|
Deesis
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Mary, mother of Jesus, Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Eastern Orthodox Church, Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deesis
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Mary, mother of Jesus, Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Eastern Orthodox Church, Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Templon
A templon (from Greek τέμπλον meaning "temple", plural ''templa'') is a feature of Byzantine churches consisting of a barrier separating the nave from the sanctuary near the altar. The solid templon first appeared in Christian churches around the 5th century and is still found in many Eastern Christian churches. Initially it was a low barrier probably not much different from the altar rails of many Western churches. It eventually evolved into the modern iconostasis, still found in Orthodox churches today. It is usually composed of carved wood or marble colonnettes supporting an architrave (a beam resting on top of columns). Three doors, a large central one and two smaller flanking ones, lead into the sanctuary. The templon did not originally obscure the view of the altar, but as time passed, icons were hung from the beams, curtains were placed in between the colonnettes, and the templon became more opaque. In modern Orthodox churches, it is common for the openings of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the " veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the " veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of The Annunciation, Moscow
The Cathedral of the Annunciation (russian: Благовещенский собор, or ''Blagoveschensky sobor'') is a Russian Orthodox church dedicated to the Annunciation of the Theotokos. It is located on the southwest side of Cathedral Square in the Moscow Kremlin in Russia, where it connects directly to the main building of the complex of the Grand Kremlin Palace, adjacent to the Palace of Facets. It was originally the personal chapel for the Muscovite tsars, and its abbot remained a personal confessor of the Russian royal family until the early 20th century. Now it also serves as a part of Moscow Kremlin Museums. History The Cathedral of the Annunciation was built by architects from Pskov in 1484-1489 as part of Grand Duke Ivan III's plans for a large-scale renovation of the Moscow Kremlin. It was built on the spot of an older 14th-century cathedral of the same name, which had been rebuilt in 1416. This older cathedral in turn had replaced a previous wooden church fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harbaville Triptych
The Harbaville Triptych is a Byzantine ivory triptych of the middle of the 10th century with a Deesis and other saints, now in the Louvre. Traces of colouring can still be seen on some figures. It is regarded as the finest, and best-preserved, of the "Romanos group" of ivories from a workshop in Constantinople, probably closely connected with the Imperial Court. The group takes its name from the Romanos and Eudokia ivory plaque in the Cabinet des Médailles of the Bibliothèque nationale de France, Paris showing Christ crowning an Emperor, named as Romanos, and his Empress. This is thought to be either Romanos II, crowned in 959, or possibly Romanos IV, crowned in 1068. Related works are in Rome, the Vatican, and Moscow, this last another coronation probably datable to 944. Of this "Romanos group" the ''Harbaville Triptych'' is considered "by far the finest, for it shows an elegance and delicacy which are absent in the others. All are in the polished, elegant style ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgement
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the '' Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter ('' Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Rublev
Andrei Rublev ( rus, Андре́й Рублёв, p=ɐnˈdrʲej rʊˈblʲɵf , also transliterated as ''Andrey Rublyov'') was a Muscovite icon painter born in the 1360s who died between 1427 and 1430 in Moscow. He is considered to be one of the greatest medieval Russian painters of Orthodox Christian icons and frescos. Early life Little information survives about his life; even where he was born is unknown. He probably lived in the Trinity-St. Sergius Lavra, near Moscow, under Nikon of Radonezh, who became hegumen after the death of Sergius of Radonezh in 1392. The first mention of Rublev is in 1405, when he decorated icons and frescos for the Cathedral of the Annunciation of the Moscow Kremlin, in company with Theophanes the Greek and Prokhor of Gorodets. His name was the last of the list of masters, as the junior both by rank and by age. Theophanes was an important Byzantine master, who moved to Russia and is considered to have trained Rublev. Career Chronicles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography Of Jesus
The depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was rejected within the ante-Nicene period.Philip Schaff commenting on Irenaeus, wrote, 'This censure of images as a Gnostic peculiarity, and as a heathenish corruption, should be noted'. Footnote 300 on Contr. Her. .I.XXV.6. ANFSynod of Elvira, 'Pictures are not to be placed in churches, so that they do not become objects of worship and adoration', AD 306, Canon 36 It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time. Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen. The conventional image of a fully bearded Jesus with long hair emerged around AD 300, but did not become established until the 6th century in Eastern Christianity, and much later in the West. It has al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Pantocrator
In Christian iconography, Christ Pantocrator ( grc-gre, Χριστὸς Παντοκράτωρ) is a specific depiction of Christ. ''Pantocrator'' or ''Pantokrator'', literally ''ruler of all'', but usually translated as "Almighty" or "all-powerful", is derived from one of many names of God in Judaism. The Pantokrator, largely an Eastern Orthodox or Eastern Catholic theological conception, is less common under that name in Western Roman Catholicism and largely unknown to most Protestants. In the West, the equivalent image in art is known as Christ in Majesty, which developed a rather different iconography. ''Christ Pantocrator'' has come to suggest Christ as a mild but stern, all-powerful judge of humanity. When the Hebrew Bible was translated into Greek as the Septuagint, ''Pantokrator'' was used both for ''YHWH Sabaoth'' "Lord of Hosts" and for ''El Shaddai'' "God Almighty". In the New Testament, ''Pantokrator'' is used once by Paul () and nine times in the Book of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifixion Of Jesus
The crucifixion and death of Jesus occurred in 1st-century Judea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, attested to by other ancient sources, and considered an established historical event. There is no consensus among historians on the details. Christopher M. Tuckett in ''The Cambridge companion to Jesus'' edited by Markus N. A. Bockmuehl 2001 Cambridge Univ Press pp. 123–124 In the canonical gospels, Jesus is arrested and tried by the Sanhedrin, and then by Pontius Pilate, who sentences him to flagellation and finally crucifixion by the Roman Empire.''The Cradle, the Cross, and the Crown: An Introduction to the New Testament'' by Andreas J. Köstenberger, L. Scott Kellum 2009 pp. 104–108Evans, Craig A. (2001). ''Jesus and His Contemporaries: Comparative Studies'' p. 316 Jesus was stripped of his clothing and offered vinegar mixed with myrrh or gall (likely posca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
