most famous works produced by a member of the group is the ''White Clouds over Xiao and Xiang'', a hanging scroll after Zhao Mengfu by Wang Jian, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Masters Of The Ming Dynasty
The Four Masters of the Ming dynasty () are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552). They were contemporaries, with Shen being the teacher of Wen, while Tang and Qiu was taught by Zhou Chen (1460–1535). All five of the aforementioned painters were part of the Wu School. Their styles and subject matter were varied. Qiu was solely a painter, while the other three developed distinct styles of painting, calligraphy, and poetry. Other names There are several alternative terms for these four leading painters: * Four Great Masters of the Ming () * Four Masters of Suzhou: all four came from the vicinity of SuzhouRawson, p. 340 * Four Masters of Wu (): all four came from the region of Wu, which surrounds the city of Suzhou The "Four Masters" designation was first used in the mid- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionistic
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juran (painter)
Juran () (fl. 10th century) was a Chinese landscape painter of the late Five Dynasties and Ten Kingdoms and early Northern Song periods. Very little is known about Juran's life, and not even his family name is known (Juran is his Buddhist name). He was a native of Chiang-Ning and worked at the Southern Tang court in Jinling (today Nanjing). Around 975 Li Houzhu, the ruler of Southern Tang, surrendered to the Northern Song dynasty. Like many, he and his court were to move to the new capital, Bianjing (now Kaifeng); Juran went with them. He lived and worked at the K'ai-pao Buddhist temple in Bianjing, but quickly rose to prominence as landscape painter. There are a few works that have been attributed to him on various grounds: two hanging scrolls in the collection of the National Palace Museum in Taipei, Taiwan (''Storied Mountains and Dense Forests'' and ''Xiao Getting the Orchid Pavilion Scroll by Deception''), and one hanging scroll in the collection of the Cleveland Museum of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dong Yuan
Dong Yuan (, Gan: dung3 ngion4; c. 934 – c. 962) was a Chinese painter. He was born in Zhongling (钟陵; present-day Jinxian County, Jiangxi Province).Cihai: Page 599. Dong Yuan was active in the Southern Tang Kingdom of the Five Dynasties and Ten Kingdoms period. He was from Nanjing, which was a center for culture and the arts. He was known for both figure and landscape paintings, and exemplified the elegant style which would become the standard for brush painting in China for the next nine centuries. He and his pupil Juran () were the founders of the Southern style of landscape painting, known as the Jiangnan Landscape style. Together with Jing Hao and Guan Tong of the Northern style they constituted the four seminal painters of that time. As with many artists in China, his profession was as an official, here he studied the existing styles of Li Sixun and Wang Wei. However, he added to these masters' techniques; he included more sophisticated perspective. Works The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wenrenhua
The Southern School () of Chinese painting, often called " literati painting" (), is a term used to denote art and artists which stand in opposition to the formal Northern School () of painting. The distinction is not geographic, but relates to the style and contents of the works, and to some extent to the position of the artist. Typically, where professional, formal painters were classified as Northern School, scholar-bureaucrats who had either retired from the professional world or who were never a part of it constituted the Southern School. According to William Watson, while the Northern School contains "the painters who favour clear, emphatic structure in their compositions, with the use of explicit perspective devices", the Southern School "cultivate a more intimate style of landscape bathed in cloud and mist, in which pleasing calligraphic forms tend to take the place of conventions established for the representation of rocks, trees, etc. The painter of the Southern School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China
China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's List of countries and dependencies by population, most populous country, with a Population of China, population exceeding 1.4 billion, slightly ahead of India. China spans the equivalent of five time zones and Borders of China, borders fourteen countries by land, the List of countries and territories by land borders, most of any country in the world, tied with Russia. Covering an area of approximately , it is the world's third List of countries and dependencies by area, largest country by total land area. The country consists of 22 provinces of China, provinces, five autonomous regions of China, autonomous regions, four direct-administered municipalities of China, municipalities, and two special administrative regions of China, Special Administrative Regions (Hong Kong and Macau). The national capital is Beijing, and the List of cities in China by population, most populous cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literati Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà; ja, 水墨画, translit=suiboku-ga or ja, 墨絵, translit=sumi-e; ko, 수묵화, translit=sumukhwa) is a type of Chinese ink brush painting which uses black ink, such as that used in Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907); it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
