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Father Time
Father Time is a personification of time. In recent centuries he is usually depicted as an elderly bearded man, sometimes with wings, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device. As an image, "Father Time's origins are curious." The ancient Greeks themselves began to associate ''chronos'', their word for time, with the agricultural god Cronos, who had the attribute of a harvester's sickle. The Romans equated Cronos with Saturn, who also had a sickle, and was treated as an old man, often with a crutch. The wings and hourglass were early Renaissance additions and he eventually became a companion of the Grim Reaper, personification of Death, often taking his scythe. He may have as an attribute a snake with its tail in its mouth, an ancient Egyptian symbol of eternity. New Year Around New Year's Eve, the media (in particular editorial cartoons) use the convenient trope of Father Time as the personification of the previous year (or "the ...
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Baby New Year
The Baby New Year is a personification of the start of the New Year commonly seen in editorial cartoons. He symbolizes the "birth" of the next year and the "passing" of the prior year; in other words, a "rebirth". Baby New Year's purpose varies by myth, but he generally performs some sort of ceremonial duty over the course of his year such as Wiktionary:chronicle#Noun, chronicling the year's events or presiding over the year as a Figurehead, symbol. History Early known instances of having babies as parts of new years traditions date back to ancient greece. Modern use was popularized at the beginning of the 20th century. Legend The myth most associated with him is that he is a baby at the beginning of his year, but Baby New Year quickly ages until he is elderly (like Father Time, with whom he is often associated) at the end of his year. Very rarely is the Baby New Year depicted as any age other than a baby or as a very old man. Some stories, especially those with depictions of year ...
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Venus, Cupid, Folly And Time
''Venus, Cupid, Folly and Time'' (also called ''An Allegory of Venus and Cupid'' and ''A Triumph of Venus'') is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. Scholars do not know for certain what the painting depicts. The painting has come to be known as ''Venus, Cupid, Folly and Time'', and it is generally agreed that these are the principal figures (with "Folly" representing this or the personification of a similar concept). Cupid and Venus kiss in the foreground, while the putto Folly prepares to shower them with rose petals. The bald Time, at the top, looks on and holds a cloth. The meaning of the other three figures and the interactions between them all is much less certain. The painting displays the ambivalence, eroticism, and obscure imagery that are characteristic of the Mannerist period, and of Bronzino's master Pontormo. Painting The painting may have been commissioned by Cosimo I de' Medi ...
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A Dance To The Music Of Time (painting)
''A Dance to the Music of Time'' is a painting by Nicolas Poussin in the Wallace Collection in London. It was painted between and 1636 as a commission for Giulio Rospigliosi (later Pope Clement IX), who according to Gian Pietro Bellori dictated its detailed iconography. The identity of the figures remains uncertain, with differing accounts. The painting is well known for giving its name to the '' A Dance to the Music of Time'' novel cycle, though this title is first seen in a Wallace Collection catalogue of 1913. Before that it was given titles referring to the Four Seasons. In the 1845 sale it was called ''La Danse des Saisons, ou l'Image de la vie humaine''. The Bibliothèque nationale de France lists it with three different French titles. Description There are four figures, holding each other by the hand, dance in a circle, as Time plays a lyre on the right. The scene is set in the early morning, with Aurora, goddess of dawn, preceding the chariot of Apollo the sun-god i ...
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Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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Simon Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was al ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basem ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplo ...
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Marie De' Medici Cycle
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris. Commission Much speculation exists on the exact circumstances under which Marie de' Medici decided to commission Rubens to paint "such a grandiose project, conceived in truly heroic proportions".Saward, p. 2. John Coolidge suggests the cycle may have even been commissioned to rival another famous series of Rubens, ''The Constantine Tapestries'', which he designed in his studio at the same ...
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Baillieu Library
The Baillieu Library is the largest of the eleven branches which constitute the University of Melbourne Library. Its impressive collections are central to teaching, learning, and research in the arts, humanities and social sciences. It is located on the west side of the University's inner city Parkville campus, near the corner of Grattan Street and Royal Parade. The building, designed by John Scarborough and opened in 1959, is named after the Baillieu family, who funded the library through the William Lawrence Baillieu Trust. History The Baillieu Library was Australia's first purpose-built university library. It is named after the Baillieu family, who made a significant contribution towards the building of the library through the William Lawrence Baillieu Trust. John Francis Deighton Scarborough, a lecturer in architecture at the University, was commissioned in 1945 to design the Baillieu Library in 1945. Scarborough also designed the extension to the Old Quadrangle library i ...
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Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch/ Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight int ...
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Gillis Coignet
Gillis Coignet, Congnet or Quiniet (c. 1542 – 1599) was a Dutch and Flemish Renaissance painting, Flemish Renaissance painter, who was strongly influenced by the Italian style. He painted historical and mythological subjects of an easel size, but was more successful in landscapes, in candlelight subjects, and moonlight.Gillis Coignet (I)
at the Netherlands Institute for Art History
He was a Lutheran, which probably influenced his moves from Antwerp to Amsterdam and then Hamburg. He spent most of the 1560s in Italy.Barbara Uppenkamp, ''Gilles Coignet. A migrant painter from Antwerp and his Hamburg career''
in:� ...
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Royal Collection Trust
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences ...
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