Beethoven Monument, Bonn
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Beethoven Monument, Bonn
The Beethoven Monument is a large bronze statue of Ludwig van Beethoven that stands on the Münsterplatz in Bonn, Beethoven's birthplace. It was unveiled on 12 August 1845, in honour of the 75th anniversary of the composer's birth. Background Heinrich Carl Breidenstein (1796–1876) was Germany's first professor of musicology. He had held a post at Bonn University since 1823. In 1828 he had first expressed the idea of a monument to Beethoven in his native town. In 1832 he wrote an article suggesting the idea, "or, even better, a living memorial, one dedicated to art, Bildung, education, etc." Up to that time it had not been German or Austrian practice to erect statues of great cultural figures. Friedrich Schiller had to wait until 1839; the first one of Mozart (in Salzburg, Austria) was not unveiled until 1842; and the first one of Beethoven in Vienna, the city he spent most time in, was most associated with, and died in, was not created until 1880. On 17 December ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound ...
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Variations Sérieuses
''Variations sérieuses'', Op. 54, is a composition for solo piano by Felix Mendelssohn consisting of a theme in D minor and 17 variations. It was completed on 4 June 1841. A typical performance lasts about eleven minutes. The work was written as part of a campaign to raise funds for the erection of a large bronze statue of Ludwig van Beethoven in his home town of Bonn. The publisher Pietro Mechetti asked Mendelssohn to contribute to a 'Beethoven Album', published in January 1842, which also included pieces by Liszt, Chopin, Moscheles and others, of which the proceeds would go to the Monument.Todd, R. Larry (2003). ''Mendelssohn, A Life in Music'', p.414. Oxford. (Schumann's Fantasie in C was the final result of a work originally intended for the same purpose). Mendelssohn is known to have written three sets of piano variations, but only this one was published during his lifetime. Variations sérieuses, for piano in D minor, Op. 54; Composition Description/ref> Many of ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio '' St. Paul'', the oratorio '' Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol " Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Chris ...
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Friedrich Wieck
Johann Gottlob Friedrich Wieck (18 August 1785 – 6 October 1873) was a noted German piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ... teacher, voice teacher, owner of a piano store, and author of essays and music reviews. He is remembered as the teacher of his daughter, Clara, a child prodigy who was undertaking international concert tours by age eleven and who later married her father's pupil Robert Schumann, in defiance of her father's extreme objections. As Clara Schumann, she became one of the most famous pianists of her time. Another of Wieck's daughters, Marie Wieck, also had a career in music, although not nearly so illustrious as Clara's. Other pupils included Hans von Bülow. Life Wieck was born in Pretzsch, Wittenberg, Pretzsch, not far from Leipzig, in 1785, ...
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Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto ( her Op. 7), chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She premiered many works by he ...
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An Die Ferne Geliebte
' (''To the distant beloved''), Op. 98, is a composition by Ludwig van Beethoven written in April 1816, setting poetry by Alois Jeitteles. Beethoven's ' Beethoven's only song cycle was the precursor of a series of followers, including those of Franz Schubert, Robert Schumann and Carl Loewe. The setting is for a man's voice (usually tenor) with piano. The title page of the original edition (S. A. Steiner, Vienna) bore a dedication with permission to Fürst Joseph Franz von Lobkowitz, Duke of Raudnitz, a leading Austrian musical patron, in whose palace the Eroica Symphony was first performed in 1804; Beethoven also dedicated the six string quartets, Op. 18, the Eroica Symphony, Op. 55, the Triple Concerto, Op. 56, the C minor Symphony, Op. 67, the Pastoral Symphony, Op. 68, and the String Quartet, Op. 74 to him. The text was written by a physician named Alois Isidor Jeitteles, probably at Beethoven's request. Jeitteles had published several short verses, economic in style, in ...
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Fantasie In C (Schumann)
The ''Fantasie in C'', Op. 17, was written by Robert Schumann in 1836. It was revised prior to publication in 1839, when it was dedicated to Franz Liszt. It is generally described as one of Schumann's greatest works for solo piano, and is one of the central works of the early Romantic period. It is often called by the Italian version, ''Fantasia''; the word "Fantasie" is the German spelling. Structure The Fantasie is in loose sonata form. Its three movements are headed: The first movement is rhapsodic and passionate; the middle movement is a grandiose rondo based on a majestic march, with episodes that recall the emotion of the first movement; and the finale is slow and meditative. Genesis The piece has its origin in early 1836, when Schumann composed a piece entitled ''Ruines'' expressing his distress at being parted from his beloved Clara Wieck (later to become his wife). This later became the first movement of the Fantasy. Later that year, he wrote two more movements to ...
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Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphoni ...
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Ernst Julius Hähnel
Ernst Julius Hähnel (9 March 1811, Dresden – 22 May 1891, Dresden) was a German sculptor and Professor at the Dresden Academy of Fine Arts. He is especially remembered for his public statuary. His works of art can be admired throughout Germany. Life He was born in Dresden on 9 March 1811. He originally studied architecture at the Dresden Academy then, in 1826, went to the Academy of Fine Arts, Munich, where he remained until 1831 and later switched to sculpture after taking classes with Ernst Rietschel and Ludwig Schwanthaler. He took a study trip to Rome and Florence and returned to Munich, living there from 1835 to 1838, when he was appointed to the Dresden Academy. Upon arriving there, Gottfried Semper entrusted him with the preparation of some sculptures for the new Semperoper (Opera House). In 1845, he created the Beethoven Monument in Bonn, the work which made him famous. He became a full Professor at the Dresden Academy in 1848. Johannes Schilling and Christian ...
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Lorenzo Bartolini
Lorenzo Bartolini (Prato, 7 January 1777 Florence, 20 January 1850) was an Italian sculptor who infused his neoclassicism with a strain of sentimental piety and naturalistic detail, while he drew inspiration from the sculpture of the Florentine Renaissance rather than the overpowering influence of Antonio Canova that circumscribed his Florentine contemporaries. Biography Bartolini was born in Savignano di Prato, near Prato, Tuscany. After studying at the Florentine Academy of Fine Arts, honing his skills and reputation as a modeller in alabaster, he went in 1797 to Paris, where he studied painting under Jean-Baptiste Frédéric Desmarais, and afterwards sculpture under François-Frédéric Lemot. The bas-relief ''Cleobis and Biton'', with which he gained the second prize of the Academy in 1803, at once established his fame as a sculptor and gained for him a number of influential patrons. His bas-relief of the ''Battle of Austerlitz'' was among those executed for the column e ...
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Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, ...
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