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Direct-to-Video
Direct-to-video or straight-to-video refers to the release of a film, TV series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets. Because inferior sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative. Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide. Reasons for releasing direct to video A production studio may decide not to generally release a TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small ...
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The Return Of Jafar
''The Return of Jafar'' (sometimes marketed as ''Aladdin: The Return of Jafar'' on re-release) is a 1994 American direct-to-video animated musical fantasy film produced by Walt Disney Pictures and Television. It is the first sequel to the 1992 film ''Aladdin'', and serves as the pilot to the ''Aladdin'' animated series (being an origin story of how the series began as it premiered before this film). Released on May 20, 1994 in North America, it was the second Disney animated film sequel after ''The Rescuers Down Under'' (1990) and the first Disney direct-to-video animated film, and marked the first American direct-to-video animated film. Gilbert Gottfried, Jonathan Freeman, Scott Weinger, Frank Welker, and Linda Larkin reprise their roles from the first film, with Jason Alexander, Val Bettin, Liz Callaway, and Dan Castellaneta joining in the cast. Though the film received mixed to negative reviews, it sold 15million VHS tapes, grossing more than on a budget of approximately ...
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How I Spent My Vacation
''Tiny Toon Adventures: How I Spent My Vacation'' is a 1992 American animated comedy film from Warner Bros. Animation and Amblin Entertainment, originally intended for theatrical exhibition. Featuring the regular characters from the Fox Kids animated television program ''Tiny Toon Adventures'', the plot follows their summer vacation from school, mainly focused on Babs and Buster going downriver, Plucky and Hamton going to a world-famous amusement park, and Fifi in search of her favorite movie star. The film has since developed a strong cult following for its above average story line and production quality. Steven Spielberg served as executive producer, with writing by Paul Dini, Nicholas Hollander, Tom Ruegger and Sherri Stoner. Japanese animation studio Tokyo Movie Shinsha (now known as TMS Entertainment) produced the animation. ''How I Spent My Vacation'' was released on both VHS and LaserDisc formats on Wednesday, March 11, 1992. It was the first feature length animated f ...
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Erotic Thriller
The erotic thriller is a film subgenre defined as a thriller with a thematic basis in illicit romance or erotic fantasy. Though exact definitions of the erotic thriller can vary, it is generally agreed "bodily danger and pleasure must remain in close proximity and equally important to the plot." Most erotic thrillers contain scenes of softcore sex and nudity, though the frequency and explicitness of those scenes can differ from film to film. Erotic thrillers emerged as a distinct genre in the late 1980s, bolstered by the popular success of ''Fatal Attraction'' in 1987 and continuing into the early 1990s. Studio films of this "classic period", such as Paul Verhoeven's '' Basic Instinct'', were box office successes, helmed by big-name directors, and starred high-profile actors. The popularity of the genre spawned a lucrative cottage industry for the burgeoning home video and cable television markets. By the end of the 1990s, cultural changes and the rise of the Internet led to t ...
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Action Film
Action film is a film genre in which the protagonist is thrust into a series of events that typically involve violence and physical feats. The genre tends to feature a mostly resourceful hero struggling against incredible odds, which include life-threatening situations, a dangerous villain, or a pursuit which usually concludes in victory for the hero. Advancements in computer-generated imagery (CGI) have made it cheaper and easier to create action sequences and other visual effects that required the efforts of professional stunt crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed, as some films use CGI to create unrealistic, highly unbelievable events. While action has long been a recurring component in films, the "action film" genre began to develop in the 1970s along with the increase of stunts and special effects. This genre is closely associated with the thriller and adventure genres and may also contain elements ...
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Television Film
A television film, alternatively known as a television movie, made-for-TV film/movie or TV film/movie, is a feature-length film that is produced and originally distributed by or to a television network, in contrast to theatrical films made for initial showing in movie theaters, and direct-to-video films made for initial release on home video formats. In certain cases, such films may also be referred to and shown as a miniseries, which typically indicates a film that has been divided into multiple parts or a series that contains a predetermined, limited number of episodes. Origins and history Precursors of "television movies" include ''Talk Faster, Mister'', which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, and the 1957 '' The Pied Piper of Hamelin'', based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, ...
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Universal Pictures Home Entertainment
Universal Pictures Home Entertainment (formerly Universal Studios Home Entertainment, Universal Studios Home Video, MCA/Universal Home Video, MCA Home Video, MCA Videodisc and MCA Videocassette, Inc.) is the home video distribution division of American film studio Universal Pictures, owned by the NBCUniversal Film and Entertainment division of NBCUniversal, which is owned by Comcast. History The company was founded in 1980 as MCA Videocassette, Inc. with Gene Giaquinto as president of the division and released 24 films on Betamax and VHS in May 1980, including '' Jaws'', '' Animal House'' and '' The Deer Hunter'' as well as classic films such as '' Dracula'', '' Animal Crackers'' and '' Scarface''. ''Jaws 2'' and '' 1941'' were also released that year. Prior to 1980, Castle Films (known as Universal 8 after 1977) had served as Universal's home film distribution unit. In late 1983, both the Laserdisc sister label MCA Videodisc and the VHS/Beta label MCA Videocassette, Inc. were ...
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Leonard Maltin's Movie Guide
''Leonard Maltin's Movie Guide'' was a book-format collection of movie capsule reviews that began in 1969, was updated biannually after 1978, and then annually after 1986. The final edition was published in September 2014. It was originally called ''TV Movies'', which became ''Leonard Maltin's TV Movies and Video Guide'', and then ''Leonard Maltin's Movie and Video Guide'', before arriving at its final title. Film critic Leonard Maltin edited it and contributed a large portion of its reviews. Features The book used a star rating system. The lowest rating was "BOMB", followed by one and a half stars, rising in half-star increments to a maximum of four stars, and frequently giving out two-and-a-half star ( **1/2 ) reviews. The sole exception to this was '' Naked Gun : The Final Insult'', which was rated with two and one third stars out of four, referencing the film's title. Maltin did not cover direct-to-video films because of their great number (six released each week by 1994) ...
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Release Window
Film distribution (also known as Film exhibition or Film distribution and exhibition) is the process of making a movie available for viewing by an audience. This is normally the task of a professional film distributor, who would determine the marketing and release strategy for the film, the media by which a film is to be exhibited or made available for viewing and other matters. The film may be exhibited directly to the public either through a movie theater or television, or personal home viewing (including physical media, video-on-demand, download, television programs through broadcast syndication). For commercial projects, film distribution is usually accompanied by film promotion. History Initially, all mass-marketed feature films were made to be shown in movie theaters. The identity of the first theater designed specifically for cinema is a matter of debate; candidates include Tally's Electric Theatre, established 1902 in Los Angeles, and Pittsburgh's Nickelodeon, established ...
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B-movie
A B movie or B film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). However, the U.S. production of films intended as second features largely ceased by the end of the 1950s. With the emergence of commercial television at that time, film studio B movie production departments changed into television film production divisions. They created much of the same type of content in low budget films and series. The term ''B movie'' continues to be used in its broader sense to this day. In its post-Golden Age usage, B movies can range from lurid exploitation films to independent arthouse films. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in ...
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Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the United States. The publication has won more than 40 Pulitzer Prizes. It is owned by Patrick Soon-Shiong and published by the Times Mirror Company. The newspaper’s coverage emphasizes California and especially Southern California stories. In the 19th century, the paper developed a reputation for civic boosterism and opposition to labor unions, the latter of which led to the bombing of its headquarters in 1910. The paper's profile grew substantially in the 1960s under publisher Otis Chandler, who adopted a more national focus. In recent decades the paper's readership has declined, and it has been beset by a series of ownership changes, staff reductions, and other controversies. In January 2018, the paper's staff voted to unionize and fi ...
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Family Film
A children's film, or family film, is a film genre that contains children or relates to them in the context of home and family. Children's films are made specifically for children and not necessarily for a general audience, while family films are made for a wider appeal with a general audience in mind. Children's films come in several major genres like realism, fantasy, adventure, war, musicals, comedy, and literary adaptations. Psychological aspects Children are born with certain innate biological dispositions as a product of long evolutionary history. This provides an underlying biological framework for what may fascinate a child and also impose limitations on the same. These can be seen in certain universal features shared in children's films.Grodal Torben (2009) Embodied Visions, Oxford University Press. P 27 According to Grodal, films like ''Finding Nemo'' (2003), '' Bambi'' (1942), or Hayao Miyazaki's '' Spirited Away'' (2001) are based on certain strong emotions like fe ...
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Motion Picture Association Of America Film Rating System
The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively. Introduced in 1968, following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to help pare ...
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