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Dadra
Dadra is associated with the Hindustani classical music of the Indian subcontinent. Dadra tala This is a Hindustani classical '' tala'' (rhythmic cycle), consisting of six beats in two equal divisions of three. The most commonly accepted theka or basic pattern for this tala is ''dha dhi na, dha tu na''. There is a higher emphasis laid on the first swar in comparison the following two, that is, ''dha'' - higher emphasis following ''dhi'' ''na'' and again a higher emphasis on ''dha'' following ''tu'' ''na''. Theka of Dadra Tala मात्रा भाग : 3-3. धा धिं ना - धा तीं ना It has a characteristic pattern of bols (theka). This can also be shown using the following figure Dadra (genre) In this context ''dadra'' is a light classical vocal form in Hindustani classical music, mostly performed in Agra and in Bundelkhand region. It was originally accompanied by dadra tala (from where the term for the genre was borrowed), but later dadra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Subcontinent
The Indian subcontinent is a list of the physiographic regions of the world, physiographical region in United Nations geoscheme for Asia#Southern Asia, Southern Asia. It is situated on the Indian Plate, projecting southwards into the Indian Ocean from the Himalayas. Geopolitically, it includes the countries of Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka."Indian subcontinent". ''Oxford Dictionary of English, New Oxford Dictionary of English'' () New York: Oxford University Press, 2001; p. 929: "the part of Asia south of the Himalayas which forms a peninsula extending into the Indian Ocean, between the Arabian Sea and the Bay of Bengal. Historically forming the whole territory of Greater India, the region is now divided into three countries named Bangladesh, India and Pakistan." The terms ''Indian subcontinent'' and ''South Asia'' are often used interchangeably to denote the region, although the geopolitical term of South Asia frequently includes Afghanist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rule of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bol (music)
A bol is a standardized mnemonic syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It ..., which is South Indian classical music. See also * Konakkol * Kuchi shōga * Counting (music) References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agra
Agra (, ) is a city on the banks of the Yamuna river in the Indian state of Uttar Pradesh, about south-east of the national capital New Delhi and 330 km west of the state capital Lucknow. With a population of roughly 1.6 million, Agra is the fourth-most populous city in Uttar Pradesh and twenty-third most populous city in India. Agra's notable historical period began during Sikandar Lodi's reign, but the golden age of the city began with the Mughals. Agra was the foremost city of the Indian subcontinent and the capital of the Mughal Empire under Mughal emperors Babur, Humayun, Akbar, Jahangir and Shah Jahan. Under Mughal rule, Agra became a centre for learning, arts, commerce, and religion, and saw the construction of the Agra Fort, Sikandra and Agra's most prized monument, the Taj Mahal, built by Shah Jahan as a mausoleum for his favourite empress. With the decline of the Mughal empire in the late 18th century, the city fell successively first to Marathas and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundelkhand
Bundelkhand (, ) is a geographical and cultural region and a proposed state and also a mountain range in central & North India. The hilly region is now divided between the states of Uttar Pradesh and Madhya Pradesh, with the larger portion lying in the latter state. Jhansi is the largest city in Bundelkhand. Another major city of Bundelkhand is Sagar being second largest city of Bundelkhand and headquarter of Sagar Division. Etymology Bundelkhand means "Bundela domain". The region was earlier known as Jejabhukti or Jejakabhukti ("Jeja's province"). According to the inscriptions of the Chandela dynasty, this name derived from Jeja, the nickname of their ruler Jayashakti. However, it is possible that the name derives from an even earlier name of the region: "Jajhauti" or "Jijhoti". After the Bundelas replaced the Chandelas around 14th century, the region came to be known as Bundelkhand after them. History Under the British Raj, Bundelkhand included the princely states o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keherwa
Keharwa or Kaharva is a tala of Hindustani music. Keherwa has many variations including dhumaali, "bhajani", and qawwali. Beats = 8 Division = 2 Arrangement Keharwa is an 8-beat pattern used in ragas. It has eight beats in two equal divisions (vibhag). The period between every two beats is equal. The first beat out of 8 beats is called "saam" and it denotes the start of the first division. The fifth beat out of 8 beats is called "khali" and denotes the start of the second division. To exhibit the Keherwa, the performer claps on the first beat and fifth beat is waved. Theka It has a characteristic pattern of bols (theka). In popular culture The popular Hindi film song, ''Rang Barse Bhige Chunar Wali'' from ''Silsila'' (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. The contemporary traditional Eid al-Fitr song for Bengali Muslims Bengali Muslims ( bn, বাঙালি মুসলমান; ) are adherent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sthayi
Sthayi or Asthaayi is an initial phrase or line of a fixed, melodic composition in Hindustani music. It's a way of systematizing the parts of a composition. The Sthayi part of a Dhrupad Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South Ind ... is the first of four stanzas and uses the middle octave's first tetrachord and the lower octave notes. Sthayi means an octave. Shadjam to NIshadham is called sthayi or an octave. It is called a position. Basically there are 3 stayis but 5 stayis are correct too. Anumandra sthayi, mandra sthayi, madhya sthayi, tara sthayi and athithara sthayi. See also * * * Antara (music) References Hindustani music terminology Musical form {{music-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braj Bhasha
The Braj language, ''Braj Bhasha'', also known as Vraj Bhasha or Vrij Bhasha or Braj Bhāṣā or Braji or Brij Bhasha or Braj Boli, is a Western Hindi language. Along with Awadhi (a variety of Eastern Hindi), it was one of the two predominant literary languages of North-Central India before the switch to Hindustani in the 19th century. Braj is spoken by people in the vaguely defined region of Braj (Braj Bhoomi) in northern India, which was a political state in the era of the ''Mahabharata'' wars. According to ancient Hindu texts such as the Bhagavata Purana, the Kingdom of Surasena is described as spreading through Braj (also known as Brij, Vrija or Vraja), where the incarnation of Vishnu, Krishna was born and spent his childhood days, according to tradition. This region lies in the Agra-Mathura-Hathras- Firozabad- Aligarh area & Etawah- Mainpuri- Auraiya area, and stretches as far as the environs of Delhi. In modern India, this area lies mostly in central western Uttar Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antara (music)
Antarā is the equivalent of a verse in Hindustani classical music. In Hindustani classical music, the fixed (dhrupad/bandish) section is in four parts of which only the first two are performed regularly: Sthāyī (pallavi in Carnatic music) - the first line of the Sthāyī serves as a cadence (music) In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999) ..., while the section itself serves as a base for the singer returns to the Sthāyī time and again after each part; Antarā (Anupallavi in Carnatic music) - the intermediate part sung in a high register focusing on the tar shadja, with a good deal of text manipulation and repeated forays into sthāyī; the third section Sanchari (charanam in Carnatic music) - created by the division of the Abhoga and it remains a free-moving section; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madan Mohan (music Director)
Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was an Indian music director of the 1950s, 1960s and the 1970s. He is considered one of the most melodious and skilled music directors of the Hindi film industry. He is particularly remembered for the immortal ghazals he composed for Hindi films. Some of his best works are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.Arunachalam, Param (21 June 2015)Bollywood Retrospect: The musical legacy of composer Madan Mohan in 5 songs ''DNA India''. Retrieved 9 November 2018. Early years Born on 25 June 1924, at Baghdad where his father Rai Bahadur Chunilal Kohli was working as an Accountant General with the Iraqi Police forces, Madan Mohan spent the early years of his life in the Middle East. After 1932, his family returned to their home town of Chakwal, then in Jhelum district of Punjab, British India. He was left in the care of a grandparent while his father went to Bombay to seek bus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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