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Canned Heat
Canned Heat is an American band formed in Los Angeles, California, in 1965. The group is noted for its efforts to promote interest in blues music and its original artists and rock music. It was founded by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 song "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums). The music and attitude of Canned Heat attracted a worldwide following and established the band as one of the most popular music acts of the hippie and Counterculture era of the 1960s. Canned Heat appeared at most major musical events at the end of the 1960s, performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Taylor
Samuel Lawrence Taylor (June 26, 1942 – August 19, 2019) was an American bass guitarist, best known for his work as a member of Canned Heat from 1967. Before joining Canned Heat he had been a session bassist for The Monkees and Jerry Lee Lewis. He was the younger brother of Mel Taylor, long-time drummer of The Ventures. Life and career Taylor was born in New York, New York. His mother was Jewish and his father was a " WASP" from Tennessee. Taylor played bass guitar in The Gamblers, one of the first rock groups to play instrumental surf music. Its personnel also included Elliot Ingber, a future member of Frank Zappa's Mothers of Invention, Fraternity of Man and Captain Beefheart's The Magic Band; Bruce Johnston, half of the Bruce and Terry duo with Terry Melcher from 1962–66 and longtime "sixth" member of The Beach Boys, for a time brother Mel Taylor, and guitarist-songwriter-bandleader Derry Weaver, who would record and perform in several capacities during the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sterno
Sterno is a brand of jellied, denatured alcohol sold in a can and meant to be burned directly in its can. Its primary uses are in food service for buffet heating, in the home for fondue, and as a chafing fuel for heating chafing dishes. Other uses are for portable stoves and as an emergency heat source. It is also a popular fuel for use with toy and model steam and other external combustion engines. History The Sterno brand and trademark is owned by Sterno Products, a portfolio company of Westar Capital LLC, based in Corona, California. The brand was purchased from Blyth, Inc. in late 2012. Blyth had acquired the business from Colgate-Palmolive in 1997. The name comes from that of the original manufacturer, S. Sternau & Co. of Brooklyn, New York, a maker of chafing dishes, coffee percolators and other similar appliances since 1893. It had previously applied the name to its "Sterno-Inferno" alcohol burner. In 1918, it promoted its Sterno Stove as being a perfect gift ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topanga, California
Topanga () (Tongva: ''Topaa'nga'') is a census-designated place (CDP) in western Los Angeles County, California, United States. Located in the Santa Monica Mountains, the community exists in Topanga Canyon and the surrounding hills. The narrow southern portion of Topanga at the coast is between the city of Malibu and the Los Angeles neighborhood of Pacific Palisades. As of the 2020 census the population of the Topanga CDP was 8,560. The ZIP code is 90290 and the area code is primarily 310, with 818 only at the north end of the canyon. It is in the 3rd County Supervisorial district. History ''Topanga'' is the name given to the area by the Native American indigenous Tongva tribe, and may mean "where the mountain meets the sea" or "a place above." The name in the Tongva language, ''Topaa'nga'', has a root that likely comes from the Chumash language. It was the western border of their territory, abutting the Chumash tribe that occupied the coast from Malibu northwards. Bedrock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Watson
Junior Watson is an American jump blues guitarist and singer. Career Watson is a West Coast blues guitarist. He was a founding member of the blues band The Mighty Flyers and, starting in the early 1980s, he performed with the band for a decade. He also performed with Canned Heat throughout the 1990s. Watson has performed as a backing musician in performances and recordings for a number of blues musicians, including Big Mama Thornton, George Smith, Jimmy Rogers, Luther Tucker, Charlie Musselwhite, Mark Hummel, John Németh, Michael "Pink" Arguello, and Kim Wilson. Discography As leader * ''Long Overdue'' – 1994 (Black Top 1099) * ''Back To Back'' – 1998 (Crosscut CCD 11059) with Lynwood Slim * ''If I Had A Genie'' – 2002 (Heart & Soul 10799) * ''Jumpin' Wit Junior'' – 2012 (Regal Radio Records 10038) * ''Live From Outer Space'' – 2012 (Bluebeat Music 103) with The Red Wagons * ''Nothin' to It But to Do It'' – 2019 (Little Village Foundation 1033) Session works (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Trout
Walter Trout (born March 6, 1951 in Ocean City, New Jersey, United States) is an American blues guitarist, singer and songwriter. Biography Trout's career began on the Jersey coast scene of the late 1960s and early 1970s. He then decided to relocate to Los Angeles where he became a sideman for John Lee Hooker, Percy Mayfield, Big Mama Thornton, Joe Tex, and many others. Between 1981 and 1984, he was the lead guitarist in Canned Heat. He toured with them extensively in the US, Europe, and Australia. From 1984 to 1989, he was the lead guitarist in John Mayall's Bluesbreakers following in the footsteps of guitarists such as Peter Green and Eric Clapton. Trout recorded and toured with the Bluesbreakers worldwide. The many successes on stage were accompanied by a self-destructive lifestyle offstage. Trout recalled in a 2018 interview with Blues Radio International that while playing with John Mayall, he was rescued from a complete descent into alcohol and substance abuse by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Work Together
"Let's Stick Together" is a blues-based rhythm and blues song written by Wilbert Harrison. In 1962, Fury Records released it as a single. Harrison further developed the song and in 1969, Sue Records issued it as a two-part single titled "Let's Work Together". Although Harrison's original song did not appear in the record charts, his reworked version entered the U.S. Top 40. Several artists subsequently recorded the songs; "Let's Work Together" by Canned Heat (1970) and "Let's Stick Together" by Bryan Ferry (1976) were both chart successes. Original songs "Let's Stick Together" is a mid-tempo twelve-bar blues-style R&B song. According to music writer Richard Clayton, "Harrison probably intended 'Let’s Stick Together' as his follow-up single o 'Kansas City' but a contract dispute prevented him from releasing it while his star was in the ascendant". In 1959, "Kansas City", written by Jerry Leiber and Mike Stoller, was a number one hit for Harrison on both the ''Billboard'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Road Again (Canned Heat Song)
"On the Road Again" is a song recorded by the American blues-rock group Canned Heat in 1967. A driving blues-rock boogie, it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive falsetto vocal. "On the Road Again" first appeared on their second album, ''Boogie with Canned Heat'', in January 1968; when an edited version was released as a single in April 1968, "On the Road Again" became Canned Heat's first record chart hit and one of their best-known songs. Earlier songs With his record company's encouragement, Chicago blues musician Floyd Jones recorded a song titled "On the Road Again" in 1953. It was a remake of his successful 1951 song "Dark Road". Both songs are based on Mississippi Delta bluesman Tommy Johnson's 1928 song "Big Road Blues"Victor Records 21409 (Canned Heat took their name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Going Up The Country
"Going Up the Country" (also Goin' Up the Country) is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", it became one of the band's biggest hits and best-known songs. As with their previous single, "On the Road Again", the song was adapted from a 1920s blues song and sung by Alan Wilson. Background and composition Canned Heat, who were early blues enthusiasts, based "Going Up the Country" on "Bull Doze Blues", recorded in 1928 by Texas bluesman Henry Thomas. Thomas was from the songster tradition and had a unique sound, sometimes accompanying himself on quills, an early Afro-American wind instrument similar to panpipes. He recorded "Bull Doze Blues" in Chicago on June 13, 1928, for Vocalion Records. For "Going Up the Country", Canned Heat's Wilson used Thomas' melody on the quills and his basic rhythm, but arranged it for a rock setting and rewrote the lyrics. In addition to the bass and drum rhythm section, Henry Vest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called " raga rock". In the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterculture Of The 1960s
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippie
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during the mid-1960s and spread to different countries around the world. The word '' hippie'' came from '' hipster'' and was used to describe beatniks who moved into New York City's Greenwich Village, in San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term ''hippie'' was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier. The origins of the terms '' hip'' and ''hep'' are uncertain. By the 1940s, both had become part of African American jive slang and meant "sophisticated; currently fashionable; fully up-to-date". The Beats adopted the term ''hip'', and early hippies inherited the language and countercultural values of the Beat Generation. Hippies created their own comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
