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Das Fränkische Lied
The Frankish Song (German:Das fränkische Lied) is a 1923 German silent film directed by Hubert Moest and Friedrich Weissenberg and starring Heinrich George.[1] The film's art direction was by Gustav A. Knauer.Contents1 Cast 2 References 3 Bibliography 4 External linksCast[edit] In alphabetical orderGerda Frey as Freundin Heinrich George Josef Reithofer Artur Retzbach as Narr Felix Stegemann Hedda Vernon
Hedda Vernon
as Burgherrin Ferry von Farrar Hertha von Walther Eduard von Winterstein
Eduard von Winterstein
as Verräterische FreundReferences[edit]^ Hermanni p.71Bibliography[edit]Horst O. Hermanni. Von Jean Gabin bis Walter Huston, Volume 3.External links[edit] The Frankish Song on IMDbThis article related to a German silent film is a stub
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Hubert Moest
Hubert Moest (December 3, 1877 to December 5, 1953[3]) was a German film director, writer, producer and actor.Contents1 Early life and career 2 Filmography2.1 Director 2.2 Actor 2.3 Producer3 References 4 External linksEarly life and career[edit] Moest was the son of the sculptor Richard Moest. He attended high school in Cologne, an art school and worked as a painter. In 1895, he began performing as an actor and opera singer on stages in Bad Godesberg, Hagen
Hagen
and other cities of West Germany. He came to Berlin in 1912 and was part of the theater at Nollendorfplatz. In the same year he was also active as a theater director. In 1913 he married actress Hedda Vernon. He began acting in 1914 and was part of many comedy films. His first film as a director was Selbstgerichtet oder Die Gelbe Fratze[4] in which his wife Hedda Vernon
Hedda Vernon
was the lead actress. He served in the army during World War I
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Eberhard Frowein
Eberhard Frowein (1881–1964) was a German screenwriter and film director. He was also a director of the Comedia-Film production company.[1] As a screenwriter he is noted for his work on the controversial 1941 Nazi film I Accuse. He later retired to Austria.Contents1 Selected filmography1.1 Director 1.2 Screenwriter2 References 3 Bibliography 4 External linksSelected filmography[edit] Director[edit] The Pearl Maker of Madrid (1921) Marriage (1929) Fertility (1929)Screenwriter[edit] Demon of the Himalayas
Demon of the Himalayas
(1935) By a Silken Thread
By a Silken Thread
(1938) Target in the Clouds
Target in the Clouds
(1939) I Accuse (1941)References[edit]^ Hailey p.290Bibliography[edit]Hailey, Christopher. Franz Schreker: 1878-1934: A Cultural Biography. CUP Archive, 1993. Welch, David. Propaganda and the German Cinema, 1933-1945
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Intertitles
In films, an intertitle (also known as a title card) is a piece of filmed, printed text edited into the midst of (i.e. inter-) the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles".[1] In modern usage, the terms refer to similar text and logo material inserted at or near the start of films and television shows.Contents1 Silent film
Silent film
era 2 Modern use 3 Amateur use 4 See also 5 References Silent film
Silent film
era[edit] In this era intertitles were always called "subtitles."[2][3] They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue and/or narration to make sense of the enacted or documented events
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Silent Film
A silent film is a film with no synchronized recorded sound (and in particular, no spoken dialogue). In silent films for entertainment, dialogue is conveyed by the use of muted gestures and mime in conjunction with title cards, written indications of the plot and key dialogue lines. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in the late 1920s in film with the perfection of the Audion amplifier tube
Audion amplifier tube
and the advent of the Vitaphone
Vitaphone
system
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games.[1] It is the charge of a sole art director to supervise and unify the vision. In particular, the art director is in charge of the overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements used, what artistic style to use, and when to use motion. One of the most difficult problems that art directors face is to translate desired moods, messages, concepts, and underdeveloped ideas into imagery. During the brainstorming process, art directors, co-workers, and clients are engaged in imagining what the finished piece or scene might look like
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Gustav A. Knauer
Gustav A
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Josef Reithofer
Josef Reithofer (1883–1950) was an Austrian stage and film actor.[1]Contents1 Selected filmography 2 References 3 Bibliography 4 External linksSelected filmography[edit] The Dancer from Tanagra (1920) The Frankish Song (1923)
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Hedda Vernon
Hedda Vernon (October 20, 1886 – 1925) was a German actress, screenwriter, and producer. She was a prominent star of the early Weimar Republic, and had her own film unit set up to produce her pictures.Contents1 Career 2 Personal life 3 Selected filmography 4 References 5 External linksCareer[edit] Vernon was hired in 1912 by the German Bioscope as an actress. She made her screen debut in 1912 in the silent film Die Papierspur (The Paper Trail), directed by Emil Albes.[1] The following year she acted in the Vitascope films Menschen und Masken (People and Masks) and Menschen und Masken – 2. Teil (People and Masks Part 2), directed by Harry Piel.[2] She also worked in other films directed by Piel and collaborated with Max Obal until 1914
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Hertha Von Walther
Hertha von Walther (12 June 1903 – 12 April 1987) was a German film actress. She appeared in 80 films between 1921 and 1983. Selected filmography[edit] The Frankish Song (1923) Mountain of Destiny
Mountain of Destiny
(1924) Joyless Street (1925) Women You Rarely Greet
Women You Rarely Greet
(1925) Ways to Strength and Beauty
Ways to Strength and Beauty
(1925) Secrets of a Soul
Secrets of a Soul
(1926) Only a Dancing Girl (1926) The Master of Death (1926) The Flight in the Night (1926) The Love of Jeanne Ney (1927) That Was Heidelberg on Summer Nights (1927) The Transformation of Dr
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Eduard Von Winterstein
Eduard Clemens Franz Anna Freiherr von Wangenheim,[1] commonly referred to as Eduard von Winterstein
Eduard von Winterstein
(1 August 1871 – 22 July 1961) was an Austrian film actor who appeared in over one hundred fifty German films during the silent and sound eras. He was also a noted theater actor.Contents1 Biography 2 Selected filmography 3 References 4 External linksBiography[edit] Winterstein was born in Vienna
Vienna
on 1 August 1871.[2] His predecessors were the Barons of Wangenheim. He took acting lessons from his mother Luise von Wangenheim-Dub,[2] an actress of Hungarian origin who had played at the Burgtheater in Vienna. Winterstein came to Gera in 1889 and acted in theaters along with his mother and sister Clementine, where he had "undeservedly forgotten" experiences
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IMDb
IMDb, also known as Internet Movie Database, is an online database of information related to world films, television programs, home videos and video games, and internet streams, including cast, production crew, personnel and fictional character biographies, plot summaries, trivia, and fan reviews and ratings. An additional fan feature, message boards, was abandoned in February, 2017. The database is owned and operated by IMDb.com, Inc., a subsidiary of Amazon. As of December 2017[update], IMDb
IMDb
has approximately 4.7 million titles (including episodes) and 8.3 million personalities in its database,[2] as well as 83 million registered users. The movie and talent pages of IMDb
IMDb
are accessible to all internet users, but a registration process is necessary to contribute information to the site. Most data in the database is provided by volunteer contributors
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Special
Special
Special
or specials may refer to:Contents1 Music 2 Film and television 3 Other uses 4 See alsoMusic[edit] Special
Special
(album), a 1992
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The Frankish Song
The Frankish Song (German:Das fränkische Lied) is a 1923 German silent film directed by Hubert Moest and Friedrich Weissenberg and starring Heinrich George.[1] The film's art direction was by Gustav A. Knauer.Contents1 Cast 2 References 3 Bibliography 4 External linksCast[edit] In alphabetical orderGerda Frey as Freundin Heinrich George Josef Reithofer Artur Retzbach as Narr Felix Stegemann Hedda Vernon as Burgherrin Ferry von Farrar Hertha von Walther Eduard von Winterstein as Verräterische FreundReferences[edit]^ Hermanni p.71Bibliography[edit]Horst O. Hermanni. Von Jean Gabin bis Walter Huston, Volume 3.External links[edit]The Frankish Song on IMDbThis article related to a German silent film is a stub
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Heinrich George
Georg August Friedrich Hermann Schulz[1] (9 October 1893 – 25 September 1946), better known as Heinrich George
Heinrich George
(German pronunciation: [geˈɔɐ̯ gə]), was a German stage and film actor.Contents1 Career1.1 Weimar Republic 1.2 Nazi era2 Postwar 3 Personal life 4 Filmography 5 Notes 6 Further reading 7 External linksCareer[edit] Weimar Republic[edit] George is noted for having spooked the young Bertolt Brecht
Bertolt Brecht
in his first directing job, a production of Arnolt Bronnen's Parricide (1922), when he refused to continue working with the director.[2] He played in Fritz Lang's Metropolis (1927) and Dreyfus (1930). In 1931, he starred in Berlin Alexanderplatz (1931). George was an active member of the Communist party during the Weimar Republic.[3] He worked with theatre director Erwin Piscator
Erwin Piscator
and playwright Bertolt Brecht, both of whom identified with the political left
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