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Cuirass
A cuirass (; french: cuirasse, la, coriaceus) is a piece of armour that covers the torso, formed of one or more pieces of metal or other rigid material. The word probably originates from the original material, leather, from the French '' cuirace'' and Latin word '' coriacea''. The use of the term "cuirass" generally refers to both the chest plate (or breastplate) and the back piece together; whereas a breastplate only protects the front, a cuirass protects both the front and the back. Description In Hellenistic and Roman times, the musculature of the male torso was idealized in the form of the muscle cuirass or "heroic cuirass" (in French the ''cuirasse esthétique'') sometimes further embellished with symbolic representation in relief, familiar in the Augustus of Prima Porta and other heroic representations in official Roman sculpture. As parts of the actual military equipment of classical antiquity, cuirasses and corsets of bronze, iron, or some other rigid substance were ...
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Muscle Cuirass
In classical antiquity, the muscle cuirass ( la, lorica musculata), anatomical cuirass, or heroic cuirass is a type of cuirass made to fit the wearer's torso and designed to mimic an idealized male human physique. It first appears in late Archaic Greece and became widespread throughout the 5th and 4th centuries BC. Originally made from hammered bronze plate, boiled leather also came to be used. It is commonly depicted in Greek and Roman art, where it is worn by generals, emperors, and deities during periods when soldiers used other types. In Roman sculpture, the muscle cuirass is often highly ornamented with mythological scenes. Archaeological finds of relatively unadorned cuirasses, as well as their depiction by artists in military scenes, indicate that simpler versions were worn in combat situations. The anatomy of muscle cuirasses intended for use might be either realistic or reduced to an abstract design; the fantastically illustrated cuirasses worn by gods and emperors in ...
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Augustus Of Prima Porta
Augustus of Prima Porta ( it, Augusto di Prima Porta) is a full-length portrait statue of Augustus Caesar, the first emperor of the Roman Empire. The marble statue stands tall and weighs . The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. Livia had retired to the villa after Augustus's death in AD 14. The statue was first publicized by the German archeologist G. Henzen and was put into the (Rome 1863). Carved by expert Greek sculptors, the statue is assumed to be a copy of a lost bronze original displayed in Rome. The Augustus of Prima Porta is now displayed in the (New Arm) of the Vatican Museums. Since its discovery, it has become the best known of Augustus' portraits and one of the most famous sculptures of the ancient world. Original The imagery on the cuirass (typical of legates) refers to the Parthian restitution of the ...
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Bascinet
The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet. It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck. A mail curtain (aventail or camail) was usually attached to the lower edge of the helmet to protect the throat, neck and shoulders. A visor (face guard) was often employed from c. 1330 to protect the exposed face. Early in the fifteenth century, the camail began to be replaced by a plate metal gorget, giving rise to the so-called "great bascinet". Early development The first recorded reference to a bascinet, or ''bazineto'', was in the Italian city of Padua in 1281, when it is described as being worn by infantry.Nicolle (1999-journal), p. 583. It is believed that the bascinet evolved from a simple iron skullcap, (''Encyclopædia Britannica'', "Helmet") known as the cervelliere, which was worn wi ...
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Breastplate
A breastplate or chestplate is a device worn over the torso to protect it from injury, as an item of religious significance, or as an item of status. A breastplate is sometimes worn by mythological beings as a distinctive item of clothing. It is also a term for a piece of clothing used by drag queens and cross-dressing performers, which mimics a woman's cleavage or breasts. European In medieval weaponry, the breastplate is the front portion of plate armour covering the torso. It has been a military mainstay since ancient times and was usually made of leather, bronze or iron in antiquity. By around 1000 AD, solid plates had fallen out of use in Europe and knights of the period were wearing mail in the form of a hauberk over a padded tunic. Plates protecting the torso reappeared in the 1220s as plates directly attached to a knightly garment known as the surcoat. Around 1250 this developed into the coat of plates which continued to be in use for about a century. True breastplates re ...
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Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and ''hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in the 12 ...
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Brigandine
A brigandine is a form of body armour from the Middle Ages. It is a garment typically made of heavy cloth, canvas, or leather, lined internally with small oblong steel plates riveted to the fabric, sometimes with a second layer of fabric on the inside. Origins Protective clothing and armour have been used by armies from earliest recorded history; the King James Version of the Bible ( Jeremiah 46:4) translates the Hebrew סריון ''ÇiRYON'' or שריון ''SiRYoN'' "coat of mail" as "brigandine". Medieval brigandines were essentially a refinement of the earlier coat of plates, which developed in the late 12th century, typically of simpler construction with larger metal plates. This armour of Asian origin reached Europe after the Mongol invasion in 1240 that destroyed the Kievan Rus' and severely damaged the Kingdom of Hungary in 1241. The new armour became very popular first in Eastern Europe, especially in Hungary, towards the end of the 13th century and was adopted in we ...
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Armour
Armour (British English) or armor (American English; see spelling differences) is a covering used to protect an object, individual, or vehicle from physical injury or damage, especially direct contact weapons or projectiles during combat, or from a potentially dangerous environment or activity (e.g. cycling, construction sites, etc.). Personal armour is used to protect soldiers and war animals. Vehicle armour is used on warships, armoured fighting vehicles, and some mostly ground attack combat aircraft. A second use of the term ''armour'' describes armoured forces, armoured weapons, and their role in combat. After the development of armoured warfare, tanks and mechanised infantry and their combat formations came to be referred to collectively as "armour". Etymology The word "armour" began to appear in the Middle Ages as a derivative of Old French. It is dated from 1297 as a "mail, defensive covering worn in combat". The word originates from the Old French , itself d ...
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Men-at-arms
A man-at-arms was a soldier of the High Middle Ages, High Medieval to Renaissance periods who was typically well-versed in the use of Weapon, arms and served as a fully-armoured heavy cavalryman. A man-at-arms could be a knight, or other nobleman, a member of a knight's or nobleman's retinue, or a mercenary in a company serving under a captain. Such men could serve for pay or through a feudal obligation. The terms ''knight'' and ''man-at-arms'' are often used interchangeably, but while all knights equipped for war were men-at-arms, not all men-at-arms were knights. Terminology Though in English the term man-at-arms is a fairly straightforward rendering of the French ''homme d'armes'', in the Middle Ages, there were numerous terms for this type of soldier, referring to the type of arms he would be expected to provide: In France, he might be known as a ''lance'' or ''glaive'', while in Germany, ''Spieß'', ''Helmet, Helm'' or ''Gleve'', and in various places, a ''bascinet' ...
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Roman Sculpture
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his '' Natural History' ...
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Camail
An aventail () or camail () is a flexible curtain of mail attached to the skull of a helmet that extends to cover the throat, neck and shoulders. Part or all of the face, with spaces to allow vision, could also be covered. The earliest camails were riveted directly to the edge of the helmet, however, beginning in the 1320s in Western Europe a detachable version replaced this type. The detachable aventail was attached to a leather band, which was in turn attached to the lower border of the helmet by a series of pierced rivets, called vervelles. Holes in the leather band were passed over the vervelles, and a waxed cord was passed through the holes in the vervelles to secure it. Aventails were most commonly seen on bascinets in the 14th century and served as a replacement for a complete mail hood (coif). Some aventails were decorated with edging in brass or bronze links (sometimes gilded), or with a zig-zag lower edge (vandyked). By the mid 14th century, the aventail had replaced ...
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Mail (armour)
Chain mail (properly called mail or maille but usually called chain mail or chainmail) is a type of armour consisting of small metal rings linked together in a pattern to form a mesh. It was in common military use between the 3rd century BC and the 16th century AD in Europe, and longer in Asia and North Africa. A coat of this armour is often called a hauberk, and sometimes a byrnie. History The earliest examples of surviving mail were found in the Carpathian Basin at a burial in Horný Jatov, Slovakia dated at 3rd century BC, and in a chieftain's burial located in Ciumești, Romania. Its invention is commonly credited to the Celts,
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