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Barbad
Barbad or Bārbad ( fa, باربد; various other names; ) was a Persian poet-musician, lutenist, music theorist and composer of Sasanian music who served as chief minstrel-poet under Shahanshah Khosrow II (). A '' barbat'' player, he is among the major figures in the history of Iranian/Persian music and was the most distinguished Persian musician of his time. He appears frequently in later Persian literature, most famously in Ferdowsi's ''Shahnameh''. The content and abundance of such references demonstrate his unique influence on the music and culture of his time, with some sources declaring him the "founder of Persian music". Despite scarce biographical information, Barbad's historicity is generally secure. Purportedly born in Merv or Jahrom, Barbad served most of his career under Khosrow, who held him in high regard. He interacted closely and rivaled with other musicians of his time, such as Sarkash. After Khosrow's assassination, sources vary as to whether Barbad was mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Music
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's '' dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Iran
The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music influenced other cultures in West Asia, building up much of the musical terminology of the neighboring Turkic and Arabic cultures, and reached India through the 16th-century Persianate Mughal Empire, whose court promoted new musical forms by bringing Iranian musicians. History Earliest records Music in Iran, as evidenced by the "pre-Iranian" archaeological records of Elam, the oldest civilization in southwestern Iran, dates back thousands of years. Iran is the birthplace of the earliest complex instruments, which date back to the third millennium BC. A number of trumpets made of silver, gold, and copper were found in eastern Iran that are attributed to the Oxus civilization and date back between 2200 and 1750 BC. The use of both vertical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Literature
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Taji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishaq Al-Mawsili
Ishaq al-Mawsili ( ar, إسحاق الموصلي; 767/772 – March 850) was an Arab musician of Persian origin active as a composer, singer, music theorist and writer on music. The leading musician of his time in the Abbasid Caliphate, he served under six successive Abbasid caliphs: Harun al-Rashid, Al-Amin, Al-Ma'mun, Al-Mu'tasim, Al-Wathiq and Al-Mutawakkil. The caliphs and Abbasid court held him in high regard, and his diverse intellect elevated him to a social status that was highly unusual for musicians of the time. Taught by his similarly renowned father Ibrahim al-Mawsili and the noted lutenist Zalzal, he succeeded his father in leading the conservative musical establishment, putting him at odds with progressive musicians such as Ibrahim ibn al-Mahdi and Ziryab. He has appeared in the ''Maqamat'' of Al-Hariri of Basra and '' One Thousand and One Nights''. Life and career Early life Modern sources vary on the exact location and birthdate of Ishaq al-Mawsili. The arabist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagisa (harpist)
Nagisa or Nakisa was a noted harpist and composer of Sasanian music in the royal court Khosrow II (). Historical context The music of Iran, music of Iran/Persia stretches to at least the prehistoric depictions of arched harps from 3300–3100 BCE, though not until the 224–651 CE Sasanian Empire is substantial information available. This influx of Sasanian records suggests a prominent musical culture in the Empire, especially in the areas dominated by Zoroastrianism. Many Sassanian Shahanshahs were ardent supporters of music, including the founder of the empire Ardashir I and Bahram V. Khosrow II () was the most outstanding patron, his reign being regarded as a golden age of Persian music. In addition to Nagisa, musicians in Khosrow's service included Āzādvar-e Changi, Bāmshād, Rāmtin, Sarkash and Bārbad, who was the most famous. These musicians were usually active as minstrels, which were performers who worked as both court poets and musicians; in the Sassanian Empire ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Music
The music of Iran encompasses music that is produced by Iranian artists. In addition to the traditional folk and classical genres, it also includes pop and internationally celebrated styles such as jazz, rock, and hip hop. Iranian music influenced other cultures in West Asia, building up much of the musical terminology of the neighboring Turkic and Arabic cultures, and reached India through the 16th-century Persianate Mughal Empire, whose court promoted new musical forms by bringing Iranian musicians. History Earliest records Music in Iran, as evidenced by the "pre-Iranian" archaeological records of Elam, the oldest civilization in southwestern Iran, dates back thousands of years. Iran is the birthplace of the earliest complex instruments, which date back to the third millennium BC. A number of trumpets made of silver, gold, and copper were found in eastern Iran that are attributed to the Oxus civilization and date back between 2200 and 1750 BC. The use of both vertical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jahrom
Jahrom ( fa, جهرم, also known as Jahrūm) is a city and capital of Jahrom County, Fars Province, Iran. At the 2016 census, its population was 141,634. Jahrom is the largest city in south of Fars Province and the second one in whole province. Jahrom is one of the historical cities of Iran. The founder of the city of Jahrom, Artaxerxes I of Persia, the son of Xerxes I, the fifth Achaemenid king. Ferdosi has mentioned Jahrom many times in Shahnameh, especially in the stories related to Ardashir I. There are many ancient monuments and tourist attractions in Jahrom, Such as Sangtarashan cave, Jameh Mosque of Jahrom, Jahrom bazaar, Khan school and fire temple of Jahrom (Qadamgah). Jahrom is located southeast of Shiraz, the capital of Fars Province. Jahrom has a hot semi-arid climate, the average rainfall is about per year, and the average temperature is about . The average height of Jahrom is about above sea level. The majority of people in Jahrom are Persians and Shia Musl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khosrow II
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diacritic
A diacritic (also diacritical mark, diacritical point, diacritical sign, or accent) is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek (, "distinguishing"), from (, "to distinguish"). The word ''diacritic'' is a noun, though it is sometimes used in an attributive sense, whereas ''diacritical'' is only an adjective. Some diacritics, such as the acute ( ◌́ ) and grave ( ◌̀ ), are often called ''accents''. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters. The main use of diacritics in Latin script is to change the sound-values of the letters to which they are added. Historically, English has used the diaeresis diacritic to indicate the correct pronunciation of ambiguous words, such as "coöperate", without which the letter sequence could be misinterpreted to be pronounced . Other examples are the acute and grave accents, which can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Christensen
Arthur Emanuel Christensen (9 January 1875 – 31 March 1945) was a Danish orientalist and scholar of Iranian philology and folklore. He is best known for his works on the Iranian history, mythology, religions Religion is usually defined as a social- cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatural, t ... and medicine. Christensen received his doctorate in 1903. The book '' One Thousand and One Nights'' ignited his interest to the Middle East. The subject of his doctorate dissertation was written about Omar Khayyam, a renowned Persian polymath.مجلهٔ یغما، شمارهٔ ۲۵۳. ص۴۸۵ Selected bibliography * References People from Copenhagen Danish writers Iranologists 1875 births 1945 deaths Members of the Göttingen Academy of Sciences and Humanities {{Denmark-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabicization
Arabization or Arabisation ( ar, تعريب, ') describes both the process of growing Arab influence on non-Arab populations, causing a language shift by the latter's gradual adoption of the Arabic language and incorporation of Arab culture, after the Muslim conquest of the Middle East and North Africa, as well as the Arab nationalist policies of some governments in modern Arab states toward non-Arabic speaking minorities, including Algeria, Iraq, Kuwait, Sudan. Historically, aspects of the culture of the Arabian Peninsula were combined in various forms with the cultures of conquered regions and ultimately denominated "Arab". After the rise of Islam in the Hejaz, Arab culture and language were spread outside the Arabian Peninsula through conquest, trade and intermarriages between members of the non-Arab local population and the peninsular Arabs. Even within the Arabian Peninsula itself, Arabization occurred to non-Arab populations such as the Hutaym in the northwestern Arabia a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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