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Darkcore
Darkcore (also referred to as darkside hardcore) is a genre of electronic dance music, considered to be a subgenre of breakbeat hardcore, which came out from the UK rave scene of the early 1990s; this genre in particular emerged from late 1992. It is recognised as being one of the direct precursors of the music genre now known as drum and bass. Origins By late 1992, breakbeat hardcore was beginning to fragment, and darkcore was one of the subgenres to emerge, in contrast with 4-beat. Darkcore is often characterised by dark-themed samples such as horror movie elements, cries for help, sinister sounding stabs and synthesizer notes, along with syncopated breakbeats in addition to 4-to-the-floor beats and low frequency basslines. It also saw the introduction of effects such as pitch shifting and time stretching to create mood. Notable releases Notable releases include Top Buzz's "Living in the Darkness" (Basement, 1993), DJ Hype's "Shot in the Dark" ( Suburban Base, 1993), Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valley Of The Shadows
"Valley of the Shadows" is a song by English drum and bass duo Origin Unknown. Considered to be a highly influential jungle track, it was originally released as the B-side of "The Touch" before its re-release as a standalone single in 1996, both released on RAM Records. "Valley of the Shadows" proved a lot more popular than the A-side, "The Touch", and the single went on to become one of the label's best-selling releases. Background Two vocal samples are used extensively throughout the track. The phrase "Felt that I was in this long dark tunnel" was sampled from an episode of the BBC documentary series '' Q.E.D.'', first shown in 1988, concerning out-of-body experiences; and the phrase "Thirty-one seconds" was from the Apollo 11 countdown to the Lunar Module landing on the moon in 1969 (as voiced by then-Kennedy Space Center Chief of Public Information Jack King). Most of the drum sounds were sampled from the free CD from the first issues of the magazine ''Future Music'' in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suburban Base
Suburban Base Records is a British breakbeat hardcore, rave and jungle/drum and bass record label. It is based in Romford, Havering, England. It was established by Danny Donnelly and operated in the UK from 1990 to 1997 and in the United States from 1994 to 1997, however, started to release again in 2014. History Danny Donnelly opened a record store in his native Romford, Essex. Named Boogie Times, the store specialised in dance music as well as producing its own self-made white label records. Donnelly's first release was a track called "Hypersonic" which he made with André Jacobs, the owner of Essex-based D-Zone Records. These Boogie Times white labels were well received by customers, as well as DJs from the nearby capital London, which enhanced the store's reputation. In the wake of this success, Donnelly was able to fund a nascent label entitled Suburban Base. The fledgling label's first release was Kromozone's "The Rush", released in April 1991. This was followed by six f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle Music
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial style s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moving Shadow
Moving Shadow is an English breakbeat hardcore Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In ..., Jungle music, jungle and drum and bass record label which was founded in 1990 by Rob Playford. History The label began in 1990, operating from Playford's Stevenage home. Playford had become a focal point for local, young artists and bedroom producers seeking advice on releasing their own music following the release of his first three 12 inch vinyls. The label's first release with a 'Shadow' prefixed catalogue number came in 1991; the ''Psychotronic EP'' by Earth Leakage Trip. Many artists attributed to early Shadow releases were Playford's aliases or collaborations, such as 2 Bad Mice, a group he formed with Sean O'Keeffe and Simon Colebrooke. As the rave music, rave scene scrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rob Haigh
Robert "Rob" Haigh, also known as Omni Trio, is a British electronic, ambient and experimental musician. Career Early work (1979–1991) At school, Haigh was in a band called Labyrinth playing original material that was influenced by David Bowie and Roxy Music. In the early 1980s Haigh released a series of experimental ambient albums under the names Robert Haigh and Sema – the most notable being ‘Three Seasons Only’ and ‘Notes From Underground’. He also contributed to several Nurse With Wound projects and formed an industrial avant-funk band called The Truth Club together with Trefor Goronwy, who would go on to join This Heat. In a 1994 feature in ''The Wire'' on ambient jungle by Simon Reynolds, Haigh's influences were listed as Pere Ubu, The Pop Group, Can, Faust and Neu! as well as Miles Davis and King Tubby. Omni Trio (1992–2004) In the 1990s, Haigh developed a unique style of what has become known as ‘ambient drum 'n' bass’ and released six EPs and six al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4hero
4hero are an electronic music group from Dollis Hill, London, comprising producers Mark "Marc Mac" Clair & Denis "Dego" McFarlane. While the band is often cited as ''4 Hero'' or ''4-Hero'', the name is stylised as ''4hero'' on their albums and website. 4hero are known for being pioneers of breakbeat hardcore, jungle/drum and bass, broken beat and nu jazz music. Style 4hero's style was initially uptempo breakbeat, house and techno, and has progressed to breakbeat hardcore, oldschool jungle, and drum and bass. Comparisons have been drawn between them and East London band Shut Up and Dance, with both bands evolving in the early 1990s as a rapprochement between the breakbeat-driven African-diasporic musical structures of hip-hop and reggae, and the dark, European reconstruction of the techno sound popularised by the likes of Joey Beltram, CJ Bolland and Mundo Muzique. 4hero both embraced the dynamics of populist rave culture, and maintained an avant-garde status as innovative and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doc Scott
Scott McIlroy (born 1971, Coventry, England), better known as Doc Scott or Nasty Habits, is a British drum and bass DJ and producer. Biography He originally started to DJ at clubs and raves such as Amnesia House and The Eclipse in 1989/1990, before appearing all over the country and in the mid 1990s play at the seminal ''Metalheadz at the Blue Note'' nights. Goldie has called him "''The King of the Rollers''". His first track was "NHS" released on Simon 'Bassline' Smith's label ''Absolute 2''. From there, he would record classics on labels such as Reinforced Records and Metalheadz, such as "Here Come The Drumz / Dark Angel", "Deranged", "VIP Drumz/Unofficial Ghost", and "Shadow Boxing" (released on his own 31 Records label). Between 2014 and 2018, he hosted the ''Future Beats'' show on Londons Origin FM. Selected discography Selected singles/EPs *''NHS EP - Surgery'' (Absolute 2, 1991) *''NHS Second Chapter - NHS (Disco Remix)'' (Absolute 2, 1992) *''As Nasty As I Want To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinforced Records
Reinforced Records is a British breakbeat hardcore, jungle, and drum and bass record label, first founded in 1989 by 4hero and based in Dollis Hill, London. Reinforced is one of the groundbreaking record labels of the genre.Reynolds, S. (1998) ''Energy Flash'', Picador, p195-199, Early history Reinforced was started in 1989 by Mark "Marc Mac" Clair of 4hero and Gus Lawrence, soon to be joined by Dennis "Dego" McFarlane (also of 4hero) and Ian Bardouille. The first releases were all 4hero productions, including "Mr Kirk's Nightmare", which sold more than 24,000 copies and which truly launched the label. During the height of the rave scene in 1991 and 1992, as with labels such as Moving Shadow and Suburban Base, it was prolific in its output, releasing singles such as "The Head Hunter" and "Cooking Up Yah Brain" by 4hero, "Feel Real Good", "Oblivion (Head in the Clouds)" and "Rainbow People" by Manix (Marc Mac), "Kingdom of Dub" by Tek 9 (Dego), "Seance" as well as "Atheama" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
