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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface In Contemporary Art
Blackface in contemporary art covers issues from stage make-up used to make non-black performers appear black (the traditional meaning of blackface), to non-black creators using black personas. Blackface is generally considered an anachronistically racist performance practice, despite or because of which it has been widely used in contemporary art. Contemporary art in this context is understood as art produced from the second half of the 20th century until today. In recent years some black artists and artists of color have engaged in blackface as a form of deconstruction and critique. Physical blackface * Lynn Hershman Leeson's 1966 "Self Portrait as Another Person" consists of a wax mold of the artist's face in blackface, flattened and distorted, paired with motion-activated recordings of her voice. The label stated "As a political gesture, Hershman Leeson partly painted the masks black to express her solidarity with the civil rights movement." "Self Portrait As Another Person" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zwarte Piet
Zwarte Piet (; lb, Schwaarze Péiter, fy, Swarte Pyt), also known in English by the translated name Black Pete, is the companion of Saint Nicholas ( nl, Sinterklaas, fy, Sinteklaas, lb, Kleeschen) in the folklore of the Low Countries. The earliest known illustration of the character comes from an 1850 book by Amsterdam schoolteacher Jan Schenkman in which he was depicted as a black Moor from Spain. Those portraying the traditional version of Zwarte Piet usually put on blackface and colourful Renaissance attire in addition to curly wigs and bright red lipstick. The character has been increasingly controversial since the early 2010s and decreasingly prevalent at municipal holiday celebrations in the years that have followed. As of 2021, a revised version, dubbed Sooty Piet ( nl, Roetveegpiet), has become more common than the traditional variant at public events, in addition to in television specials, films, social media, and advertising. Sooty Piet features the natural sk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Black And White Minstrel Show
''The Black and White Minstrel Show'' was a British light entertainment show that ran for twenty years on BBC prime-time television. Running from 1958 to 1978, it was a weekly variety show that presented traditional American minstrel and country songs, as well as show tunes and music hall numbers, lavishly costumed. It was also a successful stage show that ran for ten years from 1962 to 1972 at the Victoria Palace Theatre, London. This was followed by tours of UK seaside resorts, together with Australia and New Zealand. History Minstrel shows had become a long-established feature of British music halls and seaside entertainment since the success of acts such as the Virginia Minstrels in Liverpool in the 1840s and Christy's Minstrels in London in the 1850s. These led directly to many British imitators such as Hamilton's Black and White Minstrels in the 1880s and many others, with Uncle Mac's Minstrels becoming such a popular mainstay in Broadstairs from the 1890s to the 1940 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreadnought Hoax
The ''Dreadnought'' hoax was a prank pulled by Horace de Vere Cole in 1910. Cole tricked the Royal Navy into showing their flagship, the battleship HMS ''Dreadnought'', to a fake delegation of " Abyssinian royals". The hoax drew attention in Britain to the emergence of the Bloomsbury Group, among whom some of Cole's collaborators numbered. The hoax was a repeat of a similar impersonation which Cole and Adrian Stephen had organised while they were students at Cambridge in 1905. Background Hoaxers Horace de Vere Cole was born in Ireland in 1881 to a well-to-do family. He was commissioned into the Yorkshire Hussars and served in the Second Boer War, where he was seriously wounded and invalided out of service. On his return to Britain he became an undergraduate at Trinity College, Cambridge; he studied little, and spent his time entertaining and undertaking hoaxes and pranks. One of Cole's closest friends at Trinity was Adrian Stephen, a keen sportsman and actor. Cole's biogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Appropriation
Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. Fourmile, Henrietta (1996). "Making things work: Aboriginal and Torres Strait Islander Involvement in Bioregional Planning" in ''Approaches to bioregional planning. Part 2. Background Papers to the conference; 30 October – 1 November 1995, Melbourne''; Department of the Environment, Sport and Territories. Canberra. pp. 268–269: "The esternintellectual property rights system and the (mis)appropriation of Indigenous knowledge without the prior knowledge and consent of Indigenous peoples evoke feelings of anger, or being cheated" According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Padlock
''The Padlock'' is a two-act 'afterpiece' opera by Charles Dibdin. The text was by Isaac Bickerstaffe. It debuted in 1768 at the Drury Lane Theatre in London as a companion piece to '' The Earl of Warwick''. It partnered other plays before a run of six performances in tandem with ''The Fatal Discovery'' by John Home. "The Padlock" was a success, largely due to Dibdin's portrayal of Mungo, a blackface caricature of a black servant from the West Indies. The company took the production to the United States the next year, where a portrayal by Lewis Hallam, Jr. as Mungo met with even greater accolades. The libretto was first published in London around 1768 and in Dublin in 1775. The play remained in regular circulation in the U.S. as late as 1843. It was revived by the Old Vic Company in London and on tour in the UK in 1979 in a new orchestration by Don Fraser and played in a double-bill with Garrick's ''Miss In Her Teens''. The role of Mungo was, again, played by a white actor. Opera T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Strausbaugh
John Strausbaugh (born 1951, in Baltimore, Maryland) is an American author, cultural commentator, and host of ''The New York Times'' ''Weekend Explorer'' video podcast series on New York City. Among other topics, he is an authority on the history of New York City. His 2016 book, ''City of Sedition: The History of New York City During the Civil War'', chronicles the localized conflicts between New York constituent groups and how their respective actions helped or hampered President Lincoln's war effort. His most recent book, ''Victory City: A History of New York and New Yorkers during World War II'', was issued by Grand Central Publishing in December 2018. Strausbaugh's 2013 book ''The Village: 400 Years of Beats and Bohemians, Radicals and Rogues, a History of Greenwich Village'' (Ecco) explains the tumultuous events that made New York's Greenwich Village the cultural engine of America. The book is described by Kurt Andersen as "the definitive history of America's bohemian wells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African-American Culture
African-American culture refers to the contributions of African Americans to the culture of the United States, either as part of or distinct from mainstream American culture. The culture is both distinct and enormously influential on American and global worldwide culture as a whole. African-American culture is a blend between the native African cultures of West Africa and Central Africa and the European culture that has influenced and modified its development in the American South. Understanding its identity within the culture of the United States, that is, in the anthropological sense, conscious of its origins as largely a blend of West and Central African cultures. Although slavery greatly restricted the ability for Africans to practice their original cultural traditions, many practices, values and beliefs survived, and over time they have modified and/or blended with European cultures and other cultures such as that of Native Americans. African-American identity was es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-dressing
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself. Cross-dressing has played an important part in society due to the nature of sociology. Sociology dictates that social norms are an inherent part of society and, thus, there are expected norms for each gender relating to style, color, type of clothing and more. Thus, cross-dressing allows individuals to express themselves by acting beyond guidelines, views, or even laws defining what type of clothing is expected and appropriate for each gender. The term "cross-dressing" refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being transgender. Terminology The phenomenon of cross-dressing is seen throughout recorded history, being referred to as far back as the Heb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exploitation Of Labour
Exploitation of labour (also known as labor) is a concept defined as, in its broadest sense, one agent taking unfair advantage of another agent. It denotes an unjust social relationship based on an asymmetry of power or unequal exchange of value between workers and their employers. When speaking about exploitation, there is a direct affiliation with consumption in social theory and traditionally this would label exploitation as unfairly taking advantage of another person because of their inferior position, giving the exploiter the power.Dowding, Keith (2011). "Exploitation". ''Encyclopedia of Power''. SAGE Publications. pp. 232–235. . Karl Marx's theory of exploitation has been described in the '' Stanford Encyclopedia of Philosophy'' as the most influential theory of exploitation. In analyzing exploitation, economists are split on the explanation of the exploitation of labour given by Marx and Adam Smith. Smith did not see exploitation as an inherent systematic phenomenon in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Assimilation
Cultural assimilation is the process in which a minority group or culture comes to resemble a society's majority group or assume the values, behaviors, and beliefs of another group whether fully or partially. The different types of cultural assimilation include full assimilation and forced assimilation; full assimilation being the most prevalent of the two, as it occurs spontaneously. During cultural assimilation, minority groups are expected to adapt to the everyday practices of the dominant culture through language and appearance as well as via more significant socioeconomic factors such as absorption into the local cultural and employment community. Some types of cultural assimilation resemble acculturation in which a minority group or culture completely assimilates into the dominant culture in which defining characteristics of the minority culture are less obverse or outright disappear; while in other types of cultural assimilation such as cultural integration mostly fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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