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Cathedral Of Parma
Parma Cathedral ( it, Duomo di Parma; Cattedrale di Santa Maria Assunta) is a Roman Catholic cathedral in Parma, Emilia-Romagna (Italy), dedicated to the Assumption of the Blessed Virgin Mary. It is the episcopal seat of the Diocese of Parma. It is an important Italian Romanesque cathedral: the dome, in particular, is decorated by a highly influential illusionistic fresco by Renaissance painter Antonio da Correggio. History The construction was begun in 1059 by bishop Cadalo, later antipope with the name of Honorius II, and was consecrated by Paschal II in 1106. A basilica existed probably in the 6th century, but was later abandoned; another church had been consecrated in the rear part of the preceding one in the 9th century by the count-bishop Guibodo. The new church was heavily damaged by an earthquake in 1117 and had to be restored. Of the original building, remains can be seen in the presbytery, the transept, the choir and the apses, and in some sculpture fragments. The wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duomo E Battistero Di Parma
''Duomo'' (, ) is an Italian term for a church with the features of, or having been built to serve as, a cathedral, whether or not it currently plays this role. Monza Cathedral, for example, has never been a diocesan seat and is by definition not a cathedral. On the other hand, the city of Trevi no longer has a bishop, although it once did, and the erstwhile cathedral of Emilianus of Trevi is now a mere church. By contradistinction, the Italian word for a cathedral '' sensu stricto'' is ''cattedrale''. There is no direct translation of "duomo" into English, leading to many such churches being erroneously called "cathedral" in English, regardless of whether the church in question hosts a bishop. Many people refer to particular churches simply as ''il Duomo'', the ''Duomo'', without regard to the full proper name of the church. Similar words exist in other European languages: ''Dom'' ( German), ''dom'' ( Romanian), ''dóm'' ( Hungarian and Slovak), ''dôme'' ( French), ''domo'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptistery Of Parma
The Baptistery of Parma ( it, Battistero di Parma) is a religious edifice in Parma, northern Italy. Architecturally, the baptistery of Parma Cathedral marks a transition between the Romanesque and Gothic styles, and it is considered to be among the most important Medieval monuments in Europe. Description The city council of Parma commissioned Benedetto Antelami to build the baptistery in 1196. The outside of pink Verona marble is octagonal. The inside contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes and paintings. The most striking part of the Baptistery, however, is its painted domed ceiling. Sixteen rays come out of the center of the ceiling, which each correspond to the arches. However, problems were posed over time as the paintings were not true frescoes. The paint would start to come off the walls and would be literally hanging on. Due to this, the Baptistery had to be painstakingly consolidated an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Medieval Arabic And Western European Domes
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel, Aachen, Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Caliphate, Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine Martyrium (architecture), martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Iranian architecture, Persian architecture, using both pendentives and squinches. The origin of the Dome#Crossed-arch dome, crossed-arch dome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin (Correggio)
__NOTOC__ ''The Assumption of the Virgin'' is a fresco by the Italian Late Renaissance artist Antonio da Correggio decorating the dome of the Cathedral of Parma, Italy. Correggio signed the contract for the painting on November 3, 1522. It was finished in 1530. The composition was influenced by Melozzo da Forlì's perspective and includes the decoration of the dome base, which represents the four protector saints of Parma: St. John the Baptist with the lamb, St. Hilary with a yellow mantle, St. Thomas (or Joseph)More likely to be Saint Joseph carrying a staff according to David Ekserdjian, in "Correggio in Parma Cathedral: Not Thomas but Joseph", ''The Burlington Magazine ''(1986); pp. 412+414-415. with an angel carrying the martyrdom palm leaf, and St. Bernard, the sole figure looking upwards. Below the feet of Jesus, the uncorrupt Virgin in red and blue robes is lofted upward by a vortex of singing or otherwise musical angels. Ringing the base of the dome, between the window ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Bianchini
Luchino is a masculine Italian given name. Notable people with the name include: * Luchino Diruse, a hunter in the video game '' Identity V'' * Luchino Nefaria, a fictional character * Luchino Visconti (1906–1976), Italian theatre director * Luchino Visconti Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the ... (died 1349), lord of Milan See also * Lucchino, surname {{given name Italian masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prospero Clementi
Prospero Spani (16 February 1516 – 25 May 1584) was an Italian sculptor of the Renaissance, active mainly in the Province of Reggio Emilia. He is variously known as Prospero Clementi or Prospero Clemente or il Clemente. Vasari claimed he was Modenese. Biography Spani was born and died in Reggio Emilia. He initially trained with his grandfather, Bartolommeo Clementi, and then apprenticed with Antonio Begarelli. He soon modeled much of his work after the mannerist style of Michelangelo. The ''Funeral Monument for the blessed Bernardo degli Uberti'' (1544) in the Cathedral of Parma is his first work. He also completed some works for the Prati family in Parma. In the church of San Andrea in Mantua, he sculpted a monument for the Bishop Andreossi (Andreasi) (1549), with a sphinx and bronze swan, flanked by sculptures of ''Faith'' and ''Charity'' . He also worked for the Cathedral of Carpi and the church of San Domenico in Bologna. He was prolific in his native Reggio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of Parma
The Italian Catholic Diocese of Parma ( la, Dioecesis Parmensis) has properly been called Diocese of Parma-Fontevivo since 1892. ''''. David M. Cheney. Retrieved February 29, 2016"Diocese of Parma" ''GCatholic.org''. Gabriel Chow. Retrieved February 29, 2016. In 1892 the diocese absorbed the spiritualities of Fontevivo Abbey, a former territorial a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Di Uberti
Bernardo degli Uberti (c. 1060 – 4 December 1133) was an Italian Roman Catholic prelate who was a professed member and served as an abbot of the Vallumbrosan Order. Uberti served as the Bishop of Parma from 1106 until his death and was appointed as a cardinal. He came from the noble Uberti house from Florence. Uberti served as a papal legate for successive popes in several Italian regions in their disputes with secular rulers and was a close confidant and advisor to the Countess Matilda. He is often considered the third founding father for the order alongside Benedict of Nursia (the order was a branch of the Benedictines) and Giovanni Gualberto. Uberti's fame for holiness became so great that miracles were reported on a frequent basis at his tomb. This led to Pope Innocent II naming Uberti a saint only six years after his death, on 3 December 1139. Life Bernardo degli Uberti was born circa 1060 in Florence to the nobles Bruno degli Uberti and Ligarda. His paternal grandfa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolino De'Grossi
Bertolino is a surname. Notable people with the surname include: * Cláudio Bertolino (born 1963), Brazilian racewalker * Enrique Bertolino (1912–1997), Argentine golfer * Jean Bertolino (born 1936), French journalist and author See also * Bertolin * Bertolini * Barbera bianca {{surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Mazzola Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian painter active in the Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Parma Gallery). Freedberg describes him in his masterpiece of the ''Annunciation'' as resembling Parmigianino in the same way B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Gatti
Bernardino Gatti (c.1495 – 22 February 1576) was an Italian painter of the Renaissance, active mainly in Parma and Cremona. He is also commonly called il Sojaro. He was born in or near Pavia or Cremona. His early apprenticeship is unclear, though he was influenced by the pre-eminent local painters: Pordenone, alongside whose works are many of Gatti's frescoes, as well as Correggio. Gatti worked for 12 years, 1560–72, in the fresco decoration of the cupola of the duomo of Parma, where he was assisted by Bartholomaeus Spranger. His major works are the large fresco in the refectory of San Pietro in Cremona from 1552, frescoes in the dome of the Santa Maria della Steccata (1560–66) in Parma, and his ''Assunta'' in the Duomo of Cremona. He also worked in Pavia (1531) and Piacenza (1543). Among his most famous pupils are Sofonisba Anguissola and his nephew, Gervasio Gatti. Partial anthology of works *''Last Supper'' and ''Resurrection'' (1529), Cathedral of Cremona. *''Mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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