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Circus Skills
Circus skills are a group of disciplines that have been performed as entertainment in circus, sideshow, busking, or variety, vaudeville, or music hall shows. Most circus skills are still being performed today. Many are also practiced by non-performers as a hobby. Circus schools and instructors use various systems of categorization to group circus skills by type. Systems that have attempted to formally organize circus skills into pragmatic teaching groupings include the Gurevich system"The Classification of Circus Techniques" by Hovey Burgess. ''The Drama Review'': TDR, Vol. 18, No. 1, Popular Entertainments (Mar., 1974), pp. 65-70. doi:10.2307/1144863. (the basis of the Russian Circus School's curriculum) and the Hovey Burgess system. Circus skills * Acrobalance * Acrobatics * Acro dance * Adagio * Aerial hoop * Aerial silk * Aerial straps * Artistic cycling * Balancing * Banquine * Baton twirling * Buffoonery * Bullwhip * Bungee trapeze * Cannonball catching * Carn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circus
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term ''circus'' also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'Penny Hatch on the south side of the Thames River, England. In 1770, he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a "circus". Performances developed significantly over the next fifty years, with large-scale theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baton Twirling
Baton twirling involves using the body to spin a metal rod in a coordinated routine. It is similar to rhythmic gymnastics or color guard. Description Twirling combines dance, agility, coordination and flexibility while manipulating a single baton or multiple batons. It is a sport that is played worldwide. A performance is typically accompanied by music. There are multiple types of baton twirlers. Majorettes twirl in a group for a high school or college with its marching band. A twirler may perform as part of a group which marches in a parade or in front of an audience. Competitive twirlers may compete solo or as part of a group. Twirlers start learning the skills as early as age 2, but usually in grade school age, although some begin as late as high school age. Baton twirling requires specific knowledge of how to manipulate the baton and where to hold the baton. The baton can be described as a rod, usually a lightweight metal such as aluminum, with weighted, resilient ends, typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contortion
Contortion (sometimes contortionism) is a performance art in which performers called contortionists showcase their skills of extreme physical flexibility. Contortion acts often accompany acrobatics, circus acts, street performers and other live performing arts. Contortion acts are typically performed in front of a live audience. An act will showcase one or more artists performing a choreographed set of moves or poses, often to music, which require extreme flexibility. The physical flexibility required to perform such acts greatly exceeds that of the general population. It is the dramatic feats of seemingly inhuman flexibility that captivate audiences. Skills Many factors affect the flexibility of performers including age, genetics, stature, and adherence to rigorous physical training routines. Most contortionists are generally categorized as "frontbenders" or "backbenders", depending on the direction in which their spine is most flexible. Relatively few performers are equall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contact Juggling
Contact juggling is a form of object manipulation that focuses on the movement of objects such as balls in contact with the body. Although often used in conjunction with "toss juggling", it differs in that it involves the rolling of one or more objects without releasing them into the air. History Many of the techniques found in contact juggling, such as balancing or rolling a single ball or palm spinning (see " Baoding Balls"), have been performed for centuries. More variations were introduced by vaudevillians such as Paul Cinquevalli. In 1986, American juggler Tony Duncan was reported to be holding audiences spellbound with an act that involved rolling a single ball all over his body. Michael Moschen brought the form to a new level with his performance, "Light", developed in the 1980s. In this performance he used 75mm clear crystal balls, palm spinning up to eight balls simultaneously. He finished the act by rolling a single clear ball so that it appeared to float over his h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forms Of Juggling
Juggling practice has developed a wide range of patterns and forms which involve different types of manipulation, different props, numbers of props, and numbers of jugglers. The forms of juggling shown here are practiced by amateur, non-performing, hobby jugglers as well as by professional jugglers. The variations of juggling shown here are extensive but not exhaustive as juggling practice develops and creates new patterns on a regular basis. Jugglers do not consciously isolate their juggling into one of the categories shown; instead most jugglers will practice two or more forms, combining the varieties of juggling practice. Some forms are commonly mixed, for example: numbers and patterns with balls; while others are rarely mixed, for example: contact numbers passing. Many Western jugglers also practice other forms of object manipulation, such as diabolo, devil sticks, cigar box manipulation, fire-spinning, contact juggling, hat manipulation, poi, staff-spinning, balancing tricks, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clowning
A clown is a person who performs comedy and arts in a state of open-mindedness using physical comedy, typically while wearing distinct makeup or costuming and reversing folkway-norms. History The most ancient clowns have been found in the Fifth Dynasty of Egypt, around 2400 BC. Unlike court jesters, clowns have traditionally served a socio-religious and psychological role, and traditionally the roles of priest and clown have been held by the same persons. Peter Berger writes, "It seems plausible that folly and fools, like religion and magic, meet some deeply rooted needs in human society." For this reason, clowning is often considered an important part of training as a physical performance discipline, partly because tricky subject matter can be dealt with, but also because it requires a high level of risk and play in the performer. In anthropology, the term ''clown'' has been extended to comparable jester or fool characters in non-Western cultures. A society in which su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloud Swing
The cloud swing is an aerialist, aerial act that usually combines static and swinging trapeze skills, drops, holds and rebound lifts. The apparatus itself is a soft rope about 25-30mm thick. It can be made from a single rope, or from a cotton-filled sheath. On its simplest level the cloud swing resembles a Spanish web in length and width, with each end braided and spliced-lashed with a thimble, forming a loop. Two high-caliber swivels are required to support the weight; the swivels are anchored to a crane bar or a stationary rig, with the swing itself hanging in a "V" shape. Generally, the motion provided to swing the performer is supplied by an assistant pulling on a tether at the bottom of the "V". The cloud swing is a relatively new apparatus, and many of the figures performed on it are borrowed or adapted from static and swinging trapeze. The "Mexican cloud swing" or ''corde volante'' is performed at higher altitude. A cloud swing act was featured in the Cirque du Soleil tou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigar Box (juggling)
Cigar box juggling is the juggling of rectangular props that resemble cigar boxes. Wood block manipulation was thought to have started by Japanese prisoners who were given small wood blocks as head rests for sleeping. Cigar box manipulation was developed as a vaudeville act in the United States between the 1880s and 1920s, and was popularized by W. C. Fields. Originally, performers would take actual boxes that cigars were stored in and nail them shut to create their juggling props. Today, cigar boxes for juggling are typically purpose-built, hollow wooden or plastic blocks with suede or foam rubber padding attached to the sides. Technique Cigar boxes are juggled by holding a box in each hand and tossing and flipping a third box in between them. Routines performed with cigar boxes may also include quick midair box-exchanging tricks, balancing tricks, and more. Most tricks are done with three boxes; more advanced routines may include more than three. Rather than the "flowing" st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Pole
Chinese poles are vertical poles on which circus performers climb, slide down and hold poses. The poles are generally between in height and approximately in diameter. Some poles have a slightly larger pole that rotates around the static central pole using ball bearings. This rotating pole allows a performer to spin on the vertical axis, giving a performer the ability to incorporate rate of spin into a performance. Bringing the body closer into the pole causes the performer to spin faster. A few Chinese pole tricks have been incorporated with pole dancing techniques. The poles are sometimes covered with rubber to improve grip. However, the rubber can cause friction burns on parts of the Chinese pole artists' bodies. Acrobats often wear multiple layers of clothing to prevent such burns and bruises. The most famous trick is " the flag", where the artist hangs straight out from the pole with his or her hands. This requires a very strong upper body. A few people are able to do pushu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chair (acrobatics)
The use of chairs as props in acrobatics falls into three broad categories: balancing, vaulting and contortion. Balancing In chair balancing, one or more acrobats balance on one or more chairs. The chair(s) may be balanced on other objects and/or on just one or two legs while the acrobat(s) themselves may also perform balancing acts on the chair. The chairs used in balance may have notches cut out or extra pieces of material added to allow them to be stacked at otherwise unstable angles. Chair balancing acts have been featured in the Cirque du Soleil shows '' Nouvelle Experience'', ''La Nouba'', ''Dralion'', '' Koozå'', ''Kurios'', and ''Crystal A crystal or crystalline solid is a solid material whose constituents (such as atoms, molecules, or ions) are arranged in a highly ordered microscopic structure, forming a crystal lattice that extends in all directions. In addition, macro ...''. Vaulting In chair vaulting, the acrobat jumps or tumbles over a chair. Someti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barker (occupation)
A barker, often a carnival barker, is a person who attempts to attract patrons to entertainment events, such as a circus or funfair, by exhorting passing members of the public, announcing attractions of show, and emphasizing variety, novelty, beauty, or some other enticing feature of the show. A barker would often conduct a brief free show, introducing performers and describing acts to be given at the feature performance. Professional barkers strongly disliked the term and instead referred to themselves as "talkers". Perhaps the most famous fictional barkers are Billy Bigelow, the protagonist of Rodgers and Hammerstein's classic stage musical '' Carousel'', and Tin Man, a supporting protagonist from the 1978 musical film '' The Wiz'' portrayed by Nipsey Russell. Bigelow, in turn was an Americanized version of Liliom, the protagonist of Hungarian author Ferenc Molnár's non-musical play ''Liliom'', on which ''Carousel'' is based. The term barker has been adapted in modern time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank "Cannonball" Richards
Frank Anson Richards also known as Frank "Cannonball" Richards and Cannonball Richards (February 20, 1887February 7, 1969) was an American sideshow, carnival and vaudeville performer whose act involved taking heavy blows to his stomach. Richards began by letting people (including heavyweight champion Jack Dempsey) punch him in the gut. Dempsey hit him in the stomach a reported total of seventy-five times. He then progressed to letting people jump on his belly, being struck by a Lumber#Dimensional lumber, two-by-four, being struck by a sledgehammer, and finally being shot by a 104-lb. (47 kg) round shot, cannonball from a 12 foot (3.6m) compressed air cannon. Richards limited his cannonball act to twice per day, as performing it more often was too painful. Early life Frank Anson Richards was born to Richard Jones Richards and Ellen Elizabeth Richards on February 20, 1887, in Minneapolis, Kansas, Minneapolis, Kansas. He had two siblings, sister Rose May Richards and brother E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
