Cleanness
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Cleanness
''Cleanness'' (Middle English: ''Clannesse'') is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the ''Pearl poet'' or ''Gawain poet'', also appears, on the basis of dialect and stylistic evidence, to be the author of ''Sir Gawain and the Green Knight'', ''Pearl'', and ''Patience'', and may have also composed '' St. Erkenwald''. The poem is found solely in the Pearl manuscript, '' Cotton Nero A x''. That manuscript also contains ''Pearl'', ''Patience'', and ''Sir Gawain and the Green Knight''. None of the poems has a title or divisions of chapters, but the breaks are marked by large initial letters of blue, and there are twelve illustrations (or illuminations) contained within the manuscript, depicting scenes from the four poems. Each of these poems is entirely unique to this one manuscript. ''Cleanness'' (which is an editorial title) is also known by the editorial title ''Purity''. The manuscript, Cotton Nero A.x is in the B ...
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Sir Gawain And The Green Knight
''Sir Gawain and the Green Knight'' is a late 14th-century chivalric romance in Middle English. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations. The story describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious " Green Knight" who dares any knight to strike him with his axe if he will take a return blow in a year and a day. Gaw ...
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Pearl (poem)
''Pearl'' ( enm, Perle) is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and dream vision genre, the poem is written in a North-West Midlands variety of Middle English and highly—though not consistently—alliterative; there is a complex system of stanza linking and other stylistic features. A father, mourning the loss of his (pearl), falls asleep in a garden; in his dream, he encounters the 'Pearl-maiden'—a beautiful and heavenly woman—standing across a stream in a strange landscape. In response to his questioning and attempts to obtain her, she answers with Christian doctrine. Eventually she shows him an image of the Heavenly City, and herself as part of the retinue of Christ the Lamb. However, when the Dreamer attempts to cross the stream, he awakens suddenly from his dream and reflects on its significance. The poem survives in a single manuscript, London, Briti ...
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Patience (poem)
''Patience'' (Middle English: ''Pacience'') is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the "Pearl Poet" or "Gawain-Poet", also appears, on the basis of dialect and stylistic evidence, to be the author of ''Sir Gawain and the Green Knight'', ''Pearl'', and ''Cleanness'' (all ca. 1360–1395) and may have composed '' St. Erkenwald''. This is thought to be true because the techniques and vocabulary of regional dialect of the unknown author is that of Northwest Midlands, located between Shropshire and Lancashire. The manuscript, Cotton Nero A.x is in the British Library. The first published edition was in ''Early English Alliterative Poems in the West Midland Dialect of the fourteenth century'', printed by the Early English Text Society. Of Patience, considered the slightest of the four poems, its only manifest source is the Vulgate Bible. It also resembles Latin poems by Tertullian and Bishop Marbod. There are certain mann ...
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Alliterative Revival
The Alliterative Revival is a term adopted by literary historians to refer to the resurgence of poetry using the alliterative verse form in Middle English between c. 1350 and 1500. Alliterative verse was the traditional verse form of Old English poetry; the last known alliterative poem prior to the Revival was Layamon's '' Brut'', which dates from around 1190. Scholarly opinion has been divided on whether the Alliterative Revival represented a conscious revival of an old artistic tradition, or merely signified that despite the tradition continuing in some form between 1200 and 1350, no poems survived in written form. Major works of the Revival include William Langland's '' Piers Plowman'', the Alliterative ''Morte Arthure'', and the works of the Gawain Poet: ''Pearl'', ''Sir Gawain and the Green Knight'', ''Cleanness'', and ''Patience''. History of academic recognition of the Revival It was not until the later 19th century that editors began to consider the problems caused by the ...
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Gawain Poet
The "Gawain Poet" (), or less commonly the "Pearl Poet",Andrew, M. "Theories of Authorship" (1997) in Brewer (ed). ''A Companion to the Gawain-poet'', Boydell & Brewer, p.23 (''fl.'' late 14th century) is the name given to the author of '' Sir Gawain and the Green Knight'', an alliterative poem written in 14th-century Middle English. Its author appears also to have written the poems ''Pearl'', ''Patience'', and '' Cleanness''; some scholars suggest the author may also have composed '' Saint Erkenwald''. Save for the last (found in BL-MS ''Harley 2250''), all these works are known from a single surviving manuscript, the British Library holding ''Cotton Nero A.x''. This body of work includes some of the most highly-regarded poetry written in Middle English. The Gawain Poet is unidentified. Various scholars have suggested that the poem is attributable to a member of the landed Massey family of Cheshire, and in particular John Massey of Cotton. This is not widely accepted, however ...
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Alliterative Verse
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic ''Beowulf'', as well as most other Old English poetry, the Old High German '' Muspilli'', the Old Saxon '' Heliand'', the Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', and the '' Alliterative Morte Arthur'' all use alliterative verse. While alliteration can be found in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.Frog ...
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Gawain Poet
The "Gawain Poet" (), or less commonly the "Pearl Poet",Andrew, M. "Theories of Authorship" (1997) in Brewer (ed). ''A Companion to the Gawain-poet'', Boydell & Brewer, p.23 (''fl.'' late 14th century) is the name given to the author of '' Sir Gawain and the Green Knight'', an alliterative poem written in 14th-century Middle English. Its author appears also to have written the poems ''Pearl'', ''Patience'', and '' Cleanness''; some scholars suggest the author may also have composed '' Saint Erkenwald''. Save for the last (found in BL-MS ''Harley 2250''), all these works are known from a single surviving manuscript, the British Library holding ''Cotton Nero A.x''. This body of work includes some of the most highly-regarded poetry written in Middle English. The Gawain Poet is unidentified. Various scholars have suggested that the poem is attributable to a member of the landed Massey family of Cheshire, and in particular John Massey of Cotton. This is not widely accepted, however ...
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List Of Manuscripts In The Cotton Library
This is an incomplete list of some of the manuscripts from the Cotton library that today form the Cotton collection of the British Library. Some manuscripts were destroyed or damaged in a fire at Ashburnham House in 1731, and a few are kept in other libraries and collections. Robert Bruce Cotton organized his library in a room long by six feet wide filled with bookpresses, each with the bust of a figure from classical antiquity on top. Counterclockwise, these were Julius Caesar, Augustus, Cleopatra, Faustina, Tiberius, Caligula, Claudius, Nero, Galba, Otho, Vitellius, Vespasian, Titus, and Domitian. (Domitian had only one shelf, perhaps because it was over the door). In each press, each shelf was assigned a letter; manuscripts were identified by the bust over the press, the shelf letter, and the position of the manuscript (in Roman numerals) counting from the left side of the shelf. Thus, the Lindisfarne Gospels, Nero B.iv, was the fourth manuscript from the left on the second sh ...
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Pearl Poet
The "Gawain Poet" (), or less commonly the "Pearl Poet",Andrew, M. "Theories of Authorship" (1997) in Brewer (ed). ''A Companion to the Gawain-poet'', Boydell & Brewer, p.23 (''fl.'' late 14th century) is the name given to the author of '' Sir Gawain and the Green Knight'', an alliterative poem written in 14th-century Middle English. Its author appears also to have written the poems ''Pearl'', ''Patience'', and '' Cleanness''; some scholars suggest the author may also have composed '' Saint Erkenwald''. Save for the last (found in BL-MS ''Harley 2250''), all these works are known from a single surviving manuscript, the British Library holding ''Cotton Nero A.x''. This body of work includes some of the most highly-regarded poetry written in Middle English. The Gawain Poet is unidentified. Various scholars have suggested that the poem is attributable to a member of the landed Massey family of Cheshire, and in particular John Massey of Cotton. This is not widely accepted, however ...
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Belshazzar
Belshazzar (Babylonian cuneiform: ''Bēl-šar-uṣur'', meaning "Bel, protect the king"; ''Bēlšaʾṣṣar'') was the son and crown prince of Nabonidus (556–539 BC), the last king of the Neo-Babylonian Empire. Through his mother he might have been a grandson of Nebuchadnezzar II (605–562 BC), though this is not certain and the claims to kinship with Nebuchadnezzar may have originated from royal propaganda. Belshazzar played a pivotal role in the ''coup d'état'' that overthrew the king Labashi-Marduk (556 BC) and brought Nabonidus to power in 556 BC. Since Belshazzar was the main beneficiary of the coup, through confiscating and inheriting Labashi-Marduk's estates and wealth, it is likely that he was the chief orchestrator. Through proclaiming his father as the new king, Belshazzar also made himself the first-in-line to the throne. As Nabonidus was relatively old at the time, Belshazzar could expect to become king within a few years. Nabonidus was absent from Babylon fro ...
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Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th c ...
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Sodom And Gomorrah
Sodom and Gomorrah () were two legendary biblical cities destroyed by God for their wickedness. Their story parallels the Genesis flood narrative in its theme of God's anger provoked by man's sin (see Genesis 19:1–28). They are mentioned frequently in the prophets and the New Testament as symbols of human wickedness and divine retribution, and the Quran also contains a version of the story about the two cities. The legend of their destruction may have originated as an attempt to explain the remains of third-millennium Bronze Age cities in the region, and subsequent Late Bronze Age collapse. Etymology The etymology of the names ''Sodom'' and ''Gomorrah'' is uncertain, and scholars disagree about them. They are known in Hebrew as hbo, , Səḏōm, label=none and hbo, , 'Ămōrā, label=none. In the Septuagint, these became grc, Σόδομα, Sódoma, label=none and grc, Γόμορρᾰ, Gómorrha, label=none; the Hebrew ghayn was absorbed by ayin sometime after the Septuagi ...
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