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Clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ...
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Clavicorde Lépante
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ...
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Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ra ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the ear ...
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Guy Sigsworth
Guy Sigsworth is an English record producer and songwriter. During his career, he has worked with many artists, including Seal, Björk, Goldie, Madonna, Britney Spears, Kate Havnevik, Imogen Heap, Bebel Gilberto, Mozez, David Sylvian, Alanis Morissette, Eric Whitacre, Alison Moyet, and AURORA . He has also collaborated with many celebrated instrumental musicians, including Talvin Singh, Jon Hassell, and Lester Bowie. He was previously a member of the band Frou Frou together with Imogen Heap. Early life Sigsworth grew up in Ilkley, where he developed a youthful passion for early music, especially the 14th-century composer Guillaume de Machaut. His earliest musical heroes were the multi-instrumentalist David Munrow and the maverick field recordist and composer David Fanshawe. He was a pupil at Leeds Grammar School in the 1970s. He studied the harpsichord, first at summer schools at the Casa de Mateus in Portugal, and later for a year at the Utrechts Conservatorium in the Nethe ...
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Violet Gordon-Woodhouse
Violet Gordon-Woodhouse (23 April 18729 January 1948) was a British keyboard player. She specialised in the harpsichord and clavichord, and was influential in bringing both instruments back into fashion. She was the first person to record the harpsichord, and the first to broadcast harpsichord music. Family Violet Kate Eglinton Gwynne was born at 97 Harley Street, St Marylebone, London, into a wealthy family with an estate in Sussex, England. She was the second daughter and fourth of seven children of James Eglinton Anderson Gwynne (1832–1915), an engineer, inventor, and landowner, and Mary Earle Purvis (1841–1923). Her mother was a friend of soprano Adelina Patti. Violet became a pupil of the country's leading piano teacher, Oscar Beringer, a German émigré, and by the age of sixteen she was one of his most promising pupils. Violet's maternal grandfather, Royal Navy officer and merchant William Purvis (1796–1854) from Dalgety Bay, Scotland, married Cornelia Louisa Intve ...
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Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string ( harpsichord), causing air to flow through a pipe organ, striking a bell ( carillon), or, on electric and electronic keyboards, completing a circuit ( Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale ...
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Chordophone
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the ...
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Monochord
A monochord, also known as sonometer (see below), is an ancient musical and scientific laboratory instrument, involving one (mono-) string ( chord). The term ''monochord'' is sometimes used as the class-name for any musical stringed instrument having only one string and a stick shaped body, also known as musical bows. According to the Hornbostel–Sachs system, string bows are bar zithers (311.1) while monochords are traditionally board zithers (314). The "harmonical canon", or monochord is, at its least, "merely a string having a board under it of exactly the same length, upon which may be delineated the points at which the string must be stopped to give certain notes," allowing comparison. A string is fixed at both ends and stretched over a sound box. One or more movable bridges are then manipulated to demonstrate mathematical relationships among the frequencies produced. "With its single string, movable bridge and graduated rule, the monochord (''kanōn'' reek: law stradd ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Hugh Denys
Hugh Denys (c. 14401511) of Osterley in Middlesex, was a courtier of Kings Henry VII of England, Henry VII and of the young Henry VIII. As Groom of the Stool to Henry VII, he was one of the King's closest courtiers, his role developing into one of administering the Privy chamber, Privy Chamber, a department in control of the royal finances which during Denys's tenure of office also gained control over national fiscal policy. Denys was thus a vital player in facilitating the first Tudor king's controversial fiscal policies. Early life Denys was probably born at Olveston, Olveston Court, Gloucestershire, c. 1440, the second son of Maurice Denys (Sheriff), Maurice Denys (d. 1466), Lord of the Manor of Alveston and Earthcott Green, Gloucestershire. His mother was Maurice's second wife, Alice Poyntz, daughter of Nicholas Poyntz of Iron Acton, Gloucestershire. The Denys family, formerly of Waterton, Bridgend in Coity Castle, Coity Lordship, Glamorgan, had become established in Glou ...
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Arnold Dolmetsch
Eugène Arnold Dolmetsch (24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music. Early life The Dolmetsch family was originally of Bohemian origin, but (Eugène) Arnold Dolmetsch, the son of Rudolph Arnold Dolmetsch and his wife Marie Zélie (née Guillouard) was born at Le Mans, France, where the family had established a piano-making business. It was in the family's workshops that Dolmetsch acquired the skills of instrument-making that would later be put to use in his early music workshops. He studied music at the Brussels Conservatoire and learnt the violin with Henri Vieuxtemps. In 1883 he travelled to London to attend the Royal College of Music, where he studied under Henry Holmes and Frederick Bridge, and was awarded a Bachelor of Music degree in 18 ...
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Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using p ...
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