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Cuvilliés Theatre
The Cuvilliés Theatre (german: link=no, Cuvilliés-Theater) or Old Residence Theatre (''Altes Residenztheater'') is the former court theatre of the Residenz in Munich, Bavaria, Germany. History Elector of Bavaria Maximilian III Joseph (reg. 1745–1777) commissioned the construction of a new theatre outside the palace after a fire in the St. George's Hall of the Residence which had served previously as a theatre room. The Residence Theatre was built from 1751 to 1753 by François de Cuvilliés in rococo style. The carving was done under supervision of Johann Baptist Straub. Due to limited space the National Theatre Munich was built next to the Residence Theatre from 1811. The interior decoration was then removed under King Ludwig I (reg. 1825–1848) when the building became a depot for the National Theatre, but the Residence Theatre was already restored and re-opened in 1857 under King Maximilian II (reg. 1848–1864). Originally the theatre was located where the prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
München Residenztheater
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the 11th-largest city in the European Union. The city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Bavarian Alps, Munich is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna. The city was first mentioned in 1158. Catholic Munich strongly resisted the Reformation and was a political point of divergence during the resulting Thirty Years' War, but remained physically unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Ferrandini
Giovanni Battista Ferrandini (c. 1710 – 25 October 1791), an Italian composer of the Baroque and Classical eras, was born in Venice, Italy and died in Munich, at the age of about 81. He was a child prodigy and entered the service of Duke Ferdinand Maria Innocenz of Bavaria at the age of 12 as an oboist. The newly constructed Bavarian Court Theatre (the Old Residenztheater, now known as the Cuvilliés Theatre after the architect) in Munich opened on 12 October 1753 with Ferrandini's opera ''Catone in Utica.'' A recording of the opera made 250 years later in the same theatre is available (Oehms Classics OC 901).Darwin Floyd Scott ''For the love of music: festschrift in honor of Theodore Front'' 2002 Page 52 "... Giovanni Battista Ferrandini (ca. 1710-1791) was active in Munich, where his opera seria Catone in Utica opened the new Cuvillies Theater at the Residenz in 1753. In 1755, Ferrandini retired to Padua, where in 1771, Wolfgang Amadeus Mozart and his father Leopold M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Nagano
Kent George Nagano GOQ, MSM (born November 22, 1951) is an American conductor and opera administrator. Since 2015, he has been Music Director of the Hamburg State Opera and was Music Director of the Montreal Symphony Orchestra from 2006 to 2020. Early life and education Nagano was born in Berkeley, California, while his parents were in graduate school at the University of California, Berkeley. He is a ''sansei'' (third-generation) Japanese-American. He grew up in Morro Bay, a city located on the Central Coast of California in San Luis Obispo County. He studied sociology and music at the University of California, Santa Cruz. After graduation, he moved to San Francisco State University to study music. While there, he took composition courses from Grosvenor Cooper and Roger Nixon. He also studied at the École Normale de Musique de Paris. Career Nagano's first conducting job was with the Opera Company of Boston, where he was assistant conductor to Sarah Caldwell. In 1978, he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Dorn
Dieter Dorn (born 31 October 1935 in Leipzig) is a German theatre director, also for the opera, the manager of the Münchner Kammerspiele from 1983 to 2001 and now manager of the Bavarian Staatsschauspiel. Career Dieter Dorn studied at the Theaterhochschule Leipzig. In 1956, he left East Germany and studied at the ''Max-Reinhardt-Schule für Schauspiel'' in Berlin with Hilde Körber, the founder of the school, and Lucie Höflich. He was engaged at the State Theatre in Hanover from 1958 until 1961 as an actor and a dramaturge, then worked as a journalist and radio speaker for the NDR. In 1964, he returned to the theatre at the Landesbühne Hanover, then in Essen. In the early 1970s, he staged at the Schauspielhaus Hamburg and at the Schaubühne in Berlin, and as a guest in Oberhausen, Basel, Wien and the Burgtheater. Münchner Kammerspiele In 1976, Dorn moved to the Münchner Kammerspiele as a senior director, opening with Lessing’s '' Minna von Barnhelm'' with Cornelia F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hedda Gabler
''Hedda Gabler'' () is a play written by Norwegian playwright Henrik Ibsen. The world premiere was staged on 31 January 1891 at the Residenztheater in Munich. Ibsen himself was in attendance, although he remained back-stage. The play has been canonized as a masterpiece within the genres of literary realism, nineteenth century theatre, and world drama.Bunin, Ivan. ''About Chekhov: The Unfinished Symphony''. Northwestern University Press (2007) . page 26Checkhov, Anton. ''Anton Chekhov's Life and Thought: Selected Letters and Commentary''. Editor: Karlinsky, Simon. Northwestern University Press (1973) page 385Haugen, Einer Ingvald. ''Ibsen’s Drama: Author to Audience''. University of Minnesota Press (1979) . page 142 Ibsen mainly wrote realistic plays until his forays into modern drama. ''Hedda Gabler'' dramatizes the experiences of the title character, Hedda, the daughter of a general, who is trapped in a marriage and a house that she does not want. Overall, the title characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include ''Brand'', ''Peer Gynt'', ''An Enemy of the People'', ''Emperor and Galilean'', ''A Doll's House'', ''Hedda Gabler'', ''Ghosts'', '' The Wild Duck'', ''When We Dead Awaken'', ''Rosmersholm'', and ''The Master Builder''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen's early poetic and cinematic play ''Peer Gynt'' has strong surreal elements. After ''Peer Gynt'' Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Von Possart
Ernst von Possart (11 May 18418 April 1921) was a German actor and theatre director. Possart was born in Berlin and was early an actor at Breslau, Bern, and Hamburg. Connected with the Munich Court Theatre after 1864, he became the oberregisseur in 1875. In 1877 he was made director of the Bavarian royal theatres; from 1887 to 1892 toured the United States, Germany, Russia, and The Netherlands; in 1895 to 1905 was general director of the Bayerische Hoftheater; and in 1901 opened the Prinzregententheater (Prince Regent's Theatre). In 1897, in return for Possart assisting him in gaining an orchestral post in Munich, Richard Strauss wrote a recitation for narrator and piano. They performed '' Enoch Arden'' in a number of cities. On February 15, 1878, Henrik Ibsen wrote him a personal letter commending him on his "genius" performance as "Konsul Bernick" in Ibsens play "Pillars of society" which had its opening date in Königliches Residenz-Theater, Munich 10 days earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Raimund
Ferdinand Raimund (born Ferdinand Jakob Raimann; 1 June 1790 – 5 September 1836, Pottenstein, Lower Austria) was an Austrian actor and dramatist. Life and work He was born in Vienna as a son of Bohemian woodturning master craftsman Jakob Raimann. In 1811, he acted at the Theater in der Josefstadt, and, in 1817 at the Leopoldstädter Theater. In 1823 he produced his first play, ''Der Barometermacher auf der Zauberinsel'', which was followed by ''Der Diamant des Geisterkönigs'' (1824). The still popular ''Bauer als Millionär'' (1826), ''Der Alpenkönig und der Menschenfeind'' (1828) and ''Der Verschwender'' (1834), incidental music by Conradin Kreutzer, are Raimund's masterpieces. Raimund's comedies are still frequently performed in Germany and Austria. When Raimund was bitten by a dog, which he falsely believed to be rabid, he shot himself on 29 August 1836 and died on 5 September 1836 in Pottenstein, aged 46. Raimund is buried in Gutenstein, which features a Raimund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abu Hassan
''Abu Hassan'' ( J. 106) is a comic opera in one act by Carl Maria von Weber to a German libretto by , based on a story in ''One Thousand and One Nights''. It was composed between 11 August 1810 and 12 January 1811 and has set numbers with recitative and spoken dialogue. The work is a Singspiel in the then popular Turkish style. Performance history ''Abu Hassan'' was first performed at the Residenz Theater in Munich on 4 June 1811, conducted by the composer. In London, it was produced in English at Theatre Royal, Drury Lane in 1835, and in Italian at Drury Lane on 12 May 1870 (at the same time as Mozart's ''L'oca del Cairo''), the translation being made by , and the dialogue set to recitative by Luigi Arditi. ''Abu Hassan'' is not now part of the commonly performed operatic repertory, though it is sometimes staged. The overture is, however, well known and has been recorded separately many times. Roles Synopsis Abu Hassan, a favorite of the Caliph of Baghdad, is heavily in d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German '' Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso clar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idomeneo
' (Italian for '' Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as '' Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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