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Count Dracula
Count Dracula () is the title character of Bram Stoker's 1897 gothic horror novel ''Dracula''. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian Prince Vlad the Impaler, who was also known as Dracula, and by Sir Henry Irving, an actor for whom Stoker was a personal assistant. One of Dracula's most iconic powers is his ability to turn others into vampires by biting them and infecting them with the vampiric disease. Other character aspects have been added or altered in subsequent popular fictional works. The character has appeared frequently in popular culture, from films to animated media to breakfast cereals. Stoker's creation Bram Stoker's novel takes the form of an epistolary tale, in which Count Dracula's characteristics, powers, abilities, and weaknesses are narrated by multiple narrators, from different perspectives. ...
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Dracula
''Dracula'' is a novel by Bram Stoker, published in 1897. As an epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, hunt Dracula and, in the end, kill him. ''Dracula'' was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention neither figure. He found the nam ...
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Werewolf
In folklore, a werewolf (), or occasionally lycanthrope (; ; uk, Вовкулака, Vovkulaka), is an individual that can shapeshift into a wolf (or, especially in modern film, a therianthropic hybrid wolf-like creature), either purposely or after being placed under a curse or affliction (often a bite or the occasional scratch from another werewolf) with the transformations occurring on the night of a full moon. Early sources for belief in this ability or affliction, called lycanthropy (), are Petronius (27–66) and Gervase of Tilbury (1150–1228). The werewolf is a widespread concept in European folklore, existing in many variants, which are related by a common development of a Christian interpretation of underlying European folklore developed during the medieval period. From the early modern period, werewolf beliefs also spread to the New World with colonialism. Belief in werewolves developed in parallel to the belief in witches, in the course of the Late Middle ...
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Dracula In Popular Culture
The character of Count Dracula from the 1897 novel ''Dracula'' by Bram Stoker, has remained popular over the years, and many forms of media have adopted the character in various forms. In their book ''Dracula in Visual Media'', authors John Edgar Browning and Caroline Joan S. Picart declared that no other horror character or vampire has been emulated more times than Count Dracula. Most variations of Dracula across film, comics, television, documentaries predominantly explore Dracula as he was portrayed in film with only a few more closely adapting Stoker's original narrative. These including borrowing the look of Count Dracula in both the Universal's series of ''Dracula'' and Hammer's series of ''Dracula'', including include the characters clothing, mannerisms, physical features hair style and his motivations such as wanting to be a nearby home away from Europe. Stage Drama In 1924, the British producer Hamilton Deane premiered a stage version of ''Dracula'' at the Grand Thea ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts an ...
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American Historical Association
The American Historical Association (AHA) is the oldest professional association of historians in the United States and the largest such organization in the world. Founded in 1884, the AHA works to protect academic freedom, develop professional standards, and support scholarship and innovative teaching. It publishes '' The American Historical Review'' four times a year, with scholarly articles and book reviews. The AHA is the major organization for historians working in the United States, while the Organization of American Historians is the major organization for historians who study and teach about the United States. The group received a congressional charter in 1889, establishing it "for the promotion of historical studies, the collection and preservation of historical manuscripts, and for kindred purposes in the interest of American history, and of history in America." Current activities As an umbrella organization for the discipline, the AHA works with other major histo ...
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The American Historical Review
''The American Historical Review'' is a quarterly academic history journal and the official publication of the American Historical Association. It targets readers interested in all periods and facets of history and has often been described as the premier journal of American history in the world. According to ''Journal Citation Reports'', the ''AHR'' has the highest impact factor among all history journals at 2.188. History Founded in 1895, ''The American Historical Review'' was a joint effort between the history departments at Cornell University and at Harvard University, modeled on '' The English Historical Review'' and the French '' Revue historique'', "for the promotion of historical studies, the collection and preservation of historical documents and artifacts, and the dissemination of historical research." The journal is published in March, June, September, and December as a book-like academic publication with research papers and book reviews, among other items (each is ...
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Henry Irving
Sir Henry Irving (6 February 1838 – 13 October 1905), christened John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the West End’s Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood, indicating full acceptance into the higher circles of British society. Life and career Irving was born to a working-class family in Keinton Mandeville in the county of Somerset. W.H. Davies, the celebrated poet, was a cousin. Irving spent his childhood living with his aunt, Mrs Penberthy, at Halsetown in Cornwall. He competed in a recitation contest at a local Methodist chapel where he was beaten by William Curnow, later the editor of ''The Syd ...
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Vlad The Impaler
Vlad III, commonly known as Vlad the Impaler ( ro, Vlad Țepeș ) or Vlad Dracula (; ro, Vlad Drăculea ; 1428/311476/77), was Voivode of Wallachia three times between 1448 and his death in 1476/77. He is often considered one of the most important rulers in Wallachian history and a national hero of Romania. He was the second son of Vlad Dracul, who became the ruler of Wallachia in 1436. Vlad and his younger brother, Radu, were held as hostages in the Ottoman Empire in 1442 to secure their father's loyalty. Vlad's eldest brother Mircea and their father were murdered after John Hunyadi, regent-governor of Hungary, invaded Wallachia in 1447. Hunyadi installed Vlad's second cousin, VladislavII, as the new voivode. Hunyadi launched a military campaign against the Ottomans in the autumn of 1448, and Vladislav accompanied him. Vlad broke into Wallachia with Ottoman support in October, but Vladislav returned and Vlad sought refuge in the Ottoman Empire before the end of the year. ...
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Wallachia
Wallachia or Walachia (; ro, Țara Românească, lit=The Romanian Land' or 'The Romanian Country, ; archaic: ', Romanian Cyrillic alphabet: ) is a historical and geographical region of Romania. It is situated north of the Lower Danube and south of the Southern Carpathians. Wallachia is traditionally divided into two sections, Muntenia (Greater Wallachia) and Oltenia (Lesser Wallachia). Dobruja could sometimes be considered a third section due to its proximity and brief rule over it. Wallachia as a whole is sometimes referred to as Muntenia through identification with the larger of the two traditional sections. Wallachia was founded as a principality in the early 14th century by Basarab I after a rebellion against Charles I of Hungary, although the first mention of the territory of Wallachia west of the river Olt dates to a charter given to the voivode Seneslau in 1246 by Béla IV of Hungary. In 1417, Wallachia was forced to accept the suzerainty of the Ottoman Empire ...
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Gothic Horror
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel '' The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë sisters, as well as works by the American writers Edgar Allan Poe and Nathaniel Hawthorne. Later prominent works were ''Dracula'' by Bram Stoker ...
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Title Character
The title character in a narrative work is one who is named or referred to in the title of the work. In a performed work such as a play or film, the performer who plays the title character is said to have the title role of the piece. The title of the work might consist solely of the title character's name – such as '' Michael Collins'' or '' Othello'' – or be a longer phrase or sentence – such as ''The Autobiography of Malcolm X'', '' Alice in Wonderland'' or ''The Adventures of Tom Sawyer''. The title character is commonly – but not necessarily – the protagonist of the story. Narrative works routinely do not have a title character, and there is some ambiguity in what qualifies as one. Examples in various media include Figaro in the opera '' The Marriage of Figaro'', Giselle in the ballet of the same name, the Doctor in the TV series '' Doctor Who'', Harry Potter in the series of novels and films, Romeo Montague and Juliet Capulet in the play '' Romeo and Juliet'' ...
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Solomonari
The Solomonar or Șolomonar ( German phonetization: ''Scholomonar'') is a wizard believed in Romanian folklore to ride a dragon (zmeu or a balaur) and control the weather, causing rain, thunder, or hailstorm. They are recruited from common folk and taught their magic at the Solomonărie or Şolomanţă (German phonetization: Scholomance). General description The Solomonars are said to be tall, red-haired, wearing long white robes of peasants, sometimes woolen, or clad in ragged attire made from patches, a small version of a Semantron, which serves to summon the Vântoase (alternatively the winds are contained in a little wooden jar). When not helping the Devil, they are most often seen around begging for alms, and the collected coins are then thrown into rivers, as offerings to the water spirits. The contents of their magic bag are instruments such as an iron ax used as lightning rod (also as a wand to summon them or his mount), birchbark reins or a golden bridle, and a book ...
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