Film Title Design
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Film Title Design
Film title design is a term describing the craft and design of motion picture title sequences. Since the beginning of the film form, it has been an essential part of any motion picture. Originally a motionless piece of artwork called ''title art'', it slowly evolved into an artform of its own. History In the beginning, main title design consisted of the movie studio's name and/or logo and the presentation of the main characters along with the actor's names, generally using that same artwork presented on title cards. Most independent or major studio had their own title art logo used as the background for their screen credits and they used it almost exclusively on every movie that they produced. Then, early in the 1930s, the more progressive motion picture studios started to change their approach in presenting their screen credits. The major studios took on the challenge of improving the way they introduced their movies. They made the decision to present a more complete list of c ...
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Motion Picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Wayne Fitzgerald
Wayne Fitzgerald (March 19, 1930 – September 30, 2019) was an American film title designer. Over a career that spanned 55 years, he designed close to five hundred motion picture and television main and end title sequences for top directors such as Francis Ford Coppola, John Huston, Mike Nichols, Robert Redford, Roman Polanski, Arthur Penn, Michael Cimino, Warren Beatty, Herbert Ross, John Hughes, and Quentin Tarantino. Film title work A native of Los Angeles, Fitzgerald graduated from Art Center College of Design in 1951, and went to work at Pacific Title & Art Studio. His first major motion picture title design was for MGM's '' Raintree County'' (1957). He worked on a great many titles during his 17-year tenure at Pacific Title, becoming head of the art and design department. During that time, Pacific Title did all the motion picture title work for Warner Bros., MGM, and 20th Century Fox, as well as some for Paramount Pictures and Columbia Pictures, plus independents. Ne ...
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Film And Television Opening Sequences
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensit ...
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Art Of The Title
Art of the Title (AOTT) is an online publication dedicated to title sequence design, spanning the film, television, conference, and video game industries. The publication is both an educational and historical resource and a contemporary publication, focusing on the creative process behind the design of title sequences. It combines interviews with filmmakers and directors, designers, and craftspeople with in-depth analyses and behind-the-scenes materials. Overview Art of the Title is the leading online resource of title design, with hundreds of title sequences available to view. The site features title design from countries around the world and aims to "honor the creators and innovators who contribute to the field, discussing and displaying their work with a desire to explicate, facilitate, and instigate." The Independent has said that Art of the Title may well be the "best place to visit in search of more of these neglected wonders of film art." Film Comment called the site "a pra ...
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Film Editor
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film tog ...
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Cinema4D
Cinema 4D is a 3D software suite developed by the German company Maxon. Overview As of R21, only one version of Cinema 4D is available. It replaces all previous variants, including BodyPaint 3D, and includes all features of the past 'Studio' variant. With R21, all binaries were unified. There is no technical difference between commercial, educational, or demo versions. The difference is now only in licensing. 2014 saw the release of Cinema 4D Lite, which came packaged with Adobe After Effects Creative Cloud 2014. "Lite" acts as an introductory version, with many features withheld. This is part of a partnership between the two companies, where a Maxon-produced plug-in, called Cineware, allows any variant to create a seamless workflow with After Effects. The "Lite" variant is dependent on After Effects CC, needing the latter application running to launch, and is only sold as a package component included with AE CS through Adobe. Initially, Cinema 4D was developed for Amiga comp ...
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Adobe After Effects
Adobe After Effects is a digital visual effects, motion graphics, and compositing application developed by Adobe Inc., and used in the post-production process of film making, video games and television production. Among other things, After Effects can be used for keying, tracking, compositing, and animation. It also functions as a very basic non-linear editor, audio editor, and media transcoder. In 2019, the program won an Academy Award for scientific and technical achievement. History After Effects was originally created by David Herbstman, David Simons, Daniel Wilk, David M. Cotter, and Russell Belfer at the Company of Science and Art in Providence, Rhode Island, where the first two versions of the software, 1.0 (January 1993) and 1.1, were released by the company. CoSA, whose CEO was William J. O'Farrell, along with After Effects was then acquired by Aldus Corporation in July 1993, which was in turn acquired by Adobe in 1994, and with it PageMaker. Adobe's first new re ...
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Cinema Research Corporation
Cinema Research Corporation (CRC) was an American special effects company in Hollywood, California, and one of the first to produce effects, trailers, opticals, and titles under one roof. The company was the special effects industry leader for decades, until Industrial Light and Magic surpassed them in the late 1980s. In 1990, CRC began to concentrate its efforts on titles and opticals, and became the industry leader in those categories, by providing the titles and opticals for over 400 productions in the decade before the CEO's passing in 2000. History Cinema Research Corporation was founded in 1953 by Charles Pati from Brooklyn, New York. He moved to California at the age of 40 with the dream of getting involved with the film industry in Hollywood. By 1954, he had his first title, '' The Black Pirates'', for which he created the special effects. By the end of that decade, he owned the largest special effects studio in Hollywood. His company, Cinema Research Corporation did titl ...
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Daniel Kleinman
Daniel Kleinman (born 23 December 1955) is a British television commercial and music video director who has designed every title sequence for the ''James Bond'' series of films since ''GoldenEye'' (1995), with the exception of '' Quantum of Solace'' (2008) (which was designed by the filmmaking and design collective MK12). He returned to design the titles for ''Skyfall'' (2012), ''Spectre'' (2015), and ''No Time to Die'' (2021). Early life He attended Orange Hill Grammar School in north-west London, which became Mill Hill County High School. Career Kleinman formed Bazooka Joe, a rock band, with John Ellis and friends from Orange Hill Grammar School, Burnt Oak, London. The band played extensively throughout the 1970s. In 1975 it was supported by the Sex Pistols, playing for the first time at St Martin's School of Art, London. Bazooka Joe had a varied changing line up of musicians, notably Adam Ant and Arabella Weir, Mark Tanner (Sculptor), Chris Duffy (photographer). Pri ...
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Robert Brownjohn
Robert Brownjohn (August 8, 1925 – August 1, 1970) was an American graphic designer known for blending formal graphic design concepts with wit and 1960s pop culture. He is best known for his motion picture title sequences, especially '' From Russia with Love'' and '' Goldfinger''. Early life He was born to British parents on August 8, 1925 in Newark, New Jersey, where his father was a bus driver. In 1937, at age 12, his father died. Despite the comparative disinclination of his family, Brownjohn showed early artistic promise. After attending the Pratt Institute in nearby Brooklyn, New York for a year, he earned a place at the Institute of Design in Chicago, Illinois, formerly known as the New Bauhaus by founder László Moholy-Nagy, in 1944. Regarded as a prodigy by his peers, Brownjohn became a protégé of Moholy-Nagy and his successor, Serge Chermayeff; much of the structural quality in Brownjohn's graphic design can be traced to the former's important influence. In his ...
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James Bond Films
James Bond is a fictional character created by British novelist Ian Fleming in 1953. A British secret agent working for MI6 under the codename 007, Bond has been portrayed on film in twenty-seven productions by actors Sean Connery, David Niven, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig. Eon Productions, which now holds the adaptation rights to all of Fleming's Bond novels, made all but two films in the film series. In 1961, producers Albert R. Broccoli and Harry Saltzman purchased the filming rights to Fleming's novels. They founded Eon Productions and, with financial backing by United Artists, produced '' Dr. No'', directed by Terence Young and featuring Connery as Bond. Following its release in 1962, Broccoli and Saltzman created the holding company Danjaq to ensure future productions in the ''James Bond'' film series. The Eon series currently has twenty-five films, with the most recent, ''No Time to Die'', released in September 2021. W ...
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Maurice Binder
Maurice Binder (December 4, 1918 – April 9, 1991) was an American film title designer best known for his work on 16 James Bond films including the first, '' Dr. No'' (1962) and for Stanley Donen's films from 1958. Early work He was born in New York City, but mostly worked in Britain from the 1950s onwards. In 1951, Binder directed two short films in the obscure ''Meet Mister Baby'' series; these films were preserved by the Academy Film Archive in 2015. He did his first film title design for Stanley Donen's '' Indiscreet'' (1958). The Bond producers first approached him after being impressed by his title designs for the Donen comedy film ''The Grass Is Greener'' (1960). Binder also provided sequences for Donen for '' Charade'' (1963) and ''Arabesque'' (1966), both accompanying music by Henry Mancini. James Bond Binder created the signature gun barrel sequence for the opening titles of the first Bond film, '' Dr. No'' (1962). Binder originally planned to employ a camera sight ...
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