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Broadhurst Theatre
The Broadhurst Theatre is a Broadway theater at 235 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Broadhurst Theatre is named for British-American theatrical producer George Broadhurst, who leased the theater before its opening. It has 1,218 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Schoenfeld (formerly Plymouth) Theatre, which was developed concurrently. The Broadhurst's facade is made of buff-colored brick and terracotta and is divided into two sections: a stage house to the west and the theater's entrance to the east. The entrance is topped by fire-escape galleries and contains a curved corner facing east toward Broadway. The auditorium contains an orchestra l ...
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Frankie And Johnny In The Clair De Lune
''Frankie and Johnny in the Clair de Lune'' is a two-character play by Terrence McNally that was first performed off-Broadway in 1987. Plot The play focuses on two lonely, middle-aged people whose first date ends with their tumbling into bed. The two are in her one-room walk-up apartment in the west side of Manhattan. Johnny (originated by F. Murray Abraham), a short order cook, is in good physical condition; but Frankie (originated by Kathy Bates), a waitress, is frumpy, fat, and emotionally defined by her unattractiveness. Johnny is certain he has found his soul mate in Frankie. She, on the other hand, is far more cautious and disinclined to jump to conclusions and at first has written off the encounter as a one night stand. As the night unfolds, they slowly begin to reveal themselves to each other as they take tentative steps towards the possible start of a new relationship. Describing the scene from which the play gets its name, David Finkle wrote, "Johnny calls the radio stati ...
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Broadway (Manhattan)
Broadway () is a road in the U.S. state of New York. Broadway runs from State Street at Bowling Green for through the borough of Manhattan and through the Bronx, exiting north from New York City to run an additional through the Westchester County municipalities of Yonkers, Hastings-On-Hudson, Dobbs Ferry, Irvington, and Tarrytown, and terminating north of Sleepy Hollow.There are four other streets named "Broadway" in New York City's remaining three boroughs: one each in Brooklyn ( see main article) and Staten Island, and two in Queens (one running from Astoria to Elmhurst, and the other in Hamilton Beach). Each borough therefore has a street named "Broadway". See also from Forgotten NY: Broadway in the Bronx, Page 1anPage 2Broadway in Queens, Page 1anPage 2Broadway in Staten Island It is the oldest north–south main thoroughfare in New York City, with much of the current street beginning as the Wickquasgeck trail before the arrival of Europeans. This formed the ...
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Kiss Of The Spider Woman (musical)
''Kiss of the Spider Woman'' is a musical with music by John Kander and Fred Ebb, with the book by Terrence McNally. It is based on the Manuel Puig novel '' El Beso de la Mujer Araña''. Directed by Harold Prince, the musical had runs in the West End (1992) and Broadway (1993) and won the 1993 Tony Award for Best Musical. Despite a decidedly mixed review by Frank Rich, the musical ran on Broadway for 904 performances. Plot Luis Alberto Molina, a gay window dresser, is in a prison in Argentina, serving his third year of an eight-year-sentence for corrupting a minor. He lives in a fantasy world to flee the prison life, the torture, fear and humiliation. His fantasies turn mostly around movies, particularly around a vampy diva, Aurora. He loves her in all roles, but one scares him: This role is the spider woman, who kills with her kiss. One day, a new man is brought into his cell: Valentin Arregui Paz, a Marxist revolutionary, already in a bad state of health after torture ...
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Grease (musical)
''Grease'' is a musical with music, lyrics, and a book by Jim Jacobs and Warren Casey. Named after the 1950s United States working-class youth subculture known as greasers, the musical is set in 1959 at fictional Rydell High School (based on Taft High School in Chicago, Illinois and named after rock singer Bobby Rydell) and follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love.Woulfe, Molly" 'Grease' has deep, dark Chicago roots"''NW Times'', January 2, 2009, retrieved January 10, 2017 The score borrows heavily from the sounds of early rock and roll. In its original production in Chicago, ''Grease'' was a raunchy, raw, aggressive, vulgar show. Subsequent productions toned down the more risqué content. The show mentions social issues such as teenage pregnancy, peer pressure, and gang violence; its themes include love, friendship, teenage rebellion, sexual exploration during adolescence, and, to some ...
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Cabaret (musical)
''Cabaret'' is a 1966 musical with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff. The musical was based on John Van Druten's 1951 play '' I Am a Camera'' which was adapted from '' Goodbye to Berlin'' (1939), a semi-autobiographical novel by Anglo-American writer Christopher Isherwood which drew upon his experiences in the poverty-stricken Weimar Republic and his intimate friendship with nineteen-year-old cabaret singer Jean Ross. Set in 1929–1930 Berlin during the twilight of the Jazz Age as the Nazis are ascending to power, the musical focuses on the hedonistic nightlife at the seedy Kit Kat Klub and revolves around American writer Clifford Bradshaw's relations with English cabaret performer Sally Bowles. A subplot involves the doomed romance between German boarding house owner Fräulein Schneider and her elderly suitor Herr Schultz, a Jewish fruit vendor. Overseeing the action is the Master of Ceremonies at the Kit Kat Klub, and the club itself ...
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Fiorello!
''Fiorello!'' is a musical about New York City mayor Fiorello La Guardia, a reform Republican, which debuted on Broadway in 1959, and tells the story of how La Guardia took on the Tammany Hall political machine. The book is by Jerome Weidman and George Abbott, drawn substantially from the 1955 volume ''Life with Fiorello'' by Ernest Cuneo,"Ernest L. Cuneo, 82; Owned Newspaper Service"
''The New York Times'', March 5, 1988. Accessed April 23, 2010.
with lyrics by , and music by . I ...
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Hold Everything!
''Hold Everything!'' is a musical comedy with lyrics by Lew Brown and B. G. de Sylva, music by Ray Henderson, and has an accompanying book by John McGowan and B. G. de Sylva. Produced by Alex A. Aarons and Vinton Freedley, the Broadway production opened on 10 October 1928 at the Broadhurst Theatre for a total run of 409 performances. The cast included Bert Lahr, Jack Whiting, Ona Munson and Victor Moore. Bert Lahr's career as a star began with this show. This most famous song from the show is “You're the Cream in My Coffee”. In 1930, Warner Brothers produced a movie version '' Hold Everything'' filmed entirely in Technicolor. Survives in Black and White. Songs Act I * We’re Calling on Mr. Brooks * An Outdoor man for My Indoor Sports * Footwork * You're the Cream in My Coffee "You're the Cream in My Coffee" is a popular song published in 1928. Popular recordings were by Annette Hanshaw, Ben Selvin (vocal by Jack Palmer), Ted Weems (vocal by Parker Gibbs) and Ruth ...
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Misalliance
''Misalliance'' is a play written in 1909–1910 by George Bernard Shaw. The play takes place entirely on a single Saturday afternoon in the conservatory of a large country house in Hindhead, Surrey in Edwardian era England. It is a continuation of some of the ideas on marriage that he expressed in 1908 in his play, '' Getting Married''. It was also a continuation of some of his other ideas on Socialism, physical fitness, the Life Force, and "The New Woman": i.e. women intent on escaping Victorian standards of helplessness, passivity, stuffy propriety, and non-involvement in politics or general affairs. Shaw subtitled his play ''A Debate in One Sitting'', and in the program of its first presentation in 1910 inserting this program note: "The debate takes place at the house of John Tarleton of Hindhead, Surrey, on 31 May 1909. As the debate is a long one, the curtain will be lowered twice. The audience is requested to excuse these interruptions, which are made solely for its conven ...
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Shubert Theatre (Broadway)
The Shubert Theatre is a Broadway theater at 225 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. Lee and J. J. Shubert had named the theater in memory of their brother Sam S. Shubert, who died in an accident several years before the theater's opening. It has 1,502 seats across three levels and is operated by The Shubert Organization. The facade and interior are New York City landmarks. The Shubert's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face south onto 44th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, two balconies, and a flat ceiling. The space is decorated with mythological murals throughout. Near t ...
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Booth Theatre
The Booth Theatre is a Broadway theater at 222 West 45th Street ( George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. The venue was originally operated by Winthrop Ames, who named it for 19th-century American actor Edwin Booth. It has 800 seats across two levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks. The Booth's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face north onto 45th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, one balcony, box seats, and a coved ceiling. The walls are decorated with wooden paneling with windows above, an unusual des ...
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Box (theatre)
In a theatre, a box, loge, or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. Boxes are typically placed immediately to the front, side and above the level of the stage. They are separate rooms with an open viewing area which typically seat five people or fewer. Usually all the seats in a box are taken by members of a single group of people. A state box or royal box is sometimes provided for dignitaries. In theatres without box seating the loge can refer to a separate section at the front of the balcony. Sports venues such as stadiums and racetracks also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is limited to royal families or other distinguished personalities. In other countries, sports venues have luxury boxes aka skyboxes, where access is open to anyone who can afford tickets, sometimes bought by companies. ...
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Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of ...
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